Top
 |
Here are some of the best
links I have found to Shakespeare's
contemporaries (using the term very broadly
indeed). The effort continues. Let me encourage those who take an interest in these
authors to mount presentations of their works. There are some wonderful examples to work
from, such as Chris Cleary's Middleton page and Richard Bear's Spenser page. The term
"contemporary" is taken very loosely here to cover pre- and post- Shakespearean
figures from the Renaissance. Of surpassing excellence are Anniina Jokinen's pages
devoted to various writers of the English Renaissance. To avoid littering the page
with five diamonds each time Anniina is mentioned, let me place them here with a link to
her index, The Luminarium.

Swinburne's
Contemporaries of Shakespeare is still an interesting text.
The Biographical Index
of English Drama Before 1660: all people known to
have been involved with theater in England prior to 1660, is also a very
useful resource for persons not found here.
Anonymous
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Alciato,
Andrea (1492 - 1550)
| [Alciato] displayed great literary skill in his
exposition of the laws, and was one of the first to interpret
the
civil law by the history, languages and literature of
antiquity, and to substitute original research for the servile
interpretations of the glossators. He published many legal
works, and some annotations on
Tacitus. Alciati is most famous for his
Emblemata, published in dozens of editions from 1531
onward. This collection of short Latin verse texts and
accompanying woodcuts created an entire European genre, the
emblem book, which attained enormous popularity in
continental
Europe and
Great Britain. From the Wikipedia article on
Andrea Alciato |
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Allen, William (Cardinal) (1532 - 1594)
William
Allen (1532
–
October 16,
1594) was an
English
Catholic
priest and
cardinal...In
1567 he went to
Rome for the first time, and
conceived his plan for establishing
a college where English students
could live together and finish their
theological course. This was linked
to the conviction, arising from his
experience as a missioner, that the
whole future of the Catholic Church
in England depended on there being a
supply of trained clergy and
controversialists ready to come into
the country when Catholicism would
again be restored.From the
Wikipedia article on
Cardinal William Allen. |
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Ariosto,
Ludovico (1474 - 1533)
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Bacon, Sir
Francis (1561 - 1626)
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Barnes, Barnabe (1568? - 1609)

This, on the little known Barnabe Barnes, from Morley's 1893
English
Writers: an attempt towards a History of English Literature:
"Barnabe Barnes published, in May, 1593, his "Parthenophil
and Parthenophe," which is a way of naming "the Maid and her
Lover," as Sidney's Astrophel and Stella were names for "the
Star and her Lover." It is a collection of a hundred and
four sonnets, twenty-six madrigals, and a sestine exact in
technical construction. These are followed by twenty-one
elegies, a canzone, a translation of the first Idyll of
Moschus, twenty odes, four more sestines, and a few sonnets
of compliment.
"Barnabe Barnes was the fourth of nine children of
Richard Barnes, Bishop of Durham, who died in 1587. A year
before his father's death Barnabe entered Brasenose College,
but he left Oxford without graduating. In 1591 Barnabe
Barnes went with the Earl of Essex into Normandy, to join
the French against the Prince of Parma. As a friend of
Gabriel Harvey, whom he supported with a sonnet against
Nash, Barnabe Barnes received in his own face some of the
mud thrown in the Nash and Harvey gutter-war [See Nash's
"Have with you to Saffron Walden" where he accuses Barnes of
cowardice]. While many of the sonnets in "Parthenophil and
Parthenophe" are in the form then commonly used, of three
quatrains and a couplet, others vary the rhyming, and some —
as the thirtieth, thirty- second, thirty-third, and others —
are accurately formed on Petrarch's model. In 1595 Barnabe
Barnes published "A Divine Centvrie of Spirituall Sonnets,"
mainly Petrarchan in their form. Whether he sing of earthly
or of heavenly love, the passion is conventional, but there
is livelier imagery in the poems upon earthly love. After
the death of Elizabeth, Barnabe Barnes published, in 1606, "Foure
Bookes of Offices ; enabling privat Persons for the speciall
service of all good Princes and Policies." This was followed
in the next year (1607) by a tragedy, called " The Divel's
Charter," on Pope Alexander VI. and Lucretia Borgia. Barnes
died in December, 1609" (pp.
214-215).
Barnes' connections to Shakespeare are
tantalizing. Their common acqaintance is John Florio (p.
463), translator of Montaigne and secretary to Southampton,
who was in Barnes' service while he was at Oxford. Barnes and
his friend William Percy, to whom Parthenophil and
Parthenophe is dedicated, were both sonneteers in the same
circles as Shakespeare in the years when he was, most likely,
writing his sonnets. Barnes, in 1593 wrote a flattering sonnet
to Southampton, and at least
one widely read biographer (Sir Sidney Lee in his 1898
biography; see also Lee's DNB entry on
Shakespeare in 1909) assigned Barnes the role of rival poet
of the Sonnets. Later Barnes contributed to the spate of
Jacobean plays on witchcraft, necromancy and the daemonic, The
Devil's Charter, reflecting the interests of King James, near
the same time that Shakespeare wrote Macbeth. Barnes' play was
performed before the King by Shakespeare's company. |
-
Sonnets by Barnes in
Specimens of English Sonnets, ed.
Alexander Dyce, 1833, from GBS in full view
and PDF.
-
The Devil's Charter, ed. R. B.
McKerrow, 1904, from GBS, full view and PDF.
-
The Devils Charter, students
facsimile edition, from the Dyce collection,
1913, from GBS, full view and PDF.
-
The Poems of Barnaby Barnes, ed.
A. B. Grosart, 1875, from GBS, full view and
PDF.
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Beaumont,
Francis (1584 - 1616)
Works
- Works by
Francis
Beaumont at Project Gutenberg.
-
The
Woman Hater
-
The
Masque of The Inner-Temple and Gray's Inn, Gray's Inn and The
Inner-Temple;
-
Poems
- The Works of Beaumont and Fletcher, George Darley ed.,
Oxford, 1859 (reprint):
Vol. I,
Vol. II;
from Google Book Search, full view and PDF.
- The Works of Beaumont and Fletcher in Ten Volumes, Cambridge
University Press, 1905-1912, from Internet Archive.
-
Vol. I - The Maid's Tragedy; Philaster; A King, and No King;
The Scornful Lady, The Custom of the Country.
-
Vol. II - The Elder Brother; The Spanish Curate; Wit Without
Money; Beggar's Bush; The Humerous Lieutenant; The Faithful Shepherdess.
-
Vol. III - The Mad Lover; The Loyal Subject; Rule a Wife, and
Have a Wife; The Laws of Candy; The False One; The Little French Lawyer.
-
Vol. IV - The Tragedy of Valentinian; Monsieur Thomas; The
Chances; The Bloody Brother; The Wild-Goose Chase.
-
Vol. V - A Wife for a Month; The Lover's Progress; The
Pilgrim; The Captain; The Prophetess.
-
Vol. VI - The Queen of Corinth; Bonduca; The Night of the
Burning Pestle; Love's Pilgrimage; The Double Marriage.
-
Vol. VII - The Maid of the Mill; The Knight of Malta;
Love's Cure, or The Martial Maid; Women Pleas'd; The Night-Walker, or
The Little Thief.
-
Vol. VIII - The Woman's Prize; The Island Princess; The Noble
Gentleman; The Coronation; The Coxcomb.
-
Vol. IX - The Sea Voyage; Wit At Several Weapons; The Fair
Maid of the Inn; Cupid's Revenge; The Two Noble Kinsmen.
-
Vol. X - Thierry and Theodorat; The Woman Hater; Nice Valor;
The Honest Man's Fortune; The Masque of the Gentlemen of Gray's Inn and
the Inner Temple; Four Plays or Moral Representations in One.
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Brooke, William, 10th Baron Cobham (1527 - 1597)
| William Brooke, 10th Baron
Cobham (1527-1597)
was
Lord Warden of the Cinque Ports,
and and a
Member of Parliament for
Hythe. Although he was viewed by
some as a religious radical during
the Somerset protectorate, he
entertained
Elizabeth at
Cobham Hall in
1559, signalling his acceptance
of the moderate regime...In
1596, he was named
Lord Chamberlain on the death of
Baron Hunsdon; he died in March
1597.
From the Wikipedia article on
William Brooke, 10th Baron Cobham.
[NB: He is briefly Lord
Chamberlain after the death of Henry
Carey, 1st Baron Hunsdon. He
was succeeded in the office by
George Carey, 2nd Baron Hunsdon, a
man much more congenial to the
players. He is descended from
the Sir John Oldcastle, of Lollard
fame, whose name was originally
given to Falstaff. Whether the
name was given with satiric intent
is not known, but it was quickly
changed, under pressure, when his
descendant became Lord Chamberlain.
During the time Brooke was Lord
Chamberlain, Shakespeare's company
called themselves Lord Hunsdon's
Men, and are so named on the title
page of
the first quarto of Romeo and Juliet
published in 1597.] |
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Buck, (Sir) George (1560 - 1622)
| Sir George Buck, or
Buc (1560
–
1622) was an
antiquarian who served as
Master of the Revels to King
James I of England...Once he
assumed the full office in 1610,
Buck clearly was the primary censor
for public drama...Buck was also a
minor poet and prose writer. He
published "A Discourse or Treatise
of the third universitie of England"
(1615),
an account of the
Inns of Court. His major work,
his History of the Life and Reign
of Richard III, would not be
published until
1646. From the Wikipedia
article on
Sir George Buck. |
Works
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Burbage, Richard
(1568 - 1619)
Richard
Burbage (July
7,
1568 –
March 13,
1619) was an
actor and theatre owner. He was
the younger brother of
Cuthbert Burbage...He probably
was acting with the
Admiral's Men in 1590, with Lord
Strange's Men in 1592, and with the
Earl of Pembroke's Men in 1593; but
most famously he was the star of
William Shakespeare's theatre
company, the
Lord Chamberlain's Men which
mutated into the
King's Men on the ascension of
James I in
1603. He played the title role
in the first performances of many of
Shakespeare's plays, including
Hamlet,
Othello,
Richard III and
King Lear. But he was in
great demand and also appeared in
the plays of many of the great
contemporary writers, such as
Ben Jonson (the title role in
Volpone and Subtle in The
Alchemist), John Marston (The
Malcontent), John Webster (The
Duchess of Malfi) and Beaumont &
Fletcher (The Maid's Tragedy).
From the Wikipedia article on
Richard Burbage. |
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Campion,
Edmund (1540 - 1581)
St.
Edmund Campion (January
24,
1540 –
December 1,
1581) was a
Catholic priest,
Jesuit and
martyr...he was indicted at
Westminster on a charge of
having conspired, along with others,
at Rome and Reims to raise a
sedition in the realm and dethrone
the Queen...He answered the sentence
of the traitor's death with the
Te Deum laudamus, and, after
spending his last days in prayer,
was led with two companions to
Tyburn and hanged, drawn and
quartered on
December 1,
1581. Campion was
beatified by
Pope Leo XIII in
1886 and
canonized in
1970.From the Wikipedia
article on
Edmund Campion. |
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Campion, Thomas (1567 - 1620)
| Thomas Campion,
(sometimes Campian) (February
12,
1567 –
March 1,
1620) was an
English
composer,
poet and
physician...Campion wrote
over one hundred
lute songs in the Books
of Airs, with the first
collection (co-written with
Philip Rosseter) appearing
in 1601 and four more following
throughout the 1610s. He also
wrote a number of
masques, including
Lord Hay's Masque
performed in 1607, along with
Somerset Masque and The
Lord's Masque which
premiered in 1613. Some of
Campion's works were quite
ribald on the other hand, such
as "Beauty, since you so much
desire" (see media). In 1615 he
published a book on
counterpoint, A New Way
of Making Fowre Parts in
Counterpoint By a Most Familiar
and Infallible Rule, which
was regarded highly enough to be
reprinted in 1660. From the
Wikipedia article on
Thomas Campion. |
-
Thomas Campion resources from
the Luminarium.
-
Campion in The Cambridge History
of English and American Literature in 18
Volumes (1907–21).Volume III. Renascence
and Reformation.
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Carey, George, 2nd Baron Hunsdon
(1547 - 1603)
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Carey, Henry, 1st Baron Hunsdon
(1526 - 1596)
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Carr, Frances (Howard) (1591 - 1632)
Countess of Essex, then Countess of
Somerset
Frances
Howard daughter of Thomas Howard, Earl of Suffolk, and
mother of Lady Anne Carr, married, at age 13 the 3rd Earl
of Essex, Robert Devereux, son of the same Earl of Essex
condemned for the rebellion against Queen Elizabeth in 1601.
The marriage was annulled, in a sensational annulment hearing
conducted by the Archbishop of Canterbury, George Abbot (who
vehemently opposed it) on the grounds that the marriage had
never been consummated. The annulment left Frances Howard
free to marry Robert Carr, the king's favorite, then Lord
Rochester and soon elevated to Earl of Somerset.The Countess
of Somerset plotted to poison Sir Thomas Overbury while he was
incarcerated in the Tower, and succeeded, whether with the
knowledge of the Earl of Somerset or not is not known, though he
was convicted of the crime. At her trial the countess
pleaded guilty and asked for pardon, which was granted by King
James, though many socially lesser individuals were executed for
her crime.
Both the Earl and Countess were pardoned, and lived together
thereafter in reduced, but not unprosperous, circumstances,
though their relationship deteriorated from the unbridled love
they had at one time known.
Frances Howard was vilified after her trial as lust
incarnate, a witch and a Machiavellian poisoner, a reputation
she has retained through the centuries, though there may be much
to suggest these characterizations were colored by would be
moralists. Certainly she was guilty of compassing the
death of Overbury--who at the time was thoroughly disliked, but
who became a martyr of sorts in the public imagination
afterwards--and certainly she had participated in incantations
and other rites associated with wise men or astrologers, like
Simon Forman--a practice not uncommon for the age--but whether
she was as licentious as she is portrayed in the contemporary
ballads is questionable.
She died a horrible death at the age of 41 from cancer of the
breast and cervix.
The modern authority--and engaging history--on the Essex and
Overbury affairs is Anne Somerset,
Unnatural Murder: Poison at the Court of James I. |
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Carr, Robert, Earl of Somerset (1587 -
1645)
Robert
Carr was a lowly born Scot page whose good looks and
natural graces attracted the homosexual affections of King
James I and, once becoming the King's favourite, was
elevated as Viscount Rochester (1611) and then 1st Earl of
Somerset (1613). The King showered enormous wealth
upon him, and he became, for a time, the most influential
man at James' court.Carr conducted an adulterous affair
with Frances Howard, whose marriage to Robert Devereux, 3rd
Earl of Essex was annulled so that she might marry Carr (in
1613). Carr was soon supplanted in the King's
affections by George Villiers (later the Duke of Buckingham)
and shortly thereafter was arrested and tried for the murder
of Sir Thomas Overbury, which had been engineered by his
wife, Frances Howard. Whether Carr was directly
involved in the murder cannot be determined, but his
behavior afterwards was highly suspicious and when brought
to trial he was convicted by his peers.
Carr received a pardon from the King, and was restored to
a prosperous, though not lavish, living, through the King's
bounty. He was deeply embittered and never returned to
court. His relations with his wife, who he probably
blamed entirely for his downfall, deteriorated, but they
continued to live together.
Carr's daughter was Lady Anne Carr, born at the time of
her parents' murder trials, who later married the Duke of
Bedford and became estranged with Carr over his failure to
fulfill her dowry contract. |
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Castiglione,
Baldassare
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Cecil, Robert, 1st Earl of Salisbury (1563 - 1612)
Robert
Cecil, 1st Earl of Salisbury,
KG,
PC (1
June
1563 –
24 May
1612), son of
William Cecil, 1st Baron Burghley
and half-brother of
Thomas Cecil, 1st Earl of Exeter,
statesman, spymaster and minister to
Queen Elizabeth I and
King James I...Salisbury was
made
Secretary of State following the
death of
Sir Francis Walsingham in
1590, and he became the leading
minister after the death of his
father in
1598, serving both Queen
Elizabeth and King James as
Secretary of State. He fell into
dispute with
Robert Devereux, 2nd Earl of Essex,
and only prevailed upon the latter's
poor
campaign against the Irish rebels
during the
Nine Years War in 1599. He was
then in a position to orchestrate
the succession to the throne, which
he achieved with aplomb following
Elizabeth's death in 1603.From
the Wikipedia article on
Robert Cecil. |
-
Biography of Cecil from Britannia
Biographies.
- Article on
Cecil from the Luminarium
Encyclopedia Project.
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Cecil, William, 1st Baron Burghley (1520
- 1598)
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Cervantes, Don
Miguel de (1547 - 1616)
Don
Miguel de Cervantes Saavedra[b]
(IPA:
[miˈɣel đe θerˈβantes saaˈβeđra]
in modern Spanish;
September 29,
1547 –
April 23,
1616) was a
Spanish
novelist,
poet, and
playwright. Cervantes was one of
the most important and influential
persons in
literature and the leading
figure associated with the cultural
flourishing of sixteenth century
Spain (the
Siglo de Oro). His novel
Don Quixote is considered as
a founding classic of
Western literature and regularly
figures among the best novels ever
written; it has been translated into
more than sixty-five languages,
while editions continue regularly to
be printed, and critical discussion
of the work has persisted unabated
since the
18th century. His work is
considered among the most important
in the universal
literature[1].
He has been dubbed el Príncipe de
los Ingenios (the Prince of
Wits).From the Wikipedia article
on
Cervantes.
MIGUEL DE CERVANTES SAAVEDRA was
born at Alcalá de Henares in Spain
in 1547, of a noble Castillan
family. Nothing is certainly known
of his education, but by the age of
twenty-three we find him serving in
the army as a private soldier. He
was maimed for life at the battle of
Lepanto, shared in a number of other
engagements, and was taken captive
by the Moors on his way home in
1575. After five years of slavery he
was ransomed; and two or three years
later he returned to Spain, and
betook himself to the profession of
letters. From youth he had practiced
the writing of verse, and now he
turned to the production of plays;
but, tilling of financial success,
he obtained an employment in the
Government offices, which he held
till 1597, when he was imprisoned
for a shortage in his accounts due
to the dishonesty of an associate.
The imprisonment on this occasion
lasted only till the end of the
year, and, after a period of
obscurity, he issued, in 1605, his
masterpiece, "Don Quixote." Its
success was great and immediate, and
its reputation soon spread beyond
Spain. Translations of parts into
French appeared; and in 1611 Thomas
Shelton, an Englishman otherwise
unknown, put forth the present
version, in style and vitality, if
not in accuracy, acknowledged the
most fortunate of English
renderings.
From the Introductory Note to the
1909 Harvard Classics edition of the
1611 Thomas Shelton translation of
Don Quixote. |
Works
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Chamberlain, John (1553 - 1627)
| John Chamberlain (1553
–
1628) was the author of a series
of
letters written in
England from 1597 to 1626,
notable for their historical value
and their literary qualities. In the
view of historian Wallace Notestein,
Chamberlain's letters "constitute
the first considerable body of
letters in English history and
literature that the modern reader
can easily follow". They are an
essential source for scholars who
study the period. From the
Wikipedia article on
Chamberlain.
Chamberlains correspondents and
friends included Dudley Carleton,
William Gilbert, Henry Wotton,
Thomas Bodley, and William Camden. |
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Chapman, George
(1559 - 1634)
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Chettle,
Henry (1564? - 1607?)
- About Henry Chettle:
- Chettle and Shakespeare:
- Kind-Hartes
Dreame, from
Renascence Editions,
contains the famous apology of Chettle to Shakespeare.
- Chettle, Henry, Edward F. Rimbault, and Goldwin Smith. "Kind-Heart's
Dream: Containing Five Apparitions with Their Invectives against Abuses
Reigning." Early English Poetry. V (1841), from Google
Book Search, full view and PDF, 88 pages.
- "The
Attack Retracted," from
Internet Shakespeare Editions.
- "Shakespeare's
Circle," from Penguin.
- Chettle's Works:
-
Tarlton's Jests, and News out of purgatory, with a lengthy
introduction by Halliwell-Phillipps, 1844, from Google Book Search, full
view and PDF, 135 pages.
- Chettle, Henry, and Henry Barrett-Lennard.
Hoffman; or, A Revenge for a Father, A Tragedy ... Acted A.D. 1602.
London: Thomas Hailes Lacy, 1852, from Google Book Search, full view and
PDF. It is often mentioned that this play was a response to Hamlet
in hopes of capitalizing on it's success.
- Chettle, Henry, et al. "Patient
Grissill: a Comedy." Supplement to Dodsley's Old Plays.
3 (1841), from Google Book Search, full view and PDF, 96 pages.
See
also the Tudor Facsimile edition at the Internet Archive.
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Coke, Sir Edward (1552 - 1634)
Sir
Edward Coke (pronounced "cook") (1
February
1552 –
3 September
1634), was an early
English colonial
entrepreneur and
jurist whose writings on the
English common law were the definitive legal texts for
some 300 years...Coke became a
Member of Parliament in
1589,
Speaker of the House of Commons in
1592 and was appointed
England's
Attorney General in
1593, a post for which he was in competition with his
rival Sir
Francis Bacon. During this period, he was a zealous
prosecutor of Sir
Walter Raleigh and of the
Gunpowder Plot conspirators. He was appointed
Chief Justice of the Court of Common Pleas in
1606. In
1613, he was elevated to Chief Justice of the King's
Bench, where he continued his defense of the English
common law against the encroachment by the
ecclesiastical hierarchy, local courts controlled by the
aristocracy, and meddling by the King...Copies of Coke's
writings arrived in
North America on the
Mayflower in 1620, and every lawyer in the English
colonies and early United States was trained from Coke's
books, particularly his Reports and
Institutes, the most famous of which was his
property book, The First Institute of the Lawes of
England, or a Commentary on Littleton (a reference to
15th century English jurist
Thomas de Littleton).From the Wikipedia article on
Sir
Edward Coke. |
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Daniel,
Samuel (1562 - 1619)
| [Samuel] Daniel was a great innovator in verse. His
style is full, easy and stately, without being very animated
or splendid; it is content with level flights. As a
gnomic writer Daniel approaches Chapman, but is more
musical and coherent. He lacks fire and passion, but he has
scholarly grace and tender, mournful reverie. From the
Wikipedia article on
Samuel Daniel. |
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Davenant, Sir William (1606 - 1668)
- The Dramatic Works of Sir William
D'Avenant, eds. James Maidment, W.
H. Logan, 1872-74, from GBS in full view and
PDF.
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Davies, John of Hereford (1565 -
1618)
John
Davies of Hereford (c.
1565,
Hereford,
England – July
1618,
London) was a writing-master and an
Anglo-Welsh
poet. He is usually known as John Davies of Hereford
in order to distinguish him from others of the same name,
Sir John Davies, for instance.
Davies was a writing master, meaning he taught penmanship.
His pupils included members of very distinguished families,
including the Pembroke, Derby, Herbert, Percy and Egerton
families. He made powerful connections thereby. He was
also an acquaintance of John Donne, and may have met him in
the Egerton household. In 1605 he was appointed master of
penmanship to Prince Henry while the prince attended
Magdalen College. Davies authored the
Epigram on Shakespeare (number 159) in The Scourge of
Folly (c. 1610) titled "To
our English Terence Mr. Will : Shake-speare" and also made
reference to Shakespeare and Burbage in Microcosmos
(1603) and to Shakespeare's Venus and Adonis in Papers
Complaint, compil'd in ruthfull Rimes Against the Paper-spoylers
of these Times, a 546-line poetic satire appended to
The Scourge of Folly. |
- The Complete Works of John Davies of
Hereford (15.. - 1618), ed. A. B.
Grosart, 1878.
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Davies, Sir John (1569 - 1626)
|
Sir John
Davies (1569 – July
1626) was an
English
poet and
lawyer, who became attorney general in Ireland and
formulated many of the legal principles that underpinned the
British Empire. In 1594 Davies' poetry brought him
into contact with
Queen Elizabeth. She wished him to continue his study of
law at the Middle Temple and had him sworn in as a
servant-in-ordinary. In the following year, his poem,
Orchestra, was published in July, prior to his call
to the bar from the
Middle Temple.
In February 1598 Davies was disbarred, after having
entered the dining hall of the Inns in the company of two
swordsmen and striking Richard Martin with a cudgel. The
victim was a noted wit who had insulted him in public, and
Davies immediately took a boat at the Temple steps and
retired to Oxford, where he chose to write poetry. Another
of his works, Nosce Teipsum, was published in 1599
and found favour with the queen and with
Lord Mountjoy, later lord deputy of Ireland.
Davies became a favourite of the queen, to whom he
addressed his work, Hymns of Astraea, in 1599. Later
that year, however, his Epigrams was included in a
list of published works that the state ordered to be
confiscated and burned. In 1601 he was readmitted to the
bar, having made a public apology to Martin, and in the same
year served as the member of parliament for Corfe Castle. In
1603, he was part of the deputation sent to bring King
James VI of Scotland to London as the new monarch. The
Scots king was also an admirer of Davies' poetry, and
rewarded him with a knighthood and appointments (at
Mountjoy's recommendation) as
solicitor-general and, later
attorney-general, in
Ireland.
From the Wikipedia article on
Sir
John Davies. |
Dekker, Thomas
(c. 1572 - 1632)
| Thomas Dekker (c.
1572 –
August 25,
1632) was an
Elizabethan
dramatist and pamphleteer, a versatile and prolific
writer whose career spanned several decades and brought him
into contact with many of the period's most famous
dramatists. From the Wikipedia article on
Thomas Dekker. |
- Thomas
Dekker resources from the
Luminarium.
- The Works of Dekker:
- The Shoemaker's
Holiday (1599) at Bartleby.com.
-
Old Fortunatus, from Luminarium editions, HTML.
-
The Dramatic Works of Thomas Dekker, Volume 1 ed. by R. H.
Shepherd, from Google Book Search, containing
The Shoemaker's Holiday,
Old Fortunatus,
Satiromastix,
The Magnificent Entertainment Given to King James; full view and
PDF, 340 pages (1873).
-
The Dramatic Works of Thomas Dekker, Volume 2, ed. R. H.
Shepherd, from Google Book Search, containing,
The Honest Whore,
The Second Part of the Honest Whore,
The Whore of Babylon,
Westward Ho (with Webster); full view and PDF, 382 pages,
(1873).
-
The Dramatic Works of Thomas Dekker, Volume 3, ed. R. H.
Shepherd, from Google Book Search, containing
Northward Ho (with Webster),
The Famous History of Sir Thomas Wyat (with Webster),
The Roaring Girl (with Middleton),
London Triumphing,
If It Be Not Good The Devil Is In It; full view and PDF, 386
pages (1873).
-
The Dramatic Works of Thomas Dekker, Volume 4, ed. by R. H.
Shepherd, from Google Book Search, containing
The Virgin Martyr (with Massinger),
Brittannia's Honor,
Match Me In London,
The Wonder of a Kingdom,
The Sun's Darling,
The Witch of Edmonton (with Rowley and Ford); full view and PDF,
451 pages (1873).
-
Patient Grissil, with Chettle and Haughton, from Google Book
Search, 1841, full view and PDF, 96 pages.
- The Noble
Spanish Soldier at Project Gutenberg.
-
The Noble Spanish Soldier, edited by John Price.
- The Honest
Whore from Chris Cleary's Thomas Middleton Site, HTML.
- Blurt,
Master Constable (with Middleton), from Chris Cleary's
Thomas Middleton site, HTML.
- The Bloody
Banquet (with Middleton), from Chris Cleary'sThomas
Middleton site, HTML.
-
The Gull's Hornbook, ed. by R. B. McKerrow, 1905, from
Google Book Search, full view and PDF, 126 pages.
- The Guls
Horn-Booke, from Renascence Editions, HTML and PDF.
- See also the
Map of Early Modern London for London Triumphing.
- The
Wonderfull Yeare, 1603, from
Renascence
Editions, HTML and PDF.
- From The Non Dramatic Works of Thomas Dekker, 1885, from Google
Book Search, full view and PDF.
-
The Seven Deadly Sins
-
Newes from Hell
-
Jests to Make you Merie
-
The Double PP
-
Dekker His Dream
-
The Belman of London
-
Lanthorne and Candle-light
-
A Strange Horse-Race
-
The Dead Tearme
-
Work for Armorours
-
The Ravens Almanack
-
A Rod for Run-Awayes
-
Foure Birdes of Noah's Ark
- Criticism and exposition:
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Devereux, Robert, 2nd Earl of Essex (1566 - 1601)
-
Robert Devereux, Earl of Essex (1566-1601),
from Britannia Biographies.
-
Robert Devereux, from the Luminarium
Encyclopedia Project.
- A brief
Devereux biography from the BBC.
- A
biography from Tudor Court.
-
Portraits of Robert Devereux from
the National Portrait Gallery.
-
The Trial of the Earls of Essex and
Southampton, from
Renaissance, The Elizabethan World.
-
Account of the death of the Earl of Essex,
from Ballads from Manuscript, Google
Book Search, full view and PDF, 1873.
-
Elizabeth and Essex by Lytton
Strachey, from the Internet Archive, in
various formats.
- Shenk, Linda S. "'To
Love and Be Wise': the Earl of Essex,
Humanist Court Culture, and England's
Learned Queen". EMLS Special Issue
16 (October, 2007).
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Digges, Leonard (1588 - 1635)
| Leonard Digges (1588
–
1635) was a seventeenth-century
poet and translator, a member of the
prominent Digges family of
Kent—son of the astronomer
Thomas Digges (1545-95),
grandson of the mathematician
Leonard Digges (1520-59), and
younger brother of statesman Sir
Dudley Digges (1583-1639).
There are other connections between
Digges and Shakespeare. When
John Benson printed
Shakespeare's poems in a single
volume in 1640, he prefaced the
collection with a poem by Digges
that lauds the popularity of
Shakespeare's characters
Falstaff,
Malvolio, and
Beatrice and Benedick. After his
father Thomas Digges' death in 1595,
Digges' widowed mother Anne St.
Leger remarried (1603); her second
husband, and Digges' stepfather, was
Thomas Russell, a friend of
Shakespeare and one of the overseers
of the poet's will. (Russell lived
at
Alderminster, four miles south
of
Stratford-upon-Avon).
From the Wikipedia article on
Leonard Digges. |
Top

Donne, John
(1572 - 1631)
|