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Shakespeare's Works Page Banner (C)1997-1998 Terry A. Gray

Related Linked Pages:  Study Guides  |  Attributions (apocrypha)

Introduction

I have brought together here links to the collected and individual works by Shakespeare available on the Internet. There are four basic types:  HTML editions, PDF versions, searchable scanned versions (at Google Book Search and the Internet Archive) and facsimile editions, that is, static images which represent the leaves of published volumes but cannot be searched. The individual editions are listed alphabetically by title. For-pay resources are generally not linked, nor are resources that contain excessive advertising.  With the advent of the Google and Microsoft scanning projects the task of finding and linking works became more challenging.  There are many HTML editions of the works based on the complete Moby Shakespeare, a freely available version.  I have not attempted to find and present all of these, just the most prominent and least commercial.

In addition to the works, I have included a link to my own chronological listing of the canon, which contains some notes to the plays and issues related to the dating of the plays and poems. There are also links to the Lambs' Tales From Shakespeare (an original html edition mounted at this site). Near the bottom of the page I have placed references to Internet available Shakespeare bibliographies (which I call "lists," within which term I include filmographies, videographies, and webliographies).  Finally, as an aid to those of you in search of printed editions, I have included links to various book publishers and sellers, with special emphasis on those known for Shakespeare related materials.

If you are doing research on the "authorship problem," you will find the links on the Life & Times page.

Canon

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Tales From
Shakespeare

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An original, illustrated html edition of the complete Tales From Shakespeare, by Charles and Mary Lamb. If you are unfamiliar with the tales, they were originally published in 1806 (dated 1807) and are prose renderings for children of 20 of the plays. The tragedies were written by Charles and all the others by Mary Lamb. Though originally intended for children, they are revered works in their own right and serve as wonderful introductions to the plays. In their table of contents they are given in their originally published order, and below are given in alphabetical order:

Collected
Editions

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The standard HTML Complete Works sites are:

  • in the USA, the MIT Shakespeare Homepage. The Complete Works from the Tech. HTML editions of the  works are laid out nicely in table format.
  • in Australia, Matty Farrow's  the Complete Works site, with a good glossary and an excellent search engine.

[These, and almost all the Complete Works sites on the Internet are based on a very generic text released to the public domain in the early 90's called the "Complete Moby™ Shakespeare," based initially, it is believed, on The Stratford Town modern spelling edition of 1911 (see the bibliographic entry for the MIT site from SHINE).  Where the works are based on another text, it is noted below.]

Other notable HTML and text Complete Works sites:

  • Open Source Shakespeare - concordance, keyword and advanced searching, statistics, the text of the plays, find characters, and a search of all the poetry as well.  Remarkable.  Based on the Globe edition.
  • The Works in HTML editions from Wikisource, without version attribution.
  • PlayShakespeare.com, "the ultimate free Shakespeare resource," primarily a presentation of the texts with some ancillary materials.  "All of the texts on this site come from the First Folio of 1623 (and Quartos where applicable) and the Globe Edition of 1866 and have been re-edited and updated."
  • Renascence Editions of the Complete Works in PDF and HTML versions, University of Oregon.
  • The Complete Works from the etext library at the University of Adelaide.
  • The source for the Project Gutenberg texts of the Complete Works, and the Gutenberg listing of doubtful and spurious works.  Project Gutenberg also mounts a Complete Works interface at this location.
  • A no-frills, well designed portal to standard html versions of the complete works (the thirty-seven canonical plays, not Two Noble Kinsmen), with a brief biography on the index page, and the ability to search within any of the individual works or across all, from  ReadPrint.com.
  • Another HTML edition of the Complete Works mounted by the Pasadena Shakespeare Company.  Notes and other introductory materials are not provided.
  • The Complete Literary Works of William Shakespeare from The Classic Literature Library.
  • The Great Books Index. Well laid out index to basic versions of the plays.
  • The University of Michigan has provided the Complete Works at the Internet Public Library.
  • The Nine Volume 1863-1866 Cambridge Shakespeare is available from Project Gutenberg in downloadable text format.  See the facsimile edition below for more information.
  • The 1866 Globe Edition at the Electronic Text Center, University of Virginia Library.  The Globe edition seems to have been the source for the aforementioned "Complete Moby Shakespeare."  The texts at this site are presented in HTML, Microsoft Reader eBook, and Palm eBook formats.  Click here for another interface to the same editions.
  • The First Folio and Early Quarto editions of the Works, again, from the University of Virginia etext archive in original spelling transcriptions.
  • The 1914, W. J. Craig, Oxford Edition of the Complete Works (37 plays, 154 sonnets), with an excellent search tool which finds words to Act/Scene divisions.
  • The University of Victoria's Internet Shakespeare Editions, including HTML and facsimile editions.  "The aim of the Internet Shakespeare Editions is to make scholarly, fully annotated texts of Shakespeare's plays available in a form native to the medium of the Internet."  They are far from achieving this very lofty goal, but offer links to many very useful editions and resources.
  • The University of Chicago Library The First Folio of Shakespeare, prepared by Charlton Hinman, published by The Oxford Text Archive.  This is a fully searchable version of the second edition of the Norton Facsimile edition of 1996 (first edition, 1968).
  • HTML original spelling transcription of the 1623 First Folio from The Classic Literature Library.
  • Plain text original spelling transcription of the First Folio from Project Gutenberg.
  • The Oxford Text Archive holdings for "Shakespeare."  Texts are downloadable and may be used freely for non-commercial purposes.

Electronic facsimiles of early printed editions (Quartos and Folios):
[The 1623 folio unless otherwise indicated.]

For links to quarto facsimile editions of individual plays, see individual plays by title below.

Printed versions of facsimile editions

Printed versions of First Folio facsimiles were produced in 1866, by Howard Staunton, unavailable on the Internet as far as I am aware; in 1876 by the irrepressible J. O. Halliwell-Phillipps, linked above; in 1902 by Sir Sidney Lee, also linked above; in 1954 by Helge Kökeritz and Charles Tyler Prouty (the Yale facsimile, which is now somewhat rare); and in 1968 by Charlton Hinman, the first Norton Facsimile.  The Norton Facsimile is now in its second edition (1996), edited by Peter Blayney.

Recommended print version: The Norton Facsimile

"Charlton Hinman's facsimile of Shakespeare's First Folio was a colossal achievement when it was first published in 1968, and its reputation is further enhanced by this beautiful second edition. Looking for a way to provide scholars with a reliable version of Shakespeare's text, Hinman invented a device that sped up the collation process, allowing him to compare 82 of the surviving copies of the Folio and bring to light features of Shakespeare's work that have been--and continue to be--edited out of most modern editions." --from the Amazon.com product description.

The scholarship of Hinman has remained unsurpassed.  The second edition of this, his great work, was issued in 1996, edited by Peter Blayney, who provides an introductory essay.

A facsimile version of the best first folio held by the Folger Shakespeare Library is available on CD-ROM in PDF format from Octavo.


Electronic facsimiles of modern (eighteenth, nineteenth and early twentieth century) printed editions, now in the public domain.
  • 1709 - The Nicholas Rowe 1709 Edition of the Works of Shakespeare

THE WORKS OF Mr. William Shakespear IN SIX VOLUMES. ADORN'D with CUTS Revis'd and Corrected, with an Account of the Life and Writings of the Author. By N. Rowe, Esq. LONDON: Printed for Jacob Tonson, within Grays-Inn Gate, next Grays-Inn Lane. MDCCIX.

Rowe was the first formal editor of Shakespeare, and his first formal biographer.  His Some Acount of the Life &c. of Mr. William Shakespear, prefaced to his 1709 edition of the Works (based on the Fourth Folio of 1685) became the standard 18th Century biography, and in fact became the foundation document for all subsequent biographies. Though it contains inaccuracies, it also preserves information, as Sidney Lee says, which, were it not for Rowe, would surely have been lost. Rowe acknowledges his debt for "...the most considerable part of the passages relating to this life..." to the actor Thomas Betterton (1634-1710), who made "a journey to Warwickshire on purpose to gather up what remains he could, of a name for which he had so great a veneration."   Rowe includes the apocryphal plays first added to the 1664 Third Folio in his volume VI.  His edition was also the first illustrated edition of the plays.

For more on Rowe, see his entry in "Shakespeare's Editors," where you can see all the major illustrations from this edition.

The works of Shakespear in eight volumes. The genuine text (collated with all the former editions, and then corrected and emended) is here settled ; being restored from the blunders of the first editors and the interpolations of the two last: with a comment and notes, critical and explanatory. By Mr. Pope and Mr. Warburton, London, J. & P. Napton, 1747; from Google Book Search, full text and PDF.  The "Blunders of the first Editors" refers collectively to the editors of the quarto and folio editions, and Rowe, who was safely dead by this time.  "The last two" refer to the editions of Theobald (1733) and Hanmer (1743-44).  Warburton had criticized Pope's edition, but having become an ally of Pope's by the time of this edition, does not mention it unfavorably.  His former ally, now enemy, Theobald, however, comes in for notable criticism.

 

For more on Steevens see his entry in Shakespeare's Editors.

  • 1767-1768: The Capell edition

Mr William Shakespeare his Comedies, Histories, and Tragedies, set out by himself in quarto, or by his Players, his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo ; with an Introduction: Whereunto will be added, in some other Volumes, Notes, critical and explanatory, and a Body of Various Readings entire. London, Printed by Dryden Leach, for J. and R. Tonson in the Strand.

The links given below are from the versions scanned for the Internet Archive.  Unfortunately it is not possible to link to individual sections within each work.  Even less fortunately, the set at the Internet Archive is not complete, lacking volume II.  Please contact me if you find a link to this volume.

  • Volume I - Poems upon the author. Table of his editions. The tempest. The two gentlemen of Verona. The merry wives of Windsor. [Vol. I in searchable Snippet view from GBS]
  • Volume II - Measure for measure. The comedy of errors. Much ado about nothing. Love's labour's lost. [Vol. II in searchable Snippet view from GBS]
  • Volume III - A midsummer night's dream. The merchant of Venice. As you like it. The taming of the shrew. [Vol. III in searchable Snippet view from GBS]
  • Volume IV - All's well that ends well. Twelfth night; or, What you will. The winter's tale. Macbeth. [Vol. IV in searchable Snippet view from GBS]
  • Volume V - King John. Richard II. Henry IV. [Vol. V in searchable Snippet view from GBS]
  • Volume VI - Henry V. Henry VI. [Vol. VI in searchable Snippet view from GBS]
  • Volume VII - Richard III. Henry VIII. Coriolanus. [Vol. VII in searchable Snippet view from GBS]
  • Volume VIII - Julius Cæsar. Antony and Cleopatra. Timon of Athens. Titus Andronicus. [Vol. VIII in searchable Snippet view from GBS]
  • Volume IX - Troilus and Cressida. Cymbeline. King Lear.
  • Volume X - Romeo and Juliet. Hamlet. Othello. [Vol. X in searchable Snippet view from GBS]

For more on Capell, see his entry in the Shakespeare's Editors section.

  • 1773 - Johnson-Steevens 1, or the of the Works in the Johnson-Steevens-Reed series

In the same year Steevens' Twenty of the plays... appeared (1766) he published a prospectus for a new edition of Shakespeare.  Johnson's edition was only a few months old at the time (it was published October, 1765).  Steevens' had gained Johnson's favor and Johnson was impressed with Twenty of the plays....  The resulting edition of the works did not appear until 1773, and even though Johnson had very little to do with it, it is known as Johnson-Steevens 1.  I have been able to locate links to all ten volumes from various libraries scanned through Google Book Search, available in full view and PDF.  Here are the links.  The important new materials the many notes supplied by Steevens, the list of old editions of Shakespeare's plays, and the notes contained in the Appendix.

For more on Steevens and links to his other editions, see his entry in Shakespeare's Editors.

  • Malone's Supplements to Steevens' edition of 1778

Edmond Malone (1741 - 1812), whose An Attempt to Ascertain the Order in which the Plays Attributed to Shakspeare Were Written appeared in Steevens' 1778 edition of The plays published a two-volume Supplement to that edition in 1780 which contains valuable notes and observations from many sources, but particularly from Malone himself who was certainly the greatest Elizabethan scholar of the 18th Century.  I give links to Volumes I and II below to save space, and then a detailed set of links to the subsections within each volume on my Steevens page and Malone page.  Volume I contains general supplemental comments, comments to each of the plays in particular, and Shakespeare's Poetry with annotations.  Volume II contains the seven supplemental plays added to the second impression of the Third Folio (1664) and appendices to each of the volumes.

For more on Steevens, and the Johnson-Steevens-Reed editions of 1773, 1778, 1793, 1803 and 1813, see Steevens' entry in Shakespeare's Editors.

  • 1791-1802 - The Boydell Shakespeare.  Alderman John Boydell exhausted his considerable fortune patronizing the largest Shakespeare illustration and publishing project undertaken in the eighteenth century.  It has three interdependent phases:  the commisioning of thirty-three of the best English artists to paint scenes based on Shakespeare, which were displayed in the Boydell Shakespeare Gallery at 52 Pall Mall, London; engravings made from the paintings which were sold separately at the Gallery, used to illustrated the Dramatic Works; and finally sold as a stand-alone 2-volume set without the Shakespearean text.  The Dramatic Works appears in 18 Numbers beginning in 1791, and were gathered into a great 9-volume edition in 1802.  They were edited by George Steevens, but appeared without notes and Steevens did little more than select pre-existing texts for the Work.  This painting, engraving, and publishing effort maintained the highest standards of the time.  Unfortunately the cost, in concert with the French revolution which dried up Boydell's export business to the continent, nearly bankrupt Boydell.  He applied to Parliament to hold a lottery to dispose of the gallery and his other related assets in order to retire his debts.  The lottery was successful, but Boydell died before the final drawing.  For the full details, see my entry on Boydell on the Shakespeare's Editors page.
     
  • The Chalmers Edition of 1805

Chalmers' edition of Shakespeare first appeared in 1805, issued in ten volumes (Murphy's edition number 413, see Shakespeare in Print, p. 342), and re-issued without many of the Fuseli plates, in nine volumes in the same year (Murphy number 414).  The edition was reissued in 1811 in nine volumes, also with only of few of the Fuseli plates included (see Murphy, number 439).  It is notable for its illustrations, based on the designs of the great romantic painter Fuseli.

The Plays of William Shakespeare: Accurately Printed from the text of the corrected copy left by the late George Steevens, Esq. with a series of engravings, from original designs of Henry Fuseli, Esq. R. A. Professor of Painting: And a selection of explanatory and historical notes, from the most eminent commentators; a history of the stage, a life of Shakspeare, &c. By Alexander Chalmers, A. M., F. C. and R. Rivngton, etc., London, 1805.

For more on Chalmers, and links to the 1811 reprint, see his entry in the Shakespeare's Editors section.

The Plays and Poems of Shakspeare, with a Life, Glossarial Notes, and One Hundred and Seventy Illustrations from the Plates in Boydell's Edition, Edited by A. J. Valpy, M. A. Late Fellow of Pemb. Coll., Oxford , in Fifteen Volumes.

  • 1843 - Barry Cornwall (Bryan Waller Procter, 1787 - 1874), The Works of Shakspere Revised from the Best Authorities: With a Memoir and Essay on His Genius, 1843, from Google Book Search, full-view and PDF, in three volumes:
    • Vol. I - Memoir and Essay, Prefatory Material, and the Comedies
    • Vol. II - The Tragedies
    • Vol. III - The Histories, with an appendix containing Titus Andronicus, Pericles, and the non-dramatic poetry.

    The Cornwall edition contains nearly 1,000 illustrations by Kenny Meadows, capitalizing on a ready market for illustrated editions of Shakespeare.
     

  • Links to Verplank's 1847 Edition of Shakespeare's Plays
Shakespeare's Plays, with his Life: Illustrated with many hundred Wood-cuts, executed by H. W. Hewet, after Designs by Kenny, Meadows, Harvey, and others. Edited by Gulian C. Verplank, LL.D. with Critical Introductions, Notes etc., Original and Selected.  In Three Volumes. New York : Harper & Brothers.

Verplanck's American edition is really nothing more than a compilation from the Cornwall and Knight editions that precede it, but is the first American edition that shows any amount of independent thought, and is notable for its illustrations, which were lifted wholesale from Knight and Cornwall.

Vol. I Histories

Vol. II Comedies [IA] Vol. III Tragedies [IA]

For more on Verplanck see his entry in my Shakespeare's Editors site.

First Edition

Shakespeare, William, and Alexander Dyce. The Works of William Shakespeare. London: E. Moxon, 1857, Vol. I.  (Murphy §501, "Alexander Dyce 1")

Second Edition

Shakespeare, William, and Alexander Dyce.  The works of William Shakespeare, Edition: 2, Published by Chapman and Hall, 1864-67.

[(Murphy §594, "Dyce 2")  The second edition was first published in 8 volumes, and then republished in 9 volumes, the ninth comprised of Dyce's Glossary to Shakespeare.  Unfortunately a complete set from either publication is not available at GBS, so I have had to mix the two here, but the only differences seem to be the title pages and the addition of the ninth volume.  A more serious problem is the absence of volume VII.  Please contact me if you discover this volume at GBS.  The second edition seems also to have been published in Leipzig by Bernhard Tauchnitz in 1868 complete in seven volumes, but without the glossary.]

Excerpt from the Preface to the Second Edition

"The present work is so far from being a reprint of the edition which appeared in 1857, that it exhibits a text altered and amended from beginning to end. Throughout the former edition, influenced, perhaps unconsciously, by the example of Malone and of some later editors (whom the over-boldness of Pope, Theobald, Hanmer, &c. had rendered over-cautious), I was content to allow readings of a much more than doubtful character to retain their places in the text, provided I made mention in the notes how a considerable portion of them had been corrected by critical conjecture. Of the impropriety of such a plan—as tending only to perpetuate error—I am now fully convinced; nor assuredly has my conviction on that head been at all shaken by the recently-published volumes of the Cambridge Shakespeare, in which (whatever its merits in other respects) the editors adhere passim to the corruptions of the old copies with a pertinacity akin to that of Mr. Knight, before his superstitious devotion to the first folio had lost something of its fervour. In short, I now believe that an exact reprint of the old text with its multifarious errors forms a more valuable contribution to literature than a semi-corrected text, which, purged here and there of the grossest blunders, continues still, almost in every page, to offend against sense and metre" (p. ix).

Vol. I, Vol. II, Vol. III, Vol. IV, Vol. V, Vol. VI, Vol. VII, Vol. VIII, Vol. IX

Third Edition

Shakespeare, William, and Alexander Dyce. The Works of William Shakespeare, Edition: 3, Published by Chapman & Hall, 1875. 

[Here again I have had to mix printings, and unfortunately Vol. I cannot be found.  Please contact me if you discover this volume at GBS.]

Vol. I, Vol. II (snippet view), Vol. III, Vol. IV, Vol. V, Vol. VI, Vol. VII, Vol. VIII, Vol. IX

See the entry for Dyce in my Shakespeare's Editors pages.

  • 1858 - 1860 The Staunton Edition

"Between November 1857 and May 1860 he issued, with Messrs. Routledge, a new edition of Shakespeare in monthly parts, with 824 illustrations by Sir John Gilbert.  The parts were bound up in three volumes" (DNB, 1909, p. 1004).  (Actually, the volumes were issued from 1858 to 1860, coincidentally with completion of the monthly parts).  The volume were reissued in 1864 without illustrations.  Also in 1864 Staunton issued a photo-lithographic facsimile of the 1600 first quarto of Much Ado About Nothing.  And then in 1866 a photo-lithographic reproduction of the First Folio.

"Staunton's text was based on a collation of the folio editions with the early quartos and with the texts of modern editors from Rowe [1709] to Dyce [1857].  The conjectural emendations, which were usually sensible, were kept within narrow limits, and showed much familiarity with Elizabethan literature and modes of speech.  The general notes combined common-sense with exhaustive research" (DNB, 1004).

The Plays of Shakespeare. Edited by Howard Staunton. The Illustrations by John Gilbert. Engraved by the Brothers Dalziel. London: George Routledge & Co., vol. I, 1858; vol. II 1859; vol. III 1860; from Google Book Search in Full View and PDF formats.

For more on Staunton, see his entry in the Shakespeare's Editors section.

  • 1863 - 1866 - The Cambridge Shakespeare

Between 1863 and 1866 William George Clark (1821 - 1878) and (at first) John Glover  (and soon thereafter) William Aldis Wright (1831 - 1914) brought out the "Cambridge Shakespeare" in 9 volumes.  All nine volumes can be found at the Internet Archive in various formats, including downloadable PDF.

  • Vol. I (Clark & Glover, 1863) - The Tempest; The Two Gentlemen of Verona; The Merry Wives of Windsor; A Pleasant Conceited Comedy of Syr John Falstaffe; Measure for Measure; The Comedy of Errors.
  • Vol. II - (Clark & Wright, 1863.  All subsequent versions are Clark & Wright) - Much Ado About Nothing; Love's Labour's Lost; A Midsummer-Night's Dream; The Merchant of Venice; As You Like It.
  • Vol. III - (1863) - The Taming of the Shrew; All's Well That Ends Well; Twelfth Night; The Winter's Tale.
  • Vol. IV - (1864) - King John; Richard II; Henry IV, Part 1; Henry IV, Part 2; Henry V.
  • Vol. V - (1864) - Henry VI, Part 1; Henry VI, Part 2; Henry VI, Part 3; The First Part of the Contention, &c.; The True Tragedie of Richard Duke of Yorke And The Good King Henry the Sixt; Richard III.
  • Vol. VI - (1865) - Henry VIII; Troilus and Cressida; Coriolanus; Titus Andronicus.
  • Vol. VII - (1865) - Romeo and Juliet; An Excellent Conceited Tragedie of Romeo and Juliet; Timon of Athens; Julius Caesar; Macbeth.
  • Vol. VIII - (1866) - Hamlet; The Tragicall Historie of Hamlet Prince of Denmarke; King Lear; Othello.
  • Vol. IX - (1866) - Antony and Cleopatra; Cymbeline; Pericles; Venus and Adonis; The Rape of Lucrece; Sonnets; A Lover's Complaint; The Passionate Pilgrim; The Phoenix and the Turtle.

Glover soon left the project after the publication of Volume I, and the editors of the remaining volumes were Clark and Wright.  This pair of editors also soon edited the Globe Edition (1864) and thereafter Wright came out with his own edition (see below).

  • 1864 - The "Globe Edition"

    The Globe Edition was a "readers's" 'spin-off' edition without the critical apparatus of the much weightier Cambridge Edition.  The first Globe edition was published in 1864.  It strove to give a single, simple text without notes or other scholarly trappings, and to be popular, generating sales for Cambridge and Macmillan.  The following is a link to the 1864 first edition:  The Globe Edition.  The Works of William Shakespeare.  Edited by William George Clark and William Aldis Wright.  Cambridge and London.  Macmillan and Co., 1864.  I have also provided here an 1867 reprinting of the Globe Edition of the Works of William Shakespeare.  Reprints of the Clark and Wright  edition were numerous, this 1879 "Avon" edition, for example.  The Globe edition remains a staple of printers and booksellers down to the present day.

An explanation of the differences between the "Cambridge Shakespeare" and the Globe Edition, taken from the Preface to the Globe Edition of 1867:

As however the two editions differ in plan, the one recording in foot-notes all the various readings and conjectural emendations, the other giving only the text, we have in some particulars modified our rules. For instance, in cases where the text of the earliest editions is manifestly faulty, but where it is impossible to decide with confidence which, if any, of several suggested emendations is right, we have in the ' Cambridge Shakespeare ' left the original reading in our text, mentioning in our notes all the proposed alterations : in this edition, we have substituted in the text the emendation which seemed most probable, or in cases of absolute equality, the earliest suggested. But the whole number of such variations between the texts of the two editions is very small.

--Clark & Wright

  • 1881 - Henry N. Hudson's "Harvard Edition" of the Works

Henry N. Hudson was an American original, experienced as a farmer, coach-maker, school teacher, a Boston churchman and literati, popular lecturer and friend of Emerson—though no transcendentalist—and editor of Shakespeare.  His first edition of Shakespeare appeared in 11 volumes from 1851-1856, preceded by that of Verplanck.  His School Shakespeare appeared in 1870, in 1872 Shakespeare His Life, Art and Characters, finally in 1881 his Harvard Shakespeare appeared in 20 volumes.

The Complete Works of William Shakespeare. With A Life of the Poet, Explanatory Foot-Notes, Critical Notes, and a Glossarial Index.  Harvard Edition.  By the Rev. Hanry N. Hudson, LL.D. In Twenty Volumes.  Boston : Ginn, Heath, & Co. 1881.

For more on Hudson see his entry in my Shakespeare's Editors section.

  • 1882 - The Complete Works of William Shakespeare, Comprising His Plays and Poems, With Dr. Johnson's Preface, with a glossary, an account of each play, and a memoir of the author by the Rev. William Harness, M. A., H. A. Sumner and Co., 1882; from Google Book Search, full view and PDF, 926 pages.
     
  • 1891 - 1893 - The Works of William Shakespeare, ed. William Aldis Wright, 1891-1893, in Nine Volumes, from Google Book Search, full view and PDF.
    • Vol. I - The Tempest; The Two Gentlemen of Verona; The Merry Wives of Windsor; Measure for Measure; The Comedy of Errors;
    • Vol. II - Much Ado About Nothing; Love's Labour's Lost; A Midsummer-Night's Dream; The Merchant of Venice; As You Like It;
    • Vol. III - The Taming of the Shrew; All's Well That Ends Well; Twelfth Night; The Winter's Tale;
    • Vol. IV - King John, Richard II; Henry IV Part 1; Henry IV Part 2; Henry V;
    • Vol. V - Henry VI Part 1; Henry VI Part 2; Henry VI Part 3; Richard III; Henry VIII;
    • Vol. VI - Troilus and Cressida; Coriolanus; Titus Andronicus; Romeo and Juliet;
    • Vol. VII - Timon of Athens; Julius Caesar; Macbeth; Hamlet;
    • Vol. VIII - King Lear; Othello; Antony and Cleopatra; Cymbeline;
    • Vol. IX - Pericles; The Non-dramatic Poetry and Reprints.

     

  • 1903 - 1907 (second series) - Rolfe's Editions of Shakespeare - The "Friendly" Shakespeare

I have located a full set of William J. Rolfe's 40-volume Shakespeare editions through Google Book Search. Some, but not a complete set, exist also at the Internet Archive.  Links to titles of works below, therefore, are to the GB scanned, facsimile editions.  Where IA editions exist, they are linked in square brackets afterwards, labeled "IA," with their own date of publication if it differs.  I have made the main title links to the Google Book Search second series editions (published originally from 1903-1907) except in cases where I could not find a second series scan at GB.  In those cases I made it to the first series edition (published originally between 1870-1883, but reprinted many times).  I have followed the default second series link with a link to first series editions where I could find them.  Internet Archive links in square brackets follow Google Book links.  The dates given after the first series links are to the actual publication date on the volume, which in many cases is a reprint date.  Copyright renewals after 1910 belong to John C. Rolfe, son of the editor.

Comedies

Histories

Tragedies

Romances

Attributions

Poetry

For more on Rolfe, see his entry in "Shakespeare's Editors."

  • A single-volume Complete Works edited by William Allan Nelson, Houghton Mifflin, 1906.
  • A custom search constructed by Google on the works included in Google Book Search I have called The Google Shakespeare.  The links are categorized into Comedies, Histories, Romances and Tragedies, and each category links out to all editions present in Book Search.  A wide variety of source texts are presented by the editors of the various works linked at this site.  See my review of the Google Shakespeare.

Promptbooks.

Three pre-restoration promptbooks found in a copy of the First Folio at the University of Padua and therefore known as the "Padua" promptbooks:

Macbeth
Measure for Measure
Winter's Tale

Two from c. 1672 connected with the Hatton Garden Nursery and therefore known as the "Nursery" promptbooks:

Comedy of Errors
Midsummer Night's Dream

The following plays from a copy of the Third Folio belonging to the Smock Alley Theatre of Dublin (c. 1676-85) and therefore known as the "Smock Alley" promptbooks:

Hamlet
Macbeth
Othello
Midsummer Night's Dream
King Lear
Henry VIII
The Merry Wives of Windsor
Twelfth Night
The Comedy of Errors
The Winter's Tale


Multimedia editions

  •   Speak the Speech.  "We are a small audio theatre company dedicated to providing freely available Shakespearean audio performances online,for the benefit of educators, students, theatre people, the disabled, those in rural areas or overseas, or to put it simply: Everyone!"  Full plays available include As You Like It, Henry IV Pt. 1, Twelfth Night, and The Tempest.  Clips are available from Macbeth, The Merchant of Venice, and Richard III.
  •   HarperAudio's Internet Multicasting Service. Audio rendering of the Sonnets, parts of Much Ado About Nothing, and Julius Caesar by great English actors accompanied by period music (au, gsm, and ra formats are available). If you have the new media player from Microsoft, the au format plays with very high quality.

Productions

[Signet
Lineation]
  • A unique set of texts have been rendered by Dr. Michael Best as part of the Shakespeare By Individual Studies program. HTML texts for A Midsummer Nights Dream, Henry IV Pt. 1, As You Like It, Hamlet, King Lear, Macbeth, and The Tempest are included at this site. They are unique because the line numbers have been keyed to the Shakespeare Signet Classic editions. 
  • The Shakespeare Stack Project -- an archive of MacIntosh binhexed files of Mac HyperCard Stacks editions of the plays.

Individual
Editions

Plays marked
with an asterisk
(*) appeared in
print for the first
time in the First
Folio of 1623.

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All's Well That Ends Well*

HTML Editions

  • An original spelling transcription of All's Well That Ends Well (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • All's Well, that Ends Well, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • All's well that ends well, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • All's well that ends well, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Antony and Cleopatra* (1606-1608)

HTML Editions

  • An original spelling transcription of Antony and Cleopatra (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Anthony, and Cleopatra, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by theState Library of New South Wales.
  • The Tragedy of Anthony and Cleopatra, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Anthony and Cleopatra, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

As You Like It*

HTML Editions

  • An original spelling transcription of As You Like It (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • As you like it, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • As you like it, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • As you like it, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimiles of 19th Century editions:


The Comedy of Errors*

HTML Editions

Electronic facsimile editions from the folios.

  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Comedie of Errors, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Comedie of Errors, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Comedy of Errors, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Coriolanus* (1608)

HTML Editions

  • An original spelling transcription of Coriolanus (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Coriolanus, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Coriolanus, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Coriolanus, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimile editions of 17th century revisions of the play:


Cymbeline*

HTML Editions

  • An original spelling transcription of Cymbeline (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Cymbeline, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Cymbeline, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Cymbeline, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Other Versions


Hamlet

HTML Editions

  • An original spelling transcription of Hamlet (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • The Enfolded Hamlet. Jump to the play or its various enfolded versions from the introduction.
  • HamletWorks.org "offers deep levels of information on Hamlet and related works for scholars, students, theater practitioners, and fans."
  • The 1603 'bad quarto' edition of Hamlet in HTML transcription from the University of Virginia.
  • The 1604 quarto edition, in HTML transcription also from UV.
  • The 1623 First Folio text of Hamlet  in transcription from UV.
  • Athena Ophelia page.
  • Hamletworks.org "offers deep levels of information on Hamlet and related works for scholars, students, theater practitioners, and fans."b
  • Hyperhamlet.  A truly amazing site from the University of Basel.  ""Hyperhamlet" is a new project at the University of Basel, a database that collects and orders references to Hamlet in all areas of culture.  Who quoted Hamlet? Which passages were most popular when? Etc. It is based on the conviction that we need a cultural history of Shakespeare's plays, and that in studying the status and the meaning of a play we should not entirely rely on criticism and performance history."  It took literally just seconds to determine that "Hoist with his own petard" is quoted in Sir Walter Scott's Kenilworth, wit.h the appropriate references.  If you do not think that is breathtaking, you probably should not be using this web site, or perhaps any web site.

Electronic facsimile editions of early (17th century) quartos and folios.

  • The 1603 1st quarto of Hamlet from the British Library, another version of the same from the Rare Book Room (Octavo).
  • A mirror of the 1603 1st quarto from the Internet Shakespeare Editions, using the ISE navigation tools, from the volume held by the British Library.
  • The 1604 2nd quarto of Hamlet from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1605 2nd variant quarto of Hamlet from the British Library, and the same from the Rare Book Room (Octavo), and the same from Internet Shakespeare Editions..
  • The 1611 3rd quarto of Hamlet, originally in the possession of Garrick and another of the same of unknown provenance, both from the British Library.  Here is another version of the 3rd quarto from the Rare Book Room (Octavo), and yet another, and another.
  • The 1611 3rd quarto of Hamlet from the Rare Book Room from a volume held by The Bodleian Library, University of Oxford.
  • The 1611 3rd quarto of Hamlet from the Rare Book Room from a volume held by the University of Edinburgh Library.
  • The 1611 3rd quarto of The tragedy of Hamlet, Prince of Denmarke, from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The 1622 4th quarto of Hamlet, originally in the possession of Garrick, and another of the same originally in the possession of George III, both from the British Library, and yet another version of the same from the Rare Book Room (Octavo).
  • The 1637 5th quarto of Hamlet from the British Library, and another version of the same from the Rare Book Room (Octavo).
  • The 1637 5th quarto of Hamlet from the Rare Book Room from a copy held by the University of Edinburgh Library.
  • The 1637 5th quarto of Hamlet from the Rare Book room from a copy held by The Bodleian Library, University of Oxford, and another from the same source held by the same library.
  • The 1637 5th quarto of Hamlet from the Rare Book Room from a copy held by the National Library of Scotland.
  • The Tragedie of Hamlet, Prince of Denmarke, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Hamlet, Prince of Denmarke in the First Folio of 1623 from the Horace Howard Furness Memorial (Shakespeare) Library, SCETI, University of Pennsylvania.
  • The Tragedie of Hamlet, Prince of Denmarke, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Hamlet, Prince of Denmarke, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Hamlet, Prince of Denmarke, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Hamlet, Prince of Denmark, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Hamlet, Prince of Denmark, in the Third Folio of 1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Hamlet, Prince of Denmark, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimile editions of 17th Century revisions of the play:

Electronic facsimiles of 18th Century editions of the play.

Electronic facsimiles of 19th Century revisions of the play:

  • Poole, John, 1786?-1872. Hamlet travestie : in three acts, 1810, (Poole's Hamlet Travestie), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Hamlet, 1860 (Forrest's Hamlet Promptbook), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Shakespeare's tragedy of Hamlet, 1879, (Edwin Booth's Promptbook of Hamlet), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Hamlet : a tragedy in five acts, by William Shakespeare, as arranged for the stage by Henry Irving, 1879, (Irving's Hamlet), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Hamlet, by William Shakespeare, as arranged for the stage by Forbes Robertson..., 1897, (Forbes Robertson's Hamlet), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.

Performances

  • The Derry Film Initiative video production of Hamlet, from Google Video (1 hr. 33 min.).  "The Derry Film Initiative's HAMLET is a vigorous, dynamic and modern reinvention of one of literature's greatest works. Drawing upon the Northern Ireland conflict and using the conventions of the documentary film to give a first-hand, visceral experience, HAMLET is not only a psychological thriller about one man's quest for revenge, but also a meditation on politics, war and the very nature of life and death."

Henry IV, Part 1

HTML Editions

  • An original spelling transcription of Henry IV, Part One (1623 First Folio Edition) Electronic Text Center, University of Virginia Library.

Electronic Facsimile Editions of early quartos and folios.

Henry IV, Part 1 was entered in the Stationers' Register February 25, 1598 (NS):

Andrew Wise.] A booke entitled the Historye of Henry the Fourth, with his Battaile at Shrewsburye against Henry Hottspurre of the Northe with the conceipted Mirth of Sir John Falstalffe

The first quarto was not actually the first quarto.  There survives an 8-page fragment (quire C) of the play designated Q0, without date, upon which Q1 is based.  Q1 is dated 1598 and appeared with the following title:

The history of Henrie the Fourth; with the battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the north. With the humorous conceits of Sir Iohn Falstalffe [sic].
At London: printed by P. S. [Peter Short] for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell, 1598.

Q1 was reprinted in 1599 and designated "Newly corrected by W. Shake-speare.
", but there are only very small differences between Q1 and Q2.  Other quartos appeared in 1604, 1608, 1613, and 1622, testifying to the popularity of the play.  The text of the First Folio (F1) is set from Q5 (1613) with the oaths removed.

The play was probably written at the end of 1596 or very early 1597.  It is most likely that Henry IV, Part 1 was composed without reference to a part 2, and that part 2 was written to build on the success of part 1.

  • 1598 1st quarto of Henry IV, Pt. 1, from the British Library, and another copy of the same from the Internet Shakespeare editions.
  • The 1599 2nd quarto of The History of Henrie the fourth, with the battle at Shrewsburie... from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • 1599 2nd quarto of Henry IV, Pt. 1, from the British Library originally possessed by Garrick, and another originally possessed by George III.
  • Another copy of the 1599 quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.
  • The 1604 3rd quarto of Henry IV, Part 1, from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • 1608 4th quarto of Henry IV, Pt. 1, from the British Library.
  • Another copy of the 1608 quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.
  • The 1608 4th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • Two examples of the 1613 5th quarto of Henry IV, Pt. 1, from the British Library, both originally possessed by Halliwell-Phillipps: 1  2.  Other copies of these quartos from the Rare Book Room (Octavo): 1   2
  • The 1613 5th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1622 6th quarto of Henry IV, Pt. 1, from the British Library.  Another copy of this quarto from the Rare Book Room (Octavo).
  • The 1622 6th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1622 6th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.
  • The 1632 7th quarto of Henry IV, Pt. 1, from the British Library.  Another copy of this quarto from the Rare Book Room (Octavo).
  • The 1632 7th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.
  • The 1632 7th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.
  • The 1639 8th quarto of Henry IV, Pt. 1, from the British Library.  Another copy of this quarto from the Rare Book Room (Octavo).
  • The 1639 8th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by National Library of Scotland.
  • The 1639 8th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1639 8th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.
  • The 1639 8th quarto of The historie of Henry the Fourth : vvith the battell at Shrewsbury, betweene the King, and Lord Henry Percy, surnamed Henry Hotspur of the North. With the humorous conceits of Sir Iohn Falstaffe, from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-Spurre, in  the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-Spurre, in  the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-Spurre, in  the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-Spurre, in  the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-spurre, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-spurre, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of Henry IV, with the Life and Death of Henry, Sirnamed Hot-Spur, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimiles of modern (usually nineteenth century or later) printed editions, now in the public domain.


Henry IV, Part 2

HTML Editions

  • An original spelling transcription of Henry IV, Part Two (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic Facsimile Editions of early quartos and folios.

Henry IV, Part 2 was entered in the Stationers' Register, along with Much Ado About Nothing, on August 23, 1600:

Aug. 23, 1600.
And. Wise, and Wm. Aspley.] Muche Adoe about Nothinge...
Second Part of the History of King Henry the Fourth, with the Humors of Sir John Fallstaff, written by Mr. SHAKESPERE

It was printed in the same year (quarto a) with the following title page:

The second part of Henrie the fourth, continuing to his death, and coronation of Henrie the fift. With the humours of Sir Iohn Falstaffe, and swaggering Pistoll. As it hath been sundrie times publikely acted by the Right Honourable, the Lord Chamberlaine his seruants. Written by William Shakespeare.
London: printed by V. S. [Valentine Simmes] for Andrew Wise, and William Aspley, 1600.

It was reprinted in the same year (quarto b) with act III scene i added, which had been omitted from the first printing.  It was not printed again until the First Folio, which must have been type set from an original manuscript since the Folio version contains passages not contained in either early quarto.  It is speculated that the passages removed from the early printings were politically sensitive, in view of the strained relationships between the court and the Essex factions in 1600, and that they were removed at the behest of the censor.  Indeed, the Essex revolt occurred early the next year, in which Shakespeare's company played their small, though thankfully forgivable, part.  The Folio text also was edited to cut the oaths, in observance of the act of parliament of 1606 forbidding the use of the names of the deity, an act which also required heavy cutting of Henry IV, Part 1.  Between the quarto and folio texts a full text is available which must reflect Shakespeare's manuscript, or at least the company's prompt version.  Henry IV, Part 2 obviously feeds on the popularity of Part 1, but it is not known whether it was written before or after The Merry Wives of Windsor.  If before, it was probably written in late 1596; if after, in mid- to late 1597.

The illustration above is from the Chalmers edition, 1805, an engraving by James Neagle on a design by Henry Fuseli.

Electronic facsimiles of modern (usually nineteenth century or later) printed editions, now in the public domain.


Henry V (1599)

HTML Editions

  • An original spelling transcription of Henry V (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions of early quartos and folios.

Henry V is one of the few plays by Shakespeare that can be reliably dated.  The prologue to act V (ll30-34) reads:

Were now the general of our gracious empress,
As in good time he may, from Ireland coming,
Bringing rebellion broached on his sword,
How many would the peaceful city quit,
To welcome him!

The general is, of course Essex, who left London on March 27, 1599 on his Irish campaign.  After his disastrous management of the campaign, he returned to England precipitously, and ill advisedly, on September 28, 1599.  The play must have been finished during this period.  It is also worth noting that the play is not mentioned in Francis Meres' list of Shakespeare's plays in Palladis Tamia, published autumn 1598.  It is often thought that "this wooden O" in the opening prologue refers to the newly erected Globe on the Bankside.  If one accepts Sohmer's arguments for opening day of the Globe being 12 June, 1599, it may well be that Henry V was one of the first plays presented there.  Early Spring-Summer, 1599, then, is a fairly certain date for this plays composition.

The play was first entered in the Stationers' Register by the printer James Roberts along with Much Ado About Nothing, As You Like It, and Every Man In His Humour on August 4, 1600, with a notation that it is "to be staid."  It is believed that this was a measure taken to attempt to block the printing of the plays without permission.  Nevertheless, the play was printed in an unauthorized quarto in 1600.

The cronicle history of Henry the fift, with his battell fought at Agin Court in France. Togither with Auntient Pistoll. As it hath bene sundry times playd by the Right Honorable the Lord Chamberlaine his seruants.
London: printed by Thomas Creede, for Tho. Millington, and Iohn Busby. And are to be sold at his house in Carter Lane, next the Powle head, 1600.

The first quarto is a corrupt version of the text of the First Folio, and it is believed it is a memorial reconstruction of a shortened acting version of the play.  This text was reissued in 1602 as the second quarto, and again in 1619 by Pavier and Jaggard, falsely dated 1608, as the third quarto.  The First Folio text, therefore, which must be based on Shakespeare's manuscript, is the authoritative text for the play.

  • The 1600 1st quarto of Henry V from the British Library. Another copy of the 1600 1st quarto from the Rare Book Room of the copy held by the British Library.
  • The 1600 1st quarto of Henry V from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • An electronic facsimile edition of the 1619 (dated 1608) 3rd Quarto edition of Henry V from the Furness Shakespeare Library.
  • The 1619 3rd quarto (dated 1608) of Henry V from the British Library originally possessed by Garrick, and another originally possessed by George III.  Copies of these quartos are also available from the Rare Book Room (Octavo): Garrick   George III.
  • The 1619 3rd quarto (dated 1608) of The Chronicle History of Henry the Fift, with his battell fought at Agin Court in France.  Together with Ancient Pistoll, from the Rare Book Room (Octavo) from a volume held by National Library of Scotland.  Owned initially by the great Shakespeare editor George Stevens (1736–1800); then Richard Forster; then John Stuart, first Marquiss of Bute.  The Bute collection was eventually (1956) purchased by the National Library of Scotland.
  • The 1619 3rd quarto (dated 1608) of Henry V from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  The volume had been owned by Edward Capell, then by J. O. Halliwell-Phillipps, who gave it to the University Library.
  • The 1619 3rd quarto (dated 1608) of Henry V from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1619 3rd quarto (dated 1608) of The chronicle history of Henry the fift : with his battell fought at Agin Court in France : together with ancient pistoll : as it hath bene sundry times played by ... the Lord Chamberlaine his seruants from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life of Henry the Fift, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life of King Henry the Fifth, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life of King Henry V, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Henry VI, Part 1*

HTML Editions

  • An original spelling transcription of Henry VI, Part One (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions of early folios.

  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of Henry the Sixt, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The first Part of King Henry the Sixth, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of King Henry VI, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Henry VI, Part 2

HTML Editions

  • An original spelling transcription of Henry VI, Part Two (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic Facsimile Editions of early quartos and folios.


Henry VI, Part 3

HTML Editions

Henry VIII* (Shakespeare and Fletcher)

HTML Editions

  • An original spelling transcription of Henry VIII (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • HTML version of Henry VIII from MIT.

Electronic Facsimile Editions of early folios.


Julius Caesar* (1599)

Julius Caesar was printed for the first time in the First Folio of 1623.  Later folio editions introduce minor variations but do not change the text in any significant way.  There are no quarto editions.  I have presented HTML editions; scanned facsimile editions from the Folios; scanned editions from modern books (but not too modern, since I only present complete or "full view" editions containing text of the entire play, often with editorial introductions, notes, glosses, and so forth; plain text editions; and "other" editions, distinguished by some odd or interesting feature.  Many HTML editions are based on the "Complete Moby Shakespeare," from Moby Lexical Services.  I have only included representative copies of this version since it is so common.  I have also not included version oh advertising.  In fact, a bare minimum of tasteful advertising, if any, is a strong qualifier on what is included among the selections.

HTML editions

  • Original spelling transcription of the First Folio version with scene navigation, from Internet Shakespeare Editions.
  • Original spelling transcription of the First Folio version with act navigation from the etext center at the University of Virginia.
  • HTML Julius Caesar from Renascence Editions, a copy of the University of Adelaide mirror of the ERIS Project plain text edition.
  • HTML Globe edition of Julius Caesar from the Perseus Project, Tufts University.  The Globe Shakespeare is "the one-volume version of the great Cambridge Shakespeare (1891-3) edited by W. G. Clark, J. Glover, and W. A. Wright. The Cambridge Shakespeare was the reference edition well into the twentieth century, and many important works of scholarship are keyed to it" (from the Perseus Project web site).
  • Julius Caesar from the 1914 Oxford Shakespeare, W. J. Craig, ed., at bartleby.com.
  • Julius Caesar from the collected works at MIT (known as the Moby Shakespeare).
  • Julius Caesar from the etext center at the University of Virginia HTML edition based on the Moby Lexical project, in turn based on the Globe edition.
  • The HTML version from Matty Farrow's collected works at the University of Sydney.
  • Julius Caesar from the Open Source Shakespeare.
  • Julius Caesar from PlayShakespeare.com.
  • Another version based on the Moby Shakespeare from the Pasadena Shakespeare Company.
  • Julius Caesar, an HTML version of plain text from the eServer Drama Collection.
  • HTML editions of the plain text version from Project Gutenberg. 

Electronic facsimile editions from the Folios:

Electronic facsimile editions from modern books:

Plain text editions

  • Plain text, Plain text zipped, and Plucker format downloadable files containing the text of Julius Caesar from Project Gutenberg.
  • The plain text "Hudson Edition" from Project Gutenberg.
  • The plain text "World Library Edition" from Project Gutenberg.
  • The plain text "First Folio" transcription from Project Gutenberg.

"Other" editions:

Productions


King John*

HTML Editions

  • An original spelling transcription of King John (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios:

  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The life and death of King John, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life and Death of King John, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life and Death of King John, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimile editions from modern books:


King Lear

HTML Editions

  • An original spelling transcription of King Lear (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • King Lear (incorporating Q1 and F1) with linked glossary, is presented by Dr. Larry A. Brown.  Dr. Brown has included two very interesting introductory articles, "Aristotle on Greek Tragedy," and "Tragedy After Aristotle." 

Electronic facsimile editions from early quartos and folios.

Illustration of Lear, Kent, the Fool and Poor Tom on the heath from the Staunton edition, vol. III, 1860, p. 87.

King Lear was entered in the Stationers' Register November 26, 1607:

Nov. 26, 1607.
Nath. Butter and John Busby.] Mr. Willm.
Shakespeare, his Hystorye of Kinge Lear, as yt was played before the King's Majestic at Whitehall, upon St. Stephen's night at Christmas last, by his Majesties servants playing usually at the Globe on the Bank-side

The first quarto, known as the "Pide Bull" quarto, was printed in 1608 with the following title page:

M. William Shak-speare: his true chronicle historie of the life and death of King Lear and his three daughters. With the vnfortunate life of Edgar, sonne and heire to the Earle of Gloster, and his sullen and assumed humor of Tom of Bedlam: as it was played before the Kings Maiestie at Whitehall vpon S. Stephans night in Christmas hollidayes. By his Maiesties seruants playing vsually at the Gloabe on the Bancke-side.
London: printed [by Nicholas Okes] for Nathaniel Butter, and are to be sold at his shop in Pauls Church-yard at the signe of the Pide Bull neere St. Austins Gate, 1608.

The text of Q1 is corrupt in places, and it is often argued that it is a "bad" quarto, based on memorial reconstruction, though apparently it was an authorized printing.

The second quarto was an unauthorized re-print of Q1 by Isaac Jaggard in 1619 and fraudulently dated 1608.  It has the following title page:

M. William Shake-speare, his true chronicle history of the life and death of King Lear, and his three daughters. With the vnfortunate life of Edgar, sonne and heire to the Earle of Glocester, and his sullen and assumed humour of Tom of Bedlam. As it was plaied before the Kings Maiesty at White-hall, vppon S. Stephens night, in Christmas hollidaies. By his Maiesties seruants, playing vsually at the Globe on the Banck-side.
[London]: Printed [by William Jaggard] for Nathaniel Butter, 1608

The Folio text differs from the Q1 text, and it is speculated that it was printed from the text of Q1 corrected from the prompt-copy of the King's Men.  The text offers very complex textual problems, akin to the textual problems of Pericles.  The Folio has 100 lines not present in Q1, and Q1 has some 300 lines not present in the Folio.  Neither is regarded as authoritative.

King Lear was probably written in late 1605 or early 1606.  Gloucester's reference to "These late eclipses of the sun and moon" (1.2.112) is by some authorities taken to refer to the eclipses of September and October 1605.

  • Two examples of the 1608 1st quarto of King Lear from the British Library, both originally possessed by Halliwell-Phillipps: 1  2.  Both are examples of the "Pide Bull" edition, named for the imprint on the title page "Printed for Nathaniel Butter, and are to be sold at his shop in Pauls Church-yard at the signe of the Pide Bull neare St. Austins Gate. 1608."
  • Another 1608 1st quarto of King Lear from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford, this one being an example of the "Pied Bull" printing.
  • The 1608 1st quarto of King Lear from a copy held by the British Library with an appendix by Charles Praetorius, 1885, from Google Book Search.
  • Three examples of the 1619 (dated 1608) 2nd quarto of King Lear from the British Library, the first originally possessed by Garrick, the second by George III and the third of unknown provenance: 1  2  3.  Q2 is Pavier's reprint, in 1619, of Q1, fraudulently dated 1608.
  • The 1619 2nd quarto (dated 1608) of King Lear from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford, and another copy from a volume held by the National Library of Scotland.
  • The 1619 2nd quarto (dated 1608) of  M. VVilliam [Shake]-speare : his true chronicle history of the life and death of King Lear and his three daughters, with the unfortunate life of Edgar, sonne and heire to the Earle of Glocester, and his sullen and assumed humour of Tom of Bedlam, in Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedie of King Lear, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of King Lear, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of King Lear, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimile editions from modern books:

  • The life and death of King Lear. From The works of Shakespear : in six volumes / collated and corrected by the former editions, by Mr. Pope. London: Printed for Jacob Tonson, in the Strand, 1723-1725.  (Though dated 1723, the Pope's edition was printed 1725).

Electronic facsimile editions of 17th century revisions of the play:

  • Tate, Nahum, 1652-1715. The history of King Lear : Acted at the Duke's theatre. London: Printed for E. Flesher, and are to be sold by R. Bentley, and M. Magnes in Russel-Street near Covent-Garden, 1681; from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.

Love's Labour's Lost

HTML Editions

  • An original spelling transcription of Love's Labour Lost (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early quartos and folios.

LLLQ1TitlePagex326 The first appearance of Shakespeare's name on the title page of a printed play was the quarto publication of Love's Labour's LostThe first quarto, and only authoritative text, of Love's Labour's Lost appeared in 1598 with the following title page:

A pleasant conceited comedie called, Loues labors lost. As it was presented before her Highnes this last Christmas. Newly corrected and augmented by W. Shakespere.
Imprinted at London: by W. W. [William White] for Cutbert Burby, 1598.

The W. W. is thought to be William White (d. 1615).  Cuthbert Burby (d. 1607) owned the copyright to this play and to Romeo and Juliet, transferred on his death to Nicholas Ling.

Q1 served as the text for the Folio printing, but it has been revised inconsistently, giving rise to a theory of a lost Q0, but there is no other evidence for a lost quarto (except for the "Newly corrected and augmented" tag printer on the Title page of Q1.  It is often noted that the stage directions in Q1 are unusually full and descriptive, indicating perhaps an absence from the playhouse and/or a production for non-professionals.  Once again, this is only a theory.

Because it is full of inside jokes and parodies, a case has been made for Love's Labour's Lost having been written for a private party, probably involving Southampton and his circle, and later adapted for the stage.  It does seem to have strong associations with the Southampton circle, though this theory is by no means universally accepted.  Those who advance it usually place the play in about 1593-94, in the period of Venus and Adonis and The Rape of Lucrece, with which it has obvious affinities.  A popular theory of Shakespeare's life has him serving as Southampton's secretary or literary assistant during this period of closure of the public playhouses.

Peter Ackroyd in his Shakespeare: The Biography says  that LLL is "so highly allusive and ironic that it hardly seems designed for the public playhouses...there has even been speculation that it was first performed in Southampton House or at Titchfield.  In a ground plan for Titchfield House there is an upstairs chamber designated as the 'Playhouse Room,' just to the left of the main entrance...it has been variously interpreted as a playful satire upon Southampton and his circle, upon Lord Strange and his supporters, upon Thomas Nashe, upon John Florio, upon Sir Walter Raleigh and the notorious 'school of night.'  There are references to a thundering rival poet, George Chapman, and to other Elizabethan notables who are now less well known...and it may indeed refer to all of them." 

If indeed the play was acted for the Southampton circle, it must later have been translated to the Theatre repertory.  It is known to have been acted before Queen Elizabeth in 1597 (see the text on the title page), and Southampton had it performed for the family of King James at Southampton House in 1605.

What is definitely known is that it appears in the list of Shakespeare's plays in Francis Meres' Palladis Tamia in 1598.  It is also (in all likeliehood) referenced in Robert Tofte's Alba, or The Month's Mind of a Melancholy Lover, also published in 1598: "I once did see a play ycleped so," (see Halliwell-Phillipps, Outlines, p. 305.  The play was most likely written, therefore, between 1593 and 1597, though may be a revision of a much earlier work.

  • The 1598 1st quarto of Love's Labour's Lost from the British Library.  Another copy of this work is available for inspection from the Rare Book Room (Octoavo). 
  • The 1598 1st quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  "This quarto was donated to the University of Edinburgh in 1627 by James Drummond of Hawthornden (1585–1649), a former student at the university, as well as a poet and man of letters" (Octavo statement of provenance).
  • The 1598 1st quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • Shakspere's Loves labors lost : the first quarto, 1598 : a facsimile in photo-lithography (1880) with an introduction by Frederick Furnivall, from Internet Archive, in various formats.
  • Two examples of the 1631 2nd quarto of Love's Labour's Lost from the British Library, the first originally possessed by Garrick, the second by George III:  1  2.  These volumes are also available for inspection from the Rare Book Room (Octavo):  Garrick   George III.
  • The 1631 2nd quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  This volume had been the property of J. O. Halliwell-Phillipps, who gave it to the library.
  • The 1631 2nd quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by the Bodleian Library, University of Oxford; and another copy held by the same library.
  • The 1631 2nd quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  "This second quarto of Love’s Labours Lost was owned by Dr. Richard Farmer (1735–1797), Shakespeare scholar and collector, and Canon of St. Paul’s, London. It was sold at 1798 Farmer sale to the English book collector Richard Forster and then acquired 1806 by John Stuart, the first Marquis of Bute (1744–1814). Stuart added it to the Bute Collection of early English plays...The Bute Collection is now in the National Library of Scotland, which purchased it from Major Michael Crichton Stuart on 3 April 1956" (Octavo statement of provenance.)
  • The 1631 2nd quarto of Loues Labours lost : a vvittie and pleasant comedie : as it was acted by his Maiesties seruants at the Blacke-Friers and the Globe, in Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Loves Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • Love's Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Love's Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • Love's Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • Love's Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Loves Labour's lost, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Facsimile edition of Love's Labour's Lost from the 1632 Second Folio via the Holloway Pages.
  • Love's Labour's lost, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Love's Labours lost, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Facsimile Editions of Modern Editions

  • The 1904 Variorum edition of Love's Labour's Lost edited by H. H. Furness, from Google Book Search, full view and PDF.

Macbeth* (1606)

HTML editions.

  • An original spelling transcription of Macbeth (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

  • The Roanoke Macbeth Page.

Electronic facsimile editions from early folios.

  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedie of Macbeth, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Macbeth, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Macbeth, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Measure for Measure*

HTML Editions

  • An original spelling transcription of Measure For Measure (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

  • The Interactive Shakespeare Project study guide to Measure for Measure.

Electronic facsimile editions from early folios.

  • Measure, for Measure, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • Measure for Measure, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Measure for Measure, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • Measure for Measure, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • Measure for Measure, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Measure for Measure, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Measure for Measure, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Measure for Measure, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

The Merchant of Venice

HTML Editions

  • An original spelling transcription of The Merchant of Venice (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early quartos and folios.

Detail of illustration showing Shylock: "How like a fawning publican he looks.  I hate him for he is a Christian."
From Samuel Weller Singer's
The Dramatic Works of William Shakespeare, vol. III 1826.

The Merchant of Venice was first printed in quarto in 1600 with the following title page:

The most excellent historie of the merchant of Venice. With the extreame crueltie of Shylocke the Iewe towards the sayd merchant, in cutting a iust pound of his flesh: and the obtayning of Portia by the choyse of three chests. As it hath beene diuers times acted by the Lord Chamberlaine his seruants. Written by William Shakespeare.
At London: printed by I. R. [James Roberts] for Thomas Heyes, and are to be sold in Paules Church-yard, at the signe of the Greene Dragon, 1600.

Consequently it is often called the "Heyes Quarto."

The second quarto was practically printed in 1619 by Thomas Pavier and William Jaggard, and fraudulently dated 1600 in order to circumvent, it is thought, an order by the Lord Chamberlain of May, 1619, that plays belonging to the King's Men could not be printed without consent.  Pavier printed nine other plays at that time.

The First Folio text is based on the text of the first quarto, which itself may have been printed from Shakespeare's "foul papers."

The play was entered in the Stationers' Register July 22, 1598: 

"James Robertes.] A booke of the Marchaunt of Venyce, or otherwise called the Jewe of Venyse. Provided that y t bee not prynted by the said James Roberts or anye other whatsoever, without lycence first had of the right honourable the Lord Chamberlen"
(see "Entries on the Stationers' Books" in Malone).

It appears in the list of Shakespeare's plays in Francis Meres' Palladis Tamia in 1598.  The play was most likely written between 1596 and 1598.

  • Three examples of the 1600 1st quarto of The Merchant of Venice from the British Library, the first originally possessed by Garrick, the second two by George III:  1  | 2  |  3.
  • The same three copies of the 1600 1st quarto of The Merchant of Venice from the Rare Book Room (Octavo):  Garrick | George III | George III from volumes held by the British Library.
  • The 1600 1st quarto of The Excellent History of the Merchant of Venice with the Extreme Cruelty of Shylocke the Jew toward the saide Merchant in cutting a just pound of his flesh.  And the obtaining of Portia, by the choyse of three Caskets, from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1600 1st quarto of The Merchant of Venice, from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  Apparently a copy that at one time belonged to Lewis Theobald, containing his annotations.
  • Two examples of the 1619 (dated 1600) 2nd quarto of The Merchant of Venice from the British Library, the first originally possessed by Garrick, the second by George III:  1  2.
  • The same two copies of the 1619 (dated 1600) 2nd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from volumes held by the British Library: Garrick  |  George III.
  • The 1619 2nd quarto (dated 1600) of The Merchant of Venice from the Rare Book Room (Octavo) from volumes held by the University of Edinburgh Library.  Given to the library by J. O. Halliwell-Phillipps.
  • The 1619 2nd quarto (dated 1600) of The excellent history of the merchant of Venice : with the extreme cruelty of Shylocke the Iew towards the saide merchant, in cutting a iust pound of his flesh : and the obtaining of Portia, by the choyse of three caskets, from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The 1637 3rd quarto of The Merchant of Venice from the British Library.
  • The same copy of the 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by the British Library.
  • The 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  Part of the Bute collection purchased by the National Library of Scotland from Major Michael Crichton Stuart on 3 April 1956.
  • The 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  Given to the library in 1872 by J. O. Halliwell-Phillipps.
  • The 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • The 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Merchant of Venice, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Merchant of Venice, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Merchant of Venice, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimiles of 18th Century revisions of the play.


The Merry Wives of Windsor

HTML Editions

  • An original spelling transcription of The Merry Wives of Windsor (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early quartos and folios.

Falstaff holding court
Illustration from the 1843 three-volume edition of the works by Barry Cornwall (Bryan Waller Procter).  The illustration is by Kenny Meadows.

The Merry Wives of Windsor was first entered in the Stationers' Register on January 18, 1602 (NS):

John Busby. An excellent and pleasant conceited commedie of Sir John Faulstof and the Merry Wyves of Windesor...

Arth. Johnson. The preceding entered as assigned to him from John Busby...

It was printed later that year with the following title page:

A most pleasaunt and excellent conceited comedie, of Syr Iohn Falstaffe, and the merrie wiues of Windsor. Entermixed with sundrie variable and pleasing humors, of Syr Hugh the Welch knight, Iustice Shallow, and his wise cousin M. Slender. With the swaggering vaine of Auncient Pistoll, and Corporall Nym. By William Shakespeare. As it hath bene diuers times acted by the Right Honorable my Lord Chamberlaines seruants. Both before her Maiestie, and else-where.
London: printed by T. C. [Thomas Creede] for Arthur Iohnson, and are to be sold at his shop in Powles Church-yard, at the signe of the Flower de Leuse and the Crowne, 1602.

The 1602 1st quarto is commonly referred to as a "bad" quarto.  Compared to the text of the First Folio its text is corrupt.  It is thought to be a memorial reconstruction by the actor who played the part of the Host.  This quarto was reprinted in 1619, as the 2nd quarto, by William Jaggard.

The text of the First Folio is therefore not based on the first quarto, but rather thought to be based on the prompt book of the King's Men.

The play is thought to have been written quickly in early 1597, hard upon the completion of Henry IV Part 2, and first performed to celebrate the initiation of the newly elected Knights of the Garter on April 23, St. George's Day, that year at Windsor Castle.  George Carey, Lord Hunsdon, patron of Shakespeare's company was then elected.  The play makes frequent mention of Windsor Castle. 

Rowe, in his Some Account of the Life &c. of Mr. William Shakespear prefaced to his 1709 edition of the works says of the play;

"She [Queen Elizabeth] was so well pleas'd with that admirable Character of Falstaff, in the two Parts of Henry the Fourth, that she commanded him to continue it for one Play more, and to shew him in Love. This is said to be the Occasion of his Writing The Merry Wives of Windsor. How well she was obey'd, the Play it self is an admirable Proof. Upon this Occasion it may not be improper to observe, that this Part of Falstaff is said to have been written originally under the Name of Oldcastle; some of that Family being then remaining, the Queen was pleas'd to command him to alter it; upon which he made use of Falstaff. The present Offence was indeed avoided; but I don't know whether the Author may not have been somewhat to blame in his second Choice, since it is certain that Sir John Falstaff, who was a Knight of the Garter, and a Lieutenant-General, was a Name of distinguish'd Merit in the Wars in France in Henry the fifth's and Henry the Sixth's Times. What Grace soever the Queen confer'd upon him, it was not to her only he ow'd the Fortune which the Reputation of his Wit made."

Rowe may have picked this up and extended it from John Dennis' dedication to his adaptation The Comical Gallant, published in 1702.  Dennis says:

"This comedy was written at her [i.e., Queen Elizabeth's] command, and by her direction, and she was so eager to see it Acted, that she commanded it to be finished in fourteen days and was afterward, as Tradition tells us, very well pleas'd At the Representation."

  • The 1602 1st quarto of The Merry Wives of Windsor from the British Library.
  • The 1602 1st quarto of of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by the British Library.
  • The 1602 1st quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • Two examples of the 1619 2nd quarto of The Merry Wives of Windsor from the British Library, the first originally possessed by Garrick, the second by George III:  1  2.
  • The same two copies of the 1619 2nd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from volumes held by the British Library:  Garrick  |  George III.
  • The 1619 2nd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • The 1619 2nd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by The National Library of Scotland.  Part of the Brute collection, purchased from Major Michael Crichton Stuart on 3 April 1956.
  • The 1630 3rd quarto of The Merry Wives of Windsor from the British Library.
  • The 1630 3rd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by the British Library.
  • The 1630 3rd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • The 1630 3rd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  This quarto had at one time belonged to George Steevens, the great editor.  It became the property of Halliwell-Phillipps, who gave it to the library.
  • The 1630 3rd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  This volume had at one time belonged to the great editor, George Steevens.  It eventually became part of the Brut collection, which purchased it from Major Michael Crichton Stuart on 3 April 1956.
  • The Merry Wives of Windsor, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Merry Wives of Windsor, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Merry Wives of Windsor, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Merry Wives of Windsor, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Merry Wives of Windsor, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Merry Wives of Windsor, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Merry Wives of Windsor, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Merry Wives of Windsor, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

A Midsummer Night's Dream

HTML Editions

Electronic facsimile editions from early quartos and folios.

The Hempen Homespuns rehearse - "I will roar..."  Illustration from A Midsummer Night's Dream edited by William J. Rolfe, 1903.

A Midsummer Night's Dream was first printed late in 1600 with the following title page:

A midsommer nights dreame. As it hath beene sundry times publickley acted, by the Right Honourable, the Lord Chamberlaine his seruants. Written by William Shakespeare.
Imprinted at London: [By Richard Bradock] for Thomas Fisher, and are to be soulde at his shoppe, at the signe of the White Hart, in Fleetestreete, 1600.

It was entered in the Stationers' Register on October 8 of that year by Tho. Fysher. 

The second quarto was printed in 1619 as part of the Pavier collection and falsely dated 1600 to circumvent an action on the part of the King's Men attempting to block surreptitious printing of their properties.  The second quarto reprints the first, with additional stage directions.  The First Folio reprints the second quarto and includes Act divisions.

Because Dream is a relatively short play (fourth shortest) it is often claimed that it was initially written for private performance rather than for the stage.  It is often suggested that the occasion was an aristocratic wedding, and various weddings of the 1590s have been suggested, though Stephen Greenblatt, editor of The Norton Shakespeare, reminds us that "...there is not a shred of actual evidence that A Midsummer Night's Dream was ever performed at, let alone written expressly for, such a wedding" (805).

It appears in the list of Shakespeare's plays in Francis Meres' Palladis Tamia in 1598.  The play was most likely written 1594-1595.

  • The 1600 1st quarto of A Midsummer Night's Dream from the British Library.
  • A copy of the 1600 1st quarto of A Midsommer nights dreame from The Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • Another copy of the 1600 1st quarto of A Midsommer nights dreame from The Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1600 1st quarto from The Rare Book Room (Octavo) in Shakespeare Old Quartos, Malone volume IV from a volume held by The Bodleian Library, University of Oxford.
  • Another version of the 1600 1st quarto of A Midsummer Night's Dream from the Shakespeare Internet Editions from the volume held by the British Library.
  • Two examples of the 1619 2nd quarto  (dated 1600 - see The Pavier Collection) of A Midsummer Night's Dream from the British Library, the first originally possessed by Garrick, the second by George III:  1  2.
  • Another example of the 1619 2nd quarto (dated 1600) from The Rare Book Room (Octavo) from a volume held by University of Edinburgh Library.
  • Another example of the 1619 2nd quarto (dated 1600) from The Rare Book Room (Octavo) from a volume held by the National Library of Scotland.
  • A Midsommer Nights Dreame facsimile reprint of the text of the First Folio of 1623 (Jaggard and Blount), with introduction and notes by Henry Johnson, 1888.
  • A Midsommer Nights Dreame in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • A Midsommer Nights Dreame in the First Folio of 1623 from the Horace Howard Furness Memorial (Shakespeare) Library, SCETI, University of Pennsylvania.
  • A Midsommer Nights Dreame in the First Folio of 1623 (Jaggard and Blount),  from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • A Midsommer Nights Dreame in the First Folio of 1623 (Jaggard and Blount),  from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • A Midsommer Nights Dreame in the First Folio of 1623 (Jaggard and Blount),  from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • A Midsommer Nights Dreame in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • A Midsummers nights Dream from the Third Folio of 1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • A Midsummers nights Dream from the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Much Ado About Nothing

HTML Editions

Electronic facsimile editions from early quartos and folios.

Claudio reading at Hero's Tomb
From William J. Rolfe's
"Friendly Shakespeare" edition
of 1906

Much ado about Nothing was first published in quarto in 1600 with the following title page:

Much adoe about nothing. As it hath been sundrie times publikely acted by the Right Honourable, the Lord Chamberlaine his seruants. Written by William Shakespeare.
London: printed by V. S. [Valentine Simmes] for Andrew Wise, and William Aspley, 1600.

Interestingly, in the speech heads in Act IV, scene ii, the names Kemp and Cowley appear in place of Dogberry and Verges, indicating that the text for the first quarto may well have been Shakespeare's draft of the play, or his "foul papers" as the author's original copy has been called.  The following illustration is taken from the First Folio text, which was printed from the first quarto text.

Kemp is Will Kempe, the famous comedian and morris dancer who left the King's Men at the end of 1599 to disappear on the continent.  Cowley is Richard Cowley, also a comedian of long standing who is first mentioned in the 1590 plot of Tarleton's Seven Deadly Sins, is also mentioned as one of the original Chamberlain's Men, one of the original King's Men, is issued red clothe for his participation in James' proceedings into the City of London in 1604, and whose will is witnessed by John Heminges and Cuthbert Burbage among others.

Much Ado was entered on the books of the Stationers' Register August 4, 1600 along with As You Like It, Henry V and Ben Jonson's Every Man In his Humour with the notation "to be staid," which was a strategy used to prevent unauthorized printing.  It was re-entered in the Register on August 23.  The play is not mentioned in Francis Meres' list of a dozen Shakespearean plays in Palladis Tamia, of 1598, but some suppose it to be the original of Love's Labour's Won, which does appear in the list.  As stated, the text of the First Folio is based on that of the first quarto.

The play undoubtedly belongs to the latter part of 1598, and it is supposed its first performance belongs to that year.

  • Two examples of the 1600 1st quarto  of Much Ado About Nothing from the British Library, the first originally possessed by Garrick, the second by George III:  1  2.
  • The same two examples of the 1600 1st quarto of Much Ado About Nothing from the Rare Book Room (Octavo) from volumes held by the British Library:  Garrick  |  George III.
  • The 1600 1st quarto of Much Ado About Nothing from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1600 1st quarto of Much adoe about Nothing from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  This volume had belonged to Capell, the great editor, and was eventually given to the library by J. O. Halliwell-Phillipps.
  • Much Ado About Nothing, Photo-Lithographed, By Express Permission, and under the Superintendence of Mr. H. Staunton, from The Matchless Original of 1600, In the Library of the Earl of Ellesmere, Day & Son, 1864, from GBS, full text and PDF.
  • Much adoe about Nothing, in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • Much adoe about Nothing, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Much adoe about Nothing, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • Much adoe about Nothing, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • Much adoe about Nothing, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Much adoe about Nothing, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Facsimile edition of Much Ado About Nothing from the 1632 Second Folio (Cotes and Allot) via the Holloway Pages.
  • Much adoe about Nothing, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Much ado about Nothing, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Other Productions

  •   The Globe 2007 production of Much Ado About Nothing, with downloadable wma format audio of the play and interviews with the director, Benedick, Beatrice, Don Pedro and Leonato from The Standard Site.

  Othello

HTML Editions

  • An original spelling transcription of Othello (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • HTML Othello from MIT.
  • HTML edition of The Tragedie of Othello from the Classic Literature Library.
  • Plain text version of Othello from Project Gutenberg.

Electronic facsimile editions from early quartos and folios.

  • The 1622 1st quarto of Othello of unknown provenance from the British Library; another copy of the 1622 1st quarto from the BL originally belonging to Garrick.
  • The 1622 1st quarto of Othello from the Rare Book Room (Octavo) from a volume held by the British Library.  The book was purchased by the British Museum in 1857.
  • The 1622 1st quarto of Othello originally owned by Garrick from the British Library.
  • The 1622 1st quarto of Othello from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume originally belonged to Garrick, who bequeathed it to the British Library.
  • The 1622 1st quarto of Othello from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  Given to the library by J. O. Halliwell-Phillipps.  "A Handwritten notes by J. O. Halliwell-Phillipps stating “18 leaves ins this volume are original. All the rest are in FS but 18 leaves of so very rare an edition should not be dispised” on the recto of the first blank leaf; “C. and P. J.O.H.” on obverse of back free endpaper." (Octavo statement of provenance).
  • The 1622 1st quarto from Internet Shakespeare Editions from the Garrick volume held by the British Library.
  • The 1630 2nd quarto of Othello originally owned by George III from the British Library.
  • The 1630 2nd quarto of Othello from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume was formerly owned by George III.
  • The 1630 2nd quarto of Othello of unknown provenance from the British Library.
  • The 1630 2nd quarto of Othello from the Rare Book Room (Octavo) from a volume held by the British Library.  "Now in the British Library, this quarto was likely formerly in the library of Major Thomas Pearson (1740?–1781). Pearson served in India but yet was able to amass a large collection, primarily of Elizabethan works; his books were sold 14 April 1788" (Octavo statement of provenance).
  • The 1630 2nd quarto of Othello from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  "A hand-written note by J. O. Halliwell-Phillipps regarding this quarto’s duplicate B1 leaf is on the recto of the first blank leaf; copy correction notes by J.O.H. on obverse of back free endpaper." (Octavo's statement of provenance).
  • The 1630 2nd quarto of Othello from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1630 2nd quarto of Othello from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  This volume had belonged at one time to Steevens, and became part of the Bute collection which was purchased by the library in 1956.
  • The 1630 2nd quarto of The tragoedy of Othello, the Moore of Venice : as it hath beene diuerse times acted at the Globe, and at the Black-Friers, by his Maiesties Seruants from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The 1681 4th quarto of Othello, The Moor of Venice : a tragedy : as it hath been divers times acted at the Globe, and at the Black-Friers, And now at the Theater Royal, by His Majesties servants, from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Othello, The Moore of Venice, in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Othello, The Moore of Venice, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Othello, The Moore of Venice, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Othello, The Moore of Venice, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Othello, The Moore of Venice, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Othello, the Moore of Venice, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Othello, Moore of Venice, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Othello, the Moore of Venice, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Other Productions

  • Resources for the 2005 PBS production of Othello.

Pericles, Prince of Tyre (Shakespeare and, perhaps, George Wilkins; 1607-1608)

HTML Editions

Electronic facsimile editions from early quartos and folios.

The revival of Thaisa
Cut from Rowe's 1709 edition

Pericles was not published in the First Folio (1623), or the Second (1632), either because Blount and Jaggard (publisher and printer of the First Folio) could not obtain the copyright (doubtful), because the Q1/Q2 text was regarded as too corrupt and another copy of the original foul or fair papers, or the promptbook copy, could not be found (possible), or because the work was regarded by Heminge and Condell as not principally Shakespeare's own (most likely).  Nevertheless the play, as you can see from the long list of extant quartos, was extremely popular.  In fact so popular that Q1 was printed again as Q2 within its first year of publication, 1609.  The play did not appear in a Shakespeare folio until the second issue of the Third Folio, 1664, where it appeared with six other apocryphal Shakespeare plays.  It was again printed in the Fourth Folio, 1685, and appeared in Rowe's 1709 (and 1714) editions of the Plays.  It was banished from Pope's edition of 1725 (though appeared in an additional volume to the 1728 second edition) but disappears again in the next major edition of the Plays, Theobald's 1733 edition.  In his 1790 edition Malone, the great Elizabethan scholar and Shakespeare editor, finally and decidedly admitted it into the Shakespeare canon, where it has remained ever since.

  • The 1609 1st quarto of Pericles from the British Library.
  • The 1609 1st quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the British Library.  This volume had belonged to George III.
  • The 1609 1st quarto from the Internet Shakespeare Editions (University of Victoria) from the "W. W. Greg" volume held by the British Library.
  • The 1609 1st (?) quarto of Pericles from the Rare Book Room (Octavo) bound into "the fifth of seven other Shakespeare quartos inlaid in Edmund Malone’s Volume III" held by The Bodleian Library, University of Oxford.
  • Shakespeares Pericles Being a Reproduction in Facsimile Of The First Edition 1609, ed. Sidney Lee, 1905, from Google Book Search, full view and PDF, 68 pages.
  • The 1609 2nd quarto of Pericles from the British Library.
  • The 1609 2nd quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had belonged to Garrick.
  • The 1611 3rd quarto of Pericles from the British Library.
  • Two examples of the 1619 4th quarto of Pericles from the British Library, the first belonging the George III the second to Garrick:  1  2.
  • The 1611 3rd quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the British Library.  "A note by J. O. Halliwell-Phillipps regarding the unique attributes of this copy is pasted on the verso of the front free endpaper." (Octavo statement of provenance).  The quarto, of course, had belonged to Halliwell-Phillipps before its acquisition by the library.
  • The 1619 4th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the British Library. This volume at one time had belonged to Steevens.
  • The 1619 4th quarto of Pericles from the Rare Book Room (Octavo) is "the sixth of seven other Shakespeare quartos inlaid in Edmund Malone’s Volume III" held by The Bodleian Library, University of Oxford.
  • The 1619 4th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  Part of the Brut collection purchased by the library in 1956.
  • The 1619 4th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  "Handwritten notes by J. O. HalliwellPhillipps stating “The end is made up by Facsimile, but this is this only uncut copy I ever saw.” on the recto of the first blank leaf; “C. and P. Peculiarities collated. J.O.H.” on obverse of back free endpaper." (Octavo statement of provenance).
  • The Whole Contention betweene the two Famous Houses, Lancaster and Yorke, bound with Pericles, Prince of Tyre 1619 (Pavier).  This was Pavier's issue of Henry VI, Part 2 and Henry VI, Part 3 together under a single title and also bound with Pericles, Prince of Tyre, from the Rare Book Room (Octavo) which is another copy held by the British Library. There are extremely rare examples of the so-called "Pavier collection" (ten plays printed by Thomas Pavier in 1619, then re-issued with false or no dates individually thereafter, containing all ten plays: actually eight by Shakespeare, Henry V, Henry VI Part 2, Henry VI Part 3 (these two combined as a single play titled The Whole Contention between the Two Famous Houses, Lancaster and York), A Midsummer Night's Dream, The Merchant of Venice, The Merry Wives of Windsor, King Lear, Pericles, and two apocryphal plays attributed to Shakespeare, A Yorkshire Tragedy and Sir John Oldcastle--bound together in a single volume.
  • The 1630 5th quarto of Pericles from the British Library.
  • The 1630 5th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the British Library. 
  • The 1630 5th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the British Library.  "A note by J. O. Halliwell-Phillipps on the page opposite remarks on the variant title pages accompanying the Pericles fifth quarto."
  • The 1630 5th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland. 
  • The 1630 5th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  "Handwritten notes by J. O. Halliwell-Phillipps “Perfect. This ed. of 1630 with the imprint differing from the copy with the same date is usually seen, is of excessive rarity.” on the recto of the first blank leaf; copy correction notes by J.O.H. on obverse of back free endpaper. List of characters in the play on the verso of the title page in an unidentified hand." (Octavo statement of provenance).  The volume was given to the library by Halliwell-Phillipps.
  • The 1630 5th (variant) quarto of Pericles from the British Library.  It at one time had belonged to Garrick.
  • The 1630 5th (variant) quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the British Library.  It at one time belonged to David Garrick.
  • The 1630 5th (variant) quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  "Notes by J. O. Halliwell-Phillipps on the page opposite states that is Theobald’s copy, that the leaves pasted at the end contain “curious textual variations, ” and that the copy is “perfect.” The title page is signed by Theobald and a transcription of the 1609 Pericles title page on its verso handwritten by Theobald. Copy correction notes by J.O.H. on obverse of back free endpaper." (Octavo statement of provenance).  The book was given to the library by J. O. Halliwell-Phillipps.
  • The 1630 5th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  This volume had at one time been owned by Malone.
  • The 1630 5th quarto of The late, and much admired play, called Pericles, Prince of Tyre : With the true relation of the whole history, aduentures, and fortunes of the sayd prince, from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The 1635 6th quarto of Pericles from the British Library.
  • The 1635 6th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had been owned by Garrick.
  • The 1635 6th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  The volume was given to the library by J. O. Halliwell-Phillipps.
  • The 1635 6th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  "This quarto was purchased by the National Library of Scotland from Major Michael Crichton Stuart on 3 April 1956. It is part of the Bute Collection of early English plays that was initially formed by Lady Mary Wortley Montagu (1689–1762)." (Octavo statement of provenance).
  • The 1635 6th quarto of Pericles from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • The much admired Play, Called Pericles, Prince of Tyre, with the relation of the whole History, Adventures, and Fortunes of the said Prince, in the Third Folio of 1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The much admired Play, Called Pericles, Prince of Tyre, with the relation of the whole History, Adventures, and Fortunes of the said Prince, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Richard II (1595)

HTML Editions

  • An original spelling transcription of Richard II (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • HTML Richard II from MIT.
  • Plain text version of Richard II from Project Gutenberg.
  • Richard II from Renascence Editions.

Electronic facsimile editions from early quartos and folios.

Westminster portrait of King Richard II
ca. 1390

The first quarto of Richard II appeared in 1597 with the abdication scene omitted (4.1.154-318).  It was enormously popular, and later quartos appeared in 1598 (two), 1608, 1615 and 1634.  The abdication scene was printed for the first time in Q4 (1608), with the heirless Elizabeth safely long dead (she died in 1603).  Richard II was commissioned to be played by lords and gentlemen implicated in the Essex rebellion of 1601 (see "The Essex Rebellion and the Players"), which ended badly for the lords and gentlemen and demonstrated the need for great care in printing the text of the play.  Elizabeth is said to have commented "I am Richard II.  Know ye not that?" when prompted by the prospect of being replaced by a man.

The play was entered in the Stationers' Register on August 29, 1597.  It was most likely written in 1595 and used the second edition of Holinshed's Chronicles and Daniel's Civil Wars as sources.

  • The 1597 1st quarto of Richard II from the British Library.
  • The 1597 1st quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had been owned by Henry Huth and was bequeathed to the library.
  • The 1597 1st quarto of Richard II from Internet Shakespeare editions from the volume held by the British Library.
  • King Richard the Second, The First Quarto, 1597, a facsimile in Photo-lithography, Charles Praetorius, from the copy in the possession of Henry Huth.
  • The 1598 2nd quarto of Richard II from the British Library.
  • The 1598 2nd quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had belonged to David Garrick, who bequeathed it to the library on his death in 1779.
  • The 1598 2nd quarto of The Tragedie of King Richard the Second, from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  This volume had belonged to Edmund Malone, the great Elizabethan scholar and Shakespeare editor, and was donated to the Bodleian in 1821.
  • A new Shakespeare quarto : the tragedy of King Richard II, printed for the third time by Valentine Simmes in 1598. Reproduced in facsimile from the unique copy in the library of William Augustus White, with an introduction by Alfred W. Pollard (1916), from the Internet Archive in various formats.
  • The 1608 4th quarto of Richard II from the British Library.
  • The 1608 4th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the British Library.  "this quarto was previously owned by Thomas Jolley whose collection was sold in seven sales over the span of a decade (1843–1853). It was then acquired by the nineteenth-century London book dealer/publisher Thomas Rodd, who sold it in 1845." (Octavo statement of provenance).
  • The 1608 4th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  The volume had been part of the Bute collection and was purchased by the library in 1956.
  • The 1608 4th quarto of Richard II of Richard II from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "This fourth quarto of Richard II at the Bodleian is unique in that its title page differs from the other extant 1608 quartos. It is the first of six Shakespeare quartos inlaid in Edmund Malone’s Volume V..."  (Octavo statement of provenance).
  • The 1608 4th quarto (identified as 3rd quarto) of Richard II from Shakespeare quarto facsimiles, W. A. Harrison, 1888, from Google Book Search.
  • The 1615 5th quarto of Richard II from the British Library
  • The 1615 5th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had belonged to Garrick who bequeathed it to the library in 1779.
  • The 1615 5th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  This volume had belonged to Malone.
  • The 1615 5th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  This volume had been owned by Steevens, the great Shakespeare editor.
  • The 1615 5th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  This volume was donated to the library by J. O. Halliwell-Phillipps.
  • Two examples of the 1634 6th quarto of Richard II from the British Library, the first originally belonging to Garrick, the second the George III:  1  2.
  • The 1634 6th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had belonged to Garrick who bequeathed it to the library in 1779.
  • The 1634 6th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the British Library.  "Now at the British Library, this quarto was formerly in the library of George III (1738–1820), who reigned as king of Great Britain and Ireland from 1760 until his death. At the start of George III’s reign, there was no royal library to speak of; his grandfather, George II, had presented his library to the British Museum in 1757. In 1763, George III began his collection in earnest with the acquisition of the library of Joseph Smith, the former British consul in Venice whose collection contained many early printed books and classics. The king’s agents attended many English and Continental auctions, and they purchased both single volumes and complete libraries on his behalf, steadily enlarging the royal collection. In 1774 Frederick Augusta Barnard was appointed Royal Librarian, a post he held for the remainder of George III’s reign. Barnard, with the advice of such men of letters as Samuel Johnson, enlarged the king’s library in a methodical fashion, assembling a fine collections of religious texts, English an European history, classics, English and Italian literature, and such incunables as a Gutenberg Bible and a first edition of Caxton’s Canterbury Tales. By 1820, the library included 65,000 printed books and nearly 20,000 pamphlets; George IV, who succeeded his father on the throne, donated the library to the British Museum in 1823. " (Octavo statement of provenance). 
  • The 1634 6th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  "This quarto was given to Edinburgh University Library in 1872 by James Orchard Halliwell-Phillipps (1820–1889), the English Shakespeare collector and scholar..." (Octavo statement of provenance).
  • The 1634 6th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  "This quarto of Richard II was owned by Dr. Richard Farmer (1735–1797), Shakespeare scholar and Canon of St. Paul’s, London. His collection of early English books was sold in 1798, and this quarto was purchased by the English book collector Richard Forster. In 1806 it was acquired by John Stuart, the first Marquis of Bute (1744–1814). Stuart added it to the Bute Collection of early English plays that was initially formed by Lady Mary Wortley Montagu (1689–1762) and expanded by her son-in-law John Stuart, third Earl of Bute. The first Marquis of Bute notably acquired 39 Shakespeare quartos. The collection contains 1,266 English plays and includes seventeenth- and eighteenth-century adaptations of Shakespeare’s plays and examples of the foremost dramatists from Elizabethan, Jacobean, Caroline, and Restoration periods; also included are a number of promptbooks. The Bute Collection is now in the National Library of Scotland, which purchased it from Major Michael Crichton Stuart on 3 April 1956."  (Octavo statement of provenance).
  • The 1634 6th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  This quarto was part of the Bute collection, purchased by the library in 1956.
  • The 1634 6th quarto of Richard II from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  This volume was purchased by the library in 1830.
  • The 1634 6th quarto (identified as quarto 5) from Shakespeare quarto facsimiles, P. A. Daniel, 1887, from Google Book Search.
  • The life and death of King Richard the Second, in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The life and death of King Richard the Second,  in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The life and death of King Richard the Second,  in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The life and death of King Richard the Second,  in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The life and death of King Richard the Second,  in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life and Death of King Richard the Second, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life and Death of King Richard the Second, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life and Death of King Richard II, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Other Productions

  • Free Librivox audio reading of Richard II in mp3 (64 and 128 kbps) and ogg vorbis formats.

Richard III (1592-1593)

HTML Editions

  • An original spelling transcription of Richard III (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • The wonderful new html Richard III from the Richard III Society, complete with historical notes and references and links to On-Line Reference Books for Medieval Studies. An outstanding edition! Not complete as of this writing, but soon to be completed. 
  • Colley Cibber's Richard III as presented by the Richard III Society. Includes interesting editor's notes and prefatory material. A very useful primary source contribution.
The Tragedy of Richard the Third... was entered in the Stationers' Register October, 20, 1597, and appeared in its first quarto the same year.  It was an extremely popular printed play, and quarto editions were repeated in 1598 (Q2), 1602 (Q3), 1605 (Q4), 1612 (Q5), 1622 (Q6), 1629 (Q7), and 1634 (Q8).  The following, quoted from the British Library, summarizes the printing sequence:
  • First quarto, 1597. Printed from a manuscript believed to have been prepared from memory by the Lord Chamberlain’s Men (including Shakespeare himself) to replace a missing prompt-book. Shakespeare’s name does not appear on the title-page.
  • Second quarto, 1598. Printed from the first quarto. Shakespeare’s name is added to the title-page.
  • Third quarto, 1602. Printed from the second quarto.
  • Fourth quarto, 1605. Printed from the third quarto.
  • Fifth quarto, 1612. Printed partly from the fourth quarto and partly from the third.
  • Sixth quarto, 1622. Printed from the fifth quarto.
  • First folio, 1623. Printed from a manuscript believed to be Shakespeare’s foul papers, collated with the third quarto and probably for some parts of the text with the sixth quarto. The text is longer than the quarto version, but also omits lines found in the latter. It has many other variants from the quarto text.
  • Seventh quarto, 1629. Printed from the sixth quarto.
  • Second folio, 1632. Printed from the first folio.
  • Eighth quarto, 1634. Printed from the seventh quarto.

Electronic facsimile editions from early quartos and folios.

Q1 - 1597 - Bibliography from the British Library

The tragedy of King Richard the third. Containing, his treacherous plots against his brother Clarence: the pittiefull murther of his iunocent [sic] nephewes: his tyrannicall vsurpation: with the whole course of his detested life, and most deserued death. As it hath been lately acted by the Right Honourable the Lord Chamberlaine his seruants.

At London: printed by Valentine Sims, [and Peter Short] for Andrew Wise, dwelling in Paules Chuch-yard [sic], at the signe of the Angell, 1597.

  • The 1597 1st quarto of Richard III from the British Library.
  • The 1597 1st quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library.  "Now in the British Library, this quarto was previously in the library of Richard Heber (1773–1833), a British bibliophile who began to amass a classical collection as an undergraduate at Oxford, but broadened his collection to include rare editions of early English drama and literature. He purchased both single volumes and entire libraries and did not limit himself to a single copy of any particular book. As a result, he owned at least 150,000 volumes, and his collection filled eight houses. He was member of Parliament for Oxford University (1821–26) and a founder of the Athenaeum Club in London. The book then passed to Thomas Thorpe (1791–1851), one of London’s foremost book dealers from the 1820s until his death, and from Thorpe to George Daniel (1789–1864) an accountant, as were many noteworthy book collectors; he was also a poet whose works included Virgil in London (1814) and Democritus in London (1852). He possessed numerous other choice volumes, especially of early English literature: the finest extant example (the Moore-Booth-Rokewode copy) of the First Folio, copies of the other three Shakespeare folios, and eighteen of the much scarcer quartos, among which this numbers. When the books were auctioned at Sotheby’s in 1864, so esteemed was the collection that the sale catalogue was entitled The Most Valuable, Interesting and Highly Important Library of the Late George Daniel, Esq. This book was then acquired by Henry Huth (1815–78), a merchant-banker and book collector who spent the last three decades of his life seeking out rare books, visiting the leading London book dealers daily on his return home from work. Huth’s was a general library of manuscripts, incunables, continental literature, and early Americana, with special strengths in English poetry and plays. His son Alfred Henry Huth (1850–1910) retained the collection and enlarged it through judicious selections. On his death the British Museum library was allowed its choice of fifty items, among which, presumably, this quarto figures." (Octavo statement of provenance).
  • The 1597 1st quarto of Richard III from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "This rare quarto of Richard III was donated to the Bodleian Library in 1821. It was previously owned by Edmund Malone who bequeathed it, among many other important books, to his older brother Richard, Lord Sunderlin. Edmund Malone (1741–1812), after whom the Malone Society was named in 1909, was a renowned Shakespeare scholar who began his literary work in London in 1777. He was a friend to both Samuel Johnson and James Boswell, and he assisted Boswell in revising his biography of Johnson. Malone, the only collector of Shakespeare quartos to acquire a complete set, published an 11-volume edition of Shakespeare’s works in 1790 and unmasked the Shakespeare manuscript forgeries of William Henry Ireland. Malone left his uncompleted work on Shakespeare to James Boswell the younger, who had it published in a 21-volume octavo edition in 1821 (Third Variorum Edition). Although not particularly successful as a textual editor of Shakespeare, Malone is especially noted for his work on Elizabethan theater." (Octavo statement of provenance).
Q2 - 1598 - Bibliography from the British Library

The tragedy of King Richard the third. Conteining his treacherous plots against his brother Clarence: the pitiful murther of his innocent nephewes: his tyrannicall vsurpation: with the whole course of the detested life, and most deserued death. As it hath been lately acted by the Right Honourable the Lord Chamberlaine his seruants. By William Shake-speare.

At London: printed by Thomas Creede, for Andrew Wise, dwelling in Paules Church-yard, at the signe of the Angell, 1598.

  • Two examples of the 1598 2nd quarto of Richard III from the British Library, the first originally belonging to Halliwell-Phillipps, the second to Garrick:  1  2.
  • The 1598 2nd quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library. This quarto had been owned by Halliwell-Phillipps before its purchase by the British Museum.
  • The 1598 2nd quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library. This volume was previously owned by Garrick.
  • The 1598 2nd quarto of Richard III from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "This second quarto of Richard III, before its acquisition by the Bodleian Library, was owned by Richard Heber (1773–1833), British bibliophile, started amassing a classical collection as an undergraduate at Oxford, but broadened his collection to include rare editions of early English drama and literature. He purchased both single volumes and entire libraries and did not limit himself to a single copy of any particular book. As a result, he owned at least 150,000 volumes, and his collection filled eight houses. He was member of Parliament for Oxford University (1821–26) and a founder of the Athenaeum Club in London." (Octavo statement of provenance).
Q3 - 1602 - Bibliography from the British Library

The tragedie of King Richard the third. Conteining his treacherous plots against his brother Clarence: the pittifull murther of his innocent nephewes: his tyrannicall vsurpation: with the whole course of his detested life, and most deserued death. As it hath bene lately acted by the Right Honourable the Lord Chamberlaine his seruants. Newly augmented, by William Shakespeare.

London: printed by Thomas Creede, for Andrew Wise, dwelling in Paules Church-yard, at the signe of the Angell, 1602.

  • The 1602 3rd quarto of Richard III from the British Library.
  • The 1602 3rd quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library.  This volume was previously owned by Garrick.
Q4 - 1605 - Bibliography from the British Library

The tragedie of King Richard the third. Conteining his treacherous plots against his brother Clarence: the pittifull murther of his innocent nephewes: his tyrannicall vsurpation: with the whole course of his detested life, and most deserued death. As it hath bin lately acted by the Right Honourable the Lord Chamberlaine his seruants. Newly augmented, by William Shake-speare.

London: printed by Thomas Creede, and are to be sold by Mathew Lawe, dwelling in Paules Church-yard, at the signe of the Foxe, neare S. Austins gate, 1605.

  • Two examples of the 1605 4th quarto of Richard III from the British Library, the first originally belonging to Halliwell-Phillipps, the second to George III:  1  2.
  • The 1605 4th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library.  This volume had belonged to Halliwell-Phillipps before its acquisition by the library.
  • The 1605 4th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  This volume was part of the Bute collection and was purchased by the library in 1956.
  • The 1605 4th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  The volume was purchased by the Bodleian in 1840.
Q5 - 1612 - Bibliography from the British Library

The tragedie of King Richard the third. Containing his treacherous plots against his brother Clarence: the pittifull murther of his innocent nephewes: his tyrannicall vsurpation: with the whole course of his detested life, and most deserued death. As it hath beene lately acted by the Kings Maiesties seruants. Newly augmented, by William Shake-speare.

London: printed by Thomas Creede, and are to be sold by Mathew Lawe, dwelling in Paules Church-yard, at the signe of the Foxe, neare S. Austins gate, 1612.

  • The 1612 5th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • The 1612 5th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  "This quarto was owned by Lewis Theobald (1688–1744), an eighteenth-century Shakespeare editor, literary critic, and poet; in 1726 Theobald wrote Shakespeare Restored, in which he criticized Alexander Pope’s edition of Shakespeare. The quarto was purchased in October 1744 by George Steevens (1736–1800), an English Shakespeare editor who collaborated with Samuel Johnson in issuing a complete edition of Shakespeare, The Works of Shakespeare with the Corrections and Illustrations of Various Commentators (10 vols., 1773). Steevens owned roughly fifty quartos, and his sale (13 May 1800) was the first large Shakespeare collection to appear at auction, where this copy was purchased by the English book collector Richard Forster. It was acquired by the first Marquis of Bute from Forster’s 1806 sale. Stuart added it to the Bute Collection ...The Bute Collection is now in the National Library of Scotland, which purchased it from Major Michael Crichton Stuart on April 3, 1956."  (Octavo statement of provenance).
  • The 1612 5th quarto of Richard III from the British Library.
  • The 1612 5th quarto (bound with the title page of the 5th quarto but containing the text of the 4th quarto) of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library. 
  • The 1612 5th quarto of Richard III  from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  This quarto was given to Edinburgh University Library in 1872 by James Orchard Halliwell-Phillipps (1820–1889).
Q6 - 1622 - Bibliography from the British Library

The tragedie of King Richard the third. Contayning his treacherous plots against his brother Clarence: the pittifull murder of his innocent nephewes: his tyrannicall vsurpation: with the whole course of his detested life, and most deserued death. As it hath been lately acted by the Kings Maiesties seruants. Newly augmented. By William Shake-speare.

London: printed by Thomas Purfoot, and are to be sold by Mathew Law, dwelling in Pauls Church-yard, at the signe of the Foxe, neere S. Austines gate, 1622.

  • Three examples of the 1622 6th quarto of Richard III from the British Library, the first originally belonging to Garrick, the second to George III, the third to Halliwell-Phillipps:  1  2  3.
  • The 1622 6th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library. This volume belonged to David Garrick, who bequathed it to the library at his death in 1779.
  • The 1622 6th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume belonged to George III and was donated to the library by George IV.
  • The 1622 6th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library.  This volume belonged to Halliwell-Phillipps before it was acquired by the library.
  • The 1622 6th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "This quarto, before it was purchased by the Bodleian Library in 1844, was likely owned by Thomas Jolley, who collected books on English literature and history, Americana and voyages; his collection was sold in seven sales over the span of a decade (1843–1853)." (Octavo statement of provenance). 
Q7 - 1629 - Bibliography from the British Library

The tragedie of King Richard the third. Contayning his trecherous plots, against his brother Clarence: the pittifull murther of his innocent nepthewes [sic]: his tiranous vsurpation: with the whole course of his detested life, and most deserued death. As it hath beene lately acted by the Kings Maiesties sernauts [sic]. Newly agmented [sic]. By William Shake-speare.

London: printed by Iohn Norton, and are to be sold by Mathew Law, dwelling in Pauls Church-yeard, at the signe of the Foxe, neere St. Austines gate, 1629.

  • The 1629 7th quarto of Richard III from the British Library.
  • The 1629 7th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by the British Library.  This volume had belonged to Garrick, who bequeathed it to the library.
  • The 1629 7th quarto of Richard III (erroneously dated 1598) from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  This volume was purchased by the library in 1829.
  • The 1629 7th quarto of Richard III  from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  This volume was given to the library by J. O. Halliwell-Phillipps.
  • The 1629 7th quarto of Richard III from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
Q8 - 1634 - Bibliography from the British Library

The tragedie of King Richard the third. Contayning his treacherous plots, against his brother Clarence: the pitifull murder of his innocent nephewes: his tyranous vsurpation: with the whole course of his detested life, and most deserued death. As it hath beene lately acted by the Kings Maiesties seruants. Written by William Shake-speare.
London: printed by Iohn Norton, 1634.

Electronic facsimile editions of 17th century revisions of the play:


Romeo and Juliet (1595)

HTML Editions

The first quarto of Romeo and Juliet, commonly thought to be a "bad," pirated version, was printed in 1597 with the following title page: 

An excellent conceited tragedie of Romeo and Iuliet. As it hath been often (with great applause) plaid publiquely, by the Right Honourable the L. of Hunsdon his seruants.
London: printed by Iohn Danter [and Edward Allde], 1597.

Q1 is unique in having been printed during the brief period when Shakespeare's company was known as Lord Hunsdon's Men, and not the Lord Chamberlain's Men.  The reference to "Hunsdon's men" on the title page of the first quarto--named the Lord Chamberlain's Men" on the title page of Q2--need only refer to the company as it was known at the time of printing, not initial composition.  Shakespeare's company was known as Lord Hunsdon's Men only from July 1596, at the death of Henry Carey, First Baron Hunsdon and March 17, 1597 when his son George, who had lent his name to the company during the brief Chamberlaincy of William Brooke, Lord Cobham, a man not well disposed toward the actors, became Lord Chamberlain.

The second quarto appeared in 1599, with the following title page:

The most excellent and lamentable tragedie, of Romeo and Iuliet. Newly corrected, augmented, and amended: as it hath bene sundry times publiquely acted, by the Right Honourable the Lord Chamberlaine his seruants.
London: printed by Thomas Creede, for Cuthbert Burby, and are to be sold at his shop neare the Exchange, 1599.

Note the "Newly corrected, augmented and amended," which appears as a palliative to a previously surreptitiously printed version.  Q2 contains 700 more lines than does Q1.  Q2 must have been based on Shakespeare's "foul papers," but collates passages from Q1.  Prompt text appears in the stage direction at 4.5.102 "Enter Will Kemp." rather than Q1's "Enter Peter" showing the influence of a copy belonging to Shakespeare's company, if not his own copy.

The play was popular, and a third quarto was printed in 1609:

The most excellent and lamentable tragedie, of Romeo and Iuliet. As it hath beene sundrie times publiquely acted, by the Kings Maiesties seruants at the Globe. Newly corrected, augmented, and amended:
London: printed [by Iohn Windet] for Iohn Smethwick, and are to be sold at his shop in Saint Dunstanes Church-yard, in Fleetestreete vnder the Dyall, 1609.

This is the copy used for the First Folio text. 

A fourth appeared in 1622 and a fifth appeared in 1637.  Date of composition is not certain, but was probably 1595. 

Electronic facsimile editions from early quartos and folios.

  • The 1597 1st quarto of Romeo and Juliet from the British Library.
  • The 1597 1st quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had previously belonged to Garrick.
  • The 1597 1st quarto of Romeo and Juliet from Internet Shakespeare Editions from the Garrick volume held by the British Library.
  • The 1597 1st quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 'This rare first quarto of Romeo and Juliet was donated to the Bodleian Library in 1821. It was previously owned by Edmund Malone..." (Octavo statement of provenance.  The link is incorrectly dated at the Octavo Rare Book Room, which gives 1596 rather than the correct 1597).
  • The 1599 2nd quarto of Romeo and Juliet from the British Library.
  • The 1599 2nd quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had previously belonged to George III.
  • The 1599 2nd quarto of Romeo and Juliet from Internet Shakespeare Editions from the volume held by the British Library.
  • The 1599 2nd quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library. 
  • The 1599 2nd quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  "This quarto was given to the University of Edinburgh in 1627 by James Drummond (1585–1649) of Hawthornden, a former student at the university, as well as a poet and man of letters." (Octavo statement of provenance).
  • The 1599 2nd quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "This second quarto of Romeo and Juliet , now at the Bodleian Library, is the third of six other Shakespeare quartos inlaid in Edmund Malone’s Volume VI, which is bound in nineteenthcentury tree calf with gold-stamped ornamental borders and “EM” in the center of both covers..."  (Octavo statement of provenance).
  • The 1609 3rd quarto of Romeo and Juliet from the British Library.
  • The 1609 3rd quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had previously belonged to J. O. Halliwell-Phillipps.
  • The 1609 3rd quarto from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "This quarto, before its acquisition by the Bodleian Library was in the library of Richard Heber, who purchased it in April 1804 at Lord Thorlo’s sale at Christies. Richard Heber (1773–1833), British bibliophile, started amassing a classical collection as an undergraduate at Oxford, but broadened his collection to include rare editions of early English drama and literature. He purchased both single volumes and entire libraries and did not limit himself to a single copy of any particular book. As a result, he owned at least 150,000 volumes, and his collection filled eight houses. He was member of Parliament for Oxford University (1821–26) and a founder of the Athenaeum Club in London." (Octavo statement of provenance).
  • The 1622 4th quarto of Romeo and Juliet from the British Library.
  • The 1622 4th quarto of Romeo and Juliet (incorrectly dated as "1752" at the Rare Book Room--which is simply Richard Warners mark of ownership rather than date of publication) from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had previously belonged to Garrick.
  • The 1622 4th quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  The volume was given to the library by J. O. Halliwell-Phillipps.
  • The 1622 4th quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "Purchased by the Bodleian Library in 1836, this quarto of Romeo and Juliet was previously owned by Alexander Dyce (1798-1869). Dyce was born in Edinburgh and studied at Oxford, where he was the editor of a dictionary on the language of Shakespeare. In 1825 began his lifelong pursuit of literary scholarship. Dyce was a distinguished editor of Jacobean and Elizabethan dramatists and poets including Christopher Marlowe, Beaumont and Fletcher, and Alexander Pope. He edited a nine-volume work of Shakespeare (rev. ed. 1864–69). He bequeathed his extensive library to the South Kensington Museums, and it is now in the Victoria and Albert." (Octavo statement of provenance).
  • The 1637 5th quarto of Romeo and Juliet from the British Library.
  • The 1637 5th quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had previously belonged to David Garrick.
  • The 1637 5th quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  The volume had previously belonged to the great editor George Steevens.
  • The 1637 5th quarto of Romeo and Juliet from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  The volume was given to the library by J. O. Halliwell-Phillipps.
  • The 1637 5th quarto of The most excellent and lamentable tragedie of Romeo and Juliet : as it hath been sundry times publikely acted by the Kings Majesties servants at the Globe; from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Romeo and Juliet, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Romeo and Juliet, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Romeo and Juliet, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Romeo and Juliet, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Romeo and Juliet, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedie of Romeo and Juliet, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedie of Romeo and Juliet, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Romeo and Juliet, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimiles of 18th Century revisions of the play:

Other Productions

  • A free, downloadable audio version of Romeo and Juliet from LibreVox, in 2 mp3 bitrates (64 and 128 kbps) and ogg vorbis format also.  the entire reading can be downloaded in an 88MB zip file.

The Taming of the Shrew*

HTML Editions

Illustration from Shrew, Charles Knight's 1851 edition of the complete works, vol. I, p. 376

There is no general agreement on the date of Shakespeare's first four earliest comedies:  The Two Gentlemen of Verona, The Taming of the Shrew, Love's Labour's Lost, and The Comedy of Errors.  The problem is complicated in the case of Shrew by the existence of an anonymous (perhaps) early play titled The Taming of A Shrew, first published in 1594 and reprinted in 1596 and 1607.  A Shrew may be an independent play that served as source for The Shrew, or it may be an earlier version of the same play or a corrupt version of the play we know as The Shrew printed "maim'd".  If so, it is maimed indeed, diverging more from the play we know more than any other "bad" quarto.  Shrew is not mentioned by Francis Meres in his list of Shakespeare's plays in Palladis Tamia (1598), unless his reference to Love's Labour's Won is the same play.  The only authoritative text for the play, therefore, is that of the 1623 Folio.  The publisher and printer (Blount and Jaggard) of the First Folio must have regarded A Shrew and The Shrew as the same play, because they did not bother to register it along with Shakespeare's other unpublished plays.  The play must be one of Shakespeare's first, and if A Shrew is a corrupt version of The Shrew, it could even have been in existence towards the end of the 1580s.  Q1 is based on F1 and not from an independent textual source.

For texts of A Shrew, see:

Electronic facsimile editions from early quartos and folios.

  • Two examples of the 1631 1st quarto of The Taming of the Shrew from the British Library, the first originally belonging to George III, the second to Garrick:  1  2.
  • The 1631 1st quarto of The Taming of the Shrew from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had previously belonged to George III.
  • The 1631 1st quarto of The Taming of the Shrew from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had previously belonged to David Garrick.
  • The 1631 1st quarto of The Taming of the Shrew from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  This volume was given to the library by J. O. Halliwell-Phillipps.
  • The 1631 1st quarto of The Taming of the Shrew from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  This volume had been part of the Bute collection and was acquired by the library in 1956.
  • The 1631 1st quarto of The Taming of the Shrew from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "Now in the Bodleian Library, this quarto was formerly owned by the Reverend Richard Farmer (1735–1797). Farmer was the thirteenth master of Emmanuel College, Cambridge, University Librarian, and friend to some of the great men of the eighteenth century including Samuel Johnson, Sir Joshua Reynolds, James Boswell, and Shakespeare scholars Isaac Reed and George Steevens. Farmer was a scholar of Shakespeare in his own right having written An Essay on the Learning of Shakespeare (Cambridge, 1767), which was reprinted several times. This quarto was sold after Farmer’s death in a May 1798 sale and purchased by the Bodleian in 1832." (Octavo statement of provenance).
  • The 1631 1st quarto of a wittie and pleasant comedie called the taming of the shrew : as it was acted by His Maiesties seruants at the Blacke Friers and the Globe,  In Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The 1631 1st quarto of The Taming of the Shrew from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  Provenance is unknown.
  • The Taming of the Shrew in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Taming of the Shrew, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Taming of the Shrew, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Taming of the Shrew, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Taming of the Shrew, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Taming of the Shrew, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Taming of the Shrew, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Taming of the Shrew, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimiles of 18th Century revisions of the play:


The Tempest*

HTML Editions

  • An original spelling transcription of The Tempest (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early folios.

  • The Tempest, in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tempest, in the First Folio of 1623 (Jaggard and Blount) from the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tempest, in the First Folio of 1623 (Jaggard and Blount) from from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tempest, in the First Folio of 1623 (Jaggard and Blount) from from from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tempest, in the First Folio of 1623 (Jaggard and Blount),  from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tempest, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tempest, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tempest, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimile editions of 17th century revisions of the play:


Timon of Athens*

HTML Editions

  • An original spelling transcription of Timon of Athens (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early folios.

  • The Life of Tymon of Athens in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Life of Tymon of Athens in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Life of Tymon of Athens in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Life of Tymon of Athens in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Life of Tymon of Athens in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life of Tymon of Athens, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life of Tymon of Athens, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life of Timon of Athens, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Titus Andronicus

HTML Editions

  • An original spelling transcription of Titus Andronicus (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early quartos and folios.

In 1594 printer John Danter entered The Most Lamentable Romaine Tragedie of Titus Andronicus in the Stationers' Register.  Until 1904 the existence of this Q1 edition was unknown.  Q2, a reprint with minor changes, was published in 1600, and Q3 in 1611, which served as the basis for the F1 text.  There is one scene in the folio version, however, that does not exist in any of the quarto versions, act 3 scene 2.  It must have been copied from a now lost manuscript.

The play is horrible, and for that reason above all others early scholars did not want to believe it was authored by Shakespeare, whose mythic "gentleness" was a pillar of 18th century bardolatry.  Even such disciplined scholars as Theobald and Dr. Johnson fell prey to this belief.  For some time it was fashionable to regard it as a collaboration between Shakespeare and Peele, or Shakespeare and Kyd, but reasons for regarding it as such are cloudy, at best.  If there is a dominant view today, it is that the play is the work of a single author, Shakespeare.

  • The exceedingly rare (there is only one copy known to exist) 1594 1st quarto of Titus Andronicus from the Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.  The volume is mis-dated as "1611" at the Octavo site, and should be "1594".  The existence of a 1594 1st quarto was unknown until 1904 when this copy was discovered in Sweden.
  • The 1600 2nd quarto of Titus Andronicus from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  "This quarto was given to the University of Edinburgh in 1627 by James Drummond (1585–1649) of Hawthornden, a former student at the university, as well as a poet and man of letters." (Octavo statement of provenance). 
  • The 1611 3rd quarto of Titus Andronicus from a volume held by the British Library.  The volume had previously belonged to George III.
  • The 1611 3rd quarto of Titus Andronicus from a volume held by the British Library.  The volume had previously belonged to David Garrick.
  • The 1611 3rd quarto of Titus Andronicus from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  This volume was previously owned by the great editor, George Steevens.
  • The 1611 3rd quarto of of Titus Andronicus from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "Now at the Bodleian Library, this 1611 third quarto of Titus Andronicu is the last of six other Shakespeare quartos inlaid in Edmund Malone’s Volume VI..." (Octavo statement of provenance).
  • The Lamentable Tragedy of Titus Andronicus, in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Lamentable Tragedy of Titus Andronicus, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Lamentable Tragedy of Titus Andronicus, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Lamentable Tragedy of Titus Andronicus, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Lamentable Tragedy of Titus Andronicus, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Lamentable Tragedy of Titus Andronicus, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Lamentable Tragedy of Titus Andronicus, in the Third Folio of 1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Lamentable Tragedy of Titus Andronicus, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Lamentable Tragedy of Titus Andronicus, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Troilus and Cressida

HTML Editions

  • An original spelling transcription of Troilus and Cressida (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • An original spelling transcription of the 1609 quarto of The Historie of Troylus and Cresseida from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early quartos and folios.

  • The 1609 quarto (a) of Troilus and Cressida from a volume held by the British Library.  The volume had previously belonged to George III.
  • The 1609 quarto (a) of Troilus and Cressida from the Rare Book Room (Octavo) from a volume held by the British Library. This volume had belonged to the editor Steevens before George III.
  • The 1609 quarto (b) of Troilus and Cressida from a volume held by the British Library.  The volume had previously belonged to Halliwell-Phillipps.
  • The 1609 quarto (b) of Troilus and Cressida from the Rare Book Room (Octavo) from a volume held by the British Library.  "This copy differs from the previous 1609 printing of Troilus and Cressida, known as Quarto a, only in the title page and the addition of a single leaf, entitled 'A neuer writer, to an euer | reader. Newes.'"  The volume had once belonged to Halliwell-Phillipps.
  • The 1609 quarto (b) of Troilus and Cressida from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  The volume had belonged to Malone.
  • The 1609 quarto (b) of Troilus and Cressida from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland. 
  • The Tragedie of Troylus and Cressida in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Troylus and Cressida in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Troylus and Cressida in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Troylus and Cressida in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Troylus and Cressida in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedie of Troylus and Cressida, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Troilus and Cressida, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Troilus and Cressida, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Twelfth Night*

HTML Editions

Electronic facsimile editions from early folios.

  • Twelfe Night, Or what you will, in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • Twelfe Night, Or what you will, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Twelfe Night, Or what you will, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • Twelfe Night, Or what you will, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • Twelfe Night, Or what you will, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Twelfe Night, Or what you will, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Twelfe-Night, Or what you will, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Twelf-Night, Or what you will, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

The Two Gentlemen of Verona*

HTML Editions

  • An original spelling transcription of Two Gentlemen of Verona (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early folios.

  • The Two Gentlemen of Verona, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Two Gentlemen of Verona, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Two Gentlemen of Verona, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Two Gentlemen of Verona, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Two Gentlemen of Verona, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Two Gentlemen of Verona, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Two Gentlemen of Verona, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Two Gentlemen of Verona, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Two Noble Kinsmen (Shakespeare and Fletcher)

"indeed it has little resemblance of Fletcher, and more of our Author than some of those which have been received as genuine"

--Alexander Pope on The Two Noble Kinsmen, from his Preface to his Works of 1725.

HTML Editions

Electronic facsimile editions from early quartos and folios.

  • Three examples of the first quarto of 1634 of Two Noble Kinsmen, from the British Library, the first belonging originally to Garrick, the second of unknown provenance, and the third belonging originally to Wise:  1  2  3.
  • The 1634 1st quarto of Two Noble Kinsmen from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had previously belonged to Garrick.
  • The 1634 1st quarto of Two Noble Kinsmen from Internet Shakespeare Editions from the Garrick copy held by the British Library.
  • The 1634 1st quarto of Two Noble Kinsmen from the Rare Book Room (Octavo) from a volume held by the British Library.  The provenance of the volume is unknown.
  • The 1634 1st quarto of Two Noble Kinsmen from the Rare Book Room (Octavo) from a volume held by the British Library.  The volume had previously belonged to Wise.
  • The 1634 1st quarto of Two Noble Kinsmen from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  The provenance of this volume is unknown.
  • The 1634 1st quarto of Two Noble Kinsmen from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  This volume was once owned by Malone.
  • The 1634 1st quarto of Two Noble Kinsmen from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  This volume had previously been owned by Malone.
  • The 1634 1st quarto of Two Noble Kinsmen from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  This volume had previously been owned by Malone.  "This quarto was donated to the Bodleian Library in 1821. It was previously owned by Edmund Malone who bequeathed it, among many other important books, to his older brother Richard, Lord Sunderlin. Edmund Malone (1741–1812), after whom the Malone Society was named in 1909, was a renowned Shakespeare scholar who began his literary work in London in 1777. He was a friend to both Samuel Johnson and James Boswell, and he assisted Boswell in revising his biography of Johnson. Malone, the only collector of Shakespeare quartos to acquire a complete set, published an 11-volume edition of Shakespeare’s works in 1790 and unmasked the Shakespeare manuscript forgeries of William Henry Ireland. Malone left his uncompleted work on Shakespeare to James Boswell the younger, who had it published in a 21-volume octavo edition in 1821 (Third Variorum Edition). Although not particularly successful as a textual editor of Shakespeare, Malone is especially noted for his work on Elizabethan theater. Malone traces the provenance of the book to Charles I (1600–1649), who reigned as King of England, Scotland, and Ireland from 1625 until his death. During the last several years of his reign, Charles was embroiled in conflict with parliamentarians who demanded constitutional monarchy and Puritans who rebelled against the king’s policies regarding religion. Refusing to yield to the demands of those who bested him in the civil war, Charles was tried for treason and executed 30 January 1649." (Octavo statement of provenance).
  • Facsimile edition (The Tudor Facsimile Texts) of the 1634 1st quarto of The two noble kinsmen (1910) from the Internet Archive.

The Winter's Tale*

HTML Editions

  • An original spelling transcription of A Winter's Tale (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

  • John Marwick's  production web site with the text and lots of links to other Winter's Tale sites.

Electronic facsimile editions from early folios.

  • The Winters Tale, in the First Folio of 1623 (Jaggard and Blount) from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Winters Tale, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Winters Tale, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Winters Tale, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Winters Tale, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Winters Tale, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Winters Tale, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Winters Tale, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Non-English
Editions

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Poetry
and
Sonnets

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The Sonnets

HTML Editions

  • A transcription of the 1609 edition of the Sonnets, originally published as a Scolar Press Facsimile of the 1609 Edition, from the Electronic Text Center, University of Virginia Library.
  • SHAKE-SPEARES SONNETS (1609) Hardy M. Cook and Ian Lancashire from the University of Toronto's Renaissance Electronic Texts.
  • Though mounted at a site devoted to Baconian authorship, here is a nice rendering of the Sonnets.
  • A 'transvalued' Sonnet 73.

Facsimiles of early editions

  • The 1609 edition of Shake-Speares Sonnets from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "This rare quarto of Shakespeare’s Sonnets was donated to the Bodleian Library in 1821. It was previously owned by Edmund Malone..." (Octavo statement of provenance).
  • The 1609 edition of Shake-Speares Sonnets from the Rare Book Room (Octavo) from a volume held by the British Library.  "This exceptional copy from the British Library, one of only thirteen to survive, is bound in nineteenth-century English brown leather, probably sheep, with wide turn-ins, all tooled in gold. Both covers and pastedowns have Thomas Grenville’s coat of arms. The spine includes the title and imprint in the second and third compartments: “shake- | speares | sonnets,” “london | 1609.” The edges of the text block are gilt and tooled. When the Hon. Thomas Grenville M.P. (1755–1846) acquired this copy, it was standard practice among book collectors of means to have choice volumes uniformly rebound. This copy of the Sonnets therefore entered Grenville’s library in this elegant rebinding of brown leather, bulked out to double its size with 40-odd blank leaves, enabling the title to be lettered across, rather than along, the spine. All knowledge of the early history of this copy of Shakespeare’s Sonnets was thus obscured until recently. A faint trace of the long-obliterated signature of “Reynard William[s]” (possibly contemporary with Shakespeare) has now been recovered on the recto of the dedication leaf, though no further information has yet come to light regarding this early autograph." (Octavo statement of provenance).  A Lovers Complaint is bound into this volume after Sonnet 154 (Sig. K1v).
  • Shakespeares Sonnets, Being a Reproduction in Facsimile of The First Edition 1609, ed. Sidney Lee, Oxford, 1905, from Google Book Search, full view and PDF, 75 pages.  A Lovers Complaint appears after Sonnet 154.
  • A facsimile edition of the Sonnets.  A Facsimile of the Chalmers-Bridgewater Copy (Aspley Imprint) of the 1609 Quarto, in the Huntington Library.   A Lover's Complaint begins at K1v.  There is another version via the UCLA library at the Internet Shakespeare Editions.
  • The 1640 Bensen edition of the Poems Written by Wil. Shake-speare. Gent., from the Rare Book Room (Octavo) from a volume held by the Warnock Library.
  • The 1640 Bensen edition of Poems : vvritten by Wil. Shake-speare, gent., from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.

Facsimiles of modern editions


Venus and Adonis

HTML Editions

Electronic facsimiles of early editions

  • A facsimile edition of the 1593 1st quarto of Venus and Adonis via the MacPherson Library, University of Victoria, from the Internet Shakespeare Editions.
  • Shakespears Venus and Adonis, Being a Reproduction in Facsimile of The First Edition 1593 From the Unique Copy in the Malone Collection In The Bodleian Library,  ed. Sidney Lee, 1905, from Google Book Search, full text and PDF, 75 pages.
  • The 1596 3rd (octavo) edition Venus and Adonis from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  The volume had previously belonged to Malone.

Facsimiles of  Modern Editions

  • Venus and Adonis, ed. Charlotte Porter, 1912, from Google Book Search, full view and PDF, 162 pages.

The Rape of Lucrece

Facsimiles of early editions

  • Shakespeares Lucrece, Being a Reproduction in Facsimile of The First Edition 1594, ed. Sidney Lee, Oxford, 1905, from Google Book Search, full view and PDF, 91 pages.
  • Lucrece, 1594 edition from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.  "Now at the Bodleian Library, this 1594 quarto of The Rape of Lucrece is the first of seven other Shakespeare quartos inlaid in Edmund Malone’s Volume III..." (Octavo statement of provenance).  The volume is mis-dated at the Octavo site as "1598."  It should be 1594.
  • The 1632 edition of The Rape of Lucrece, from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.

The Passionate Pilgrim

HTML versions of the text:

Facsimile editions:

  • The Passionate Pilgrim, being a reproduction in facsimile of the first edition 1599, etc.  Includes an introduction and bibliography (with census of copies) by Sidney Lee, The Clarendon Press, 1905, from Google Book Search, full view with PDF, 62 pages.  The same work is available from the much more readable Internet Archive.

About The Passionate Pilgrim

Language

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This section truly deserves a page of its own, but until that time, links related to Shakespeare's use of language will be placed here.

Lists

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Publishers &
Booksellers

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©1995-2009 Terry A. Gray
Last modified 09/21/09
Do not copy or reuse these materials without permission.