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Henry Norman
Hudson
Linked, related page: Hudson's Preface to the Harvard Edition Henry N. Hudson was an American original, experienced as a farmer, coach-maker, school teacher, a Boston churchman and literati, popular lecturer and friend of Emerson—though no transcendentalist—and editor of Shakespeare. His first edition of Shakespeare appeared in 11 volumes from 1851-1856, preceded by that of Verplanck. His School Shakespeare appeared in 1870, in 1872 Shakespeare His Life, Art and Characters, finally in 1881 his Harvard Shakespeare appeared in 20 volumes (see links below). In the 1840's, while Hudson was lecturing in New England, he was said to be "as popular as Emerson himself in lecture courses in all the great cities" (A. J. George in the Introduction to Essays on English Studies, 1906). After the Civil War, Hudson became the most popular editor of Shakespeare in America. According to Allen (quoted in John Stafford, "Henry Norman Hudson and the Whig Use of Shakespeare" in PMLA, Sep. 1951) Hudson "...moved his audience to see literature through the eyes of the English and German romantic critics and helped to take the moral stigma off the plays of Shakespeare" (649), a not inconsiderable accomplishment considering his puritan audiences. Hudson's edition is noted for its conservatism. The Harvard Edition was to be "set forth on conservative principles but without dotage or bigotry" (Hudson's prospectus quoted in Murphy, Shakespeare in Print, p. 153). His editions achieved wide popularity, serving to bolster Shakespeare as a broad new American cultural centerpiece. Shakespeariana (vol. VII, 1890, p. 248-250) adds these descriptive and critical details about Hudson:
Links to Hudson's "Harvard Edition" of 1881
Links to Other Works by Hudson
Henry Norman Hudson's Obituary, from Shakespeariana, Vol. III, Num. XXVI, 1886, p. 81-82 HENRY NORMAN HUDSON. The death of Henry Norman Hudson at his home in Cambridgeport, Mass., on January 17th, removes one of the most conspicuous workers in Shakespeare literature. His studies of the poet began almost in his boyhood, and the subject very soon absorbed all the powers of his mind. His earliest work was a series of critical lectures, delivered first in Huntsville, Ala., where he was for some time teaching, and subsequently, in Mobile and Cincinnati. In 1844, with a reputation that was already assured, he went to Boston, where he was cordially received, and was so successful that he repeated his lectures in Philadelphia, Washington and Baltimore. These lectures form the basis of Mr. Hudson's fame. They were published in book form in 1848 and again, although entirely recast with numerous changes and additions, and with a new title, Shakespeare : His Life, Art and Characters, in 1872. Had Mr. Hudson accomplished no other work than these lectures he would be entitled to a high rank among the students of Shakespeare. They exhibited a wonderful power of thought, and a clearer insight into the character of Shakespeare than had been previously obtained by any American writer. They are without doubt, the writings by which he will be longest and best remembered. But while his best work has been done as an esthetic critic, Mr. Hudson's reputation as an editor is well known. His first edition of the plays issued in x8gx was not, however, successful: Much of the editorial matter was compiled, and, at the time, created much unfavorable comment. His last edition, the Harvard, brought out in 1880 and 1881 in twenty volumes, was entirely free from the faults of the earliest one, and will long remain one of the most reliable and best. He also issued two School editions ; one of twenty-one plays in three volumes in 1870, and the second a few years later, of the same number of plays in separate volumes. The text was expurgated, so thoroughly, in truth, as to be open to many serious objections. While Mr. Hudson's chief labors were in Shakespearian literature, he found time to do much good work in other directions. He was the editor of several journals, notably the Churchman, the Church Monthly, which he originated, and the Saturday Evening Gazette. In his later years he turned his attention to Wordsworth, and his Studies in Wordsworth, issued last year, was his last book. He had also published A Text Book of Poetry, A Text Book of Prose, a Classical English Reader—all with valuable though brief notes,—and a volume of sermons. Hudson was essentially an educator. His most important works were designed as educational forces, and they fulfill the intentions of their author to a degree that he could not have anticipated. He was a powerful and original thinker, and his style was clear and distinct. He was, perhaps, too positive, too certain that his view was the only one, bur his faults as an editor and an author were such as can be readily overlooked. Hudson's death reduces the number of Shakespearian workers in this country to an alarming extent. With Grant White and Henry Hudson dead in one year, the coterie of American scholars is reduced to the narrowest limit. It will be long before their places will be filled, but at the same time there is little call for new editorial work. |
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