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Shakespeare's Works Page Banner (C)1997-1998 Terry A. Gray

Related Linked Pages:  Study Guides  |  Attributions (apocrypha)

Introduction

I have brought together here links to the collected and individual works by Shakespeare available on the Internet. There are four basic types:  HTML editions, PDF versions, searchable scanned versions (at Google Book Search and the Internet Archive) and facsimile editions, that is, static images which represent the leaves of published volumes but cannot be searched. The individual editions are listed alphabetically by title. For-pay resources are generally not linked, nor are resources that contain excessive advertising.  With the advent of the Google and Microsoft scanning projects the task of finding and linking works became more challenging.  There are many HTML editions of the works based on the complete Moby Shakespeare, a freely available version.  I have not attempted to find and present all of these, just the most prominent and least commercial.

In addition to the works, I have included a link to my own chronological listing of the canon, which contains some notes to the plays and issues related to the dating of the plays and poems. There are also links to the Lambs' Tales From Shakespeare (an original html edition mounted at this site). Near the bottom of the page I have placed references to Internet available Shakespeare bibliographies (which I call "lists," within which term I include filmographies, videographies, and webliographies).  Finally, as an aid to those of you in search of printed editions, I have included links to various book publishers and sellers, with special emphasis on those known for Shakespeare related materials.

If you are doing research on the "authorship problem," you will find the links on the Life & Times page.

Canon

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Tales From
Shakespeare

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An original, illustrated html edition of the complete Tales From Shakespeare, by Charles and Mary Lamb. If you are unfamiliar with the tales, they were originally published in 1806 (dated 1807) and are prose renderings for children of 20 of the plays. The tragedies were written by Charles and all the others by Mary Lamb. Though originally intended for children, they are revered works in their own right and serve as wonderful introductions to the plays. In their table of contents they are given in their originally published order, and below are given in alphabetical order:

Collected
Editions

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The standard HTML Complete Works sites are:

  • in the USA, the MIT Shakespeare Homepage. The Complete Works from the Tech. HTML editions of the  works are laid out nicely in table format.
  • in Australia, Matty Farrow's  the Complete Works site, with a good glossary and an excellent search engine.

[These, and almost all the Complete Works sites on the Internet are based on a very generic text released to the public domain in the early 90's called the "Complete Moby™ Shakespeare," based initially, it is believed, on The Stratford Town modern spelling edition of 1911 (see the bibliographic entry for the MIT site from SHINE).  Where the works are based on another text, it is noted below.]

Other notable HTML and text Complete Works sites:

  • Open Source Shakespeare - concordance, keyword and advanced searching, statistics, the text of the plays, find characters, and a search of all the poetry as well.  Remarkable.  Based on the Globe edition.
  • The Works in HTML editions from Wikisource, without version attribution.
  • PlayShakespeare.com, "the ultimate free Shakespeare resource," primarily a presentation of the texts with some ancillary materials.  "All of the texts on this site come from the First Folio of 1623 (and Quartos where applicable) and the Globe Edition of 1866 and have been re-edited and updated."
  • Renascence Editions of the Complete Works in PDF and HTML versions, University of Oregon.
  • The Complete Works from the etext library at the University of Adelaide.
  • The source for the Project Gutenberg texts of the Complete Works, and the Gutenberg listing of doubtful and spurious works.  Project Gutenberg also mounts a Complete Works interface at this location.
  • A no-frills, well designed portal to standard html versions of the complete works (the thirty-seven canonical plays, not Two Noble Kinsmen), with a brief biography on the index page, and the ability to search within any of the individual works or across all, from  ReadPrint.com.
  • Another HTML edition of the Complete Works mounted by the Pasadena Shakespeare Company.  Notes and other introductory materials are not provided.
  • The Complete Literary Works of William Shakespeare from The Classic Literature Library.
  • The Great Books Index. Well laid out index to basic versions of the plays.
  • The University of Michigan has provided the Complete Works at the Internet Public Library.
  • The Nine Volume 1863-1866 Cambridge Shakespeare is available from Project Gutenberg in downloadable text format.  See the facsimile edition below for more information.
  • The 1866 Globe Edition at the Electronic Text Center, University of Virginia Library.  The Globe edition seems to have been the source for the aforementioned "Complete Moby Shakespeare."  The texts at this site are presented in HTML, Microsoft Reader eBook, and Palm eBook formats.  Click here for another interface to the same editions.
  • The First Folio and Early Quarto editions of the Works, again, from the University of Virginia etext archive in original spelling transcriptions.
  • The 1914, W. J. Craig, Oxford Edition of the Complete Works (37 plays, 154 sonnets), with an excellent search tool which finds words to Act/Scene divisions.
  • The University of Victoria's Internet Shakespeare Editions, including HTML and facsimile editions.  "The aim of the Internet Shakespeare Editions is to make scholarly, fully annotated texts of Shakespeare's plays available in a form native to the medium of the Internet."  They are far from achieving this very lofty goal, but offer links to many very useful editions and resources.
  • The University of Chicago Library The First Folio of Shakespeare, prepared by Charlton Hinman, published by The Oxford Text Archive.  This is a fully searchable version of the second edition of the Norton Facsimile edition of 1996 (first edition, 1968).
  • HTML original spelling transcription of the 1623 First Folio from The Classic Literature Library.
  • Plain text original spelling transcription of the First Folio from Project Gutenberg.
  • The Oxford Text Archive holdings for "Shakespeare."  Texts are downloadable and may be used freely for non-commercial purposes.

Electronic facsimiles of early printed editions (Quartos and Folios):
[The 1623 folio unless otherwise indicated.]

For links to quarto facsimile editions of individual plays, see individual plays by title below.

Printed versions of facsimile editions

Printed versions of First Folio facsimiles were produced in 1866, by Howard Staunton, unavailable on the Internet as far as I am aware; in 1876 by the irrepressible J. O. Halliwell-Phillipps, linked above; in 1902 by Sir Sidney Lee, also linked above; in 1954 by Helge Kökeritz and Charles Tyler Prouty (the Yale facsimile, which is now somewhat rare); and in 1968 by Charlton Hinman, the first Norton Facsimile.  The Norton Facsimile is now in its second edition (1996), edited by Peter Blayney.

Recommended print version: The Norton Facsimile

"Charlton Hinman's facsimile of Shakespeare's First Folio was a colossal achievement when it was first published in 1968, and its reputation is further enhanced by this beautiful second edition. Looking for a way to provide scholars with a reliable version of Shakespeare's text, Hinman invented a device that sped up the collation process, allowing him to compare 82 of the surviving copies of the Folio and bring to light features of Shakespeare's work that have been--and continue to be--edited out of most modern editions." --from the Amazon.com product description.

The scholarship of Hinman has remained unsurpassed.  The second edition of this, his great work, was issued in 1996, edited by Peter Blayney, who provides an introductory essay.

A facsimile version of the best first folio held by the Folger Shakespeare Library is available on CD-ROM in PDF format from Octavo.


Electronic facsimiles of modern (eighteenth, nineteenth and early twentieth century) printed editions, now in the public domain.
  • 1709 - The Nicholas Rowe 1709 Edition of the Works of Shakespeare

THE WORKS OF Mr. William Shakespear IN SIX VOLUMES. ADORN'D with CUTS Revis'd and Corrected, with an Account of the Life and Writings of the Author. By N. Rowe, Esq. LONDON: Printed for Jacob Tonson, within Grays-Inn Gate, next Grays-Inn Lane. MDCCIX.

Rowe was the first formal editor of Shakespeare, and his first formal biographer.  His Some Acount of the Life &c. of Mr. William Shakespear, prefaced to his 1709 edition of the Works (based on the Fourth Folio of 1685) became the standard 18th Century biography, and in fact became the foundation document for all subsequent biographies. Though it contains inaccuracies, it also preserves information, as Sidney Lee says, which, were it not for Rowe, would surely have been lost. Rowe acknowledges his debt for "...the most considerable part of the passages relating to this life..." to the actor Thomas Betterton (1634-1710), who made "a journey to Warwickshire on purpose to gather up what remains he could, of a name for which he had so great a veneration."   Rowe includes the apocryphal plays first added to the 1664 Third Folio in his volume VI.  His edition was also the first illustrated edition of the plays.

For more on Rowe, see his entry in "Shakespeare's Editors," where you can see all the major illustrations from this edition.

The works of Shakespear in eight volumes. The genuine text (collated with all the former editions, and then corrected and emended) is here settled ; being restored from the blunders of the first editors and the interpolations of the two last: with a comment and notes, critical and explanatory. By Mr. Pope and Mr. Warburton, London, J. & P. Napton, 1747; from Google Book Search, full text and PDF.  The "Blunders of the first Editors" refers collectively to the editors of the quarto and folio editions, and Rowe, who was safely dead by this time.  "The last two" refer to the editions of Theobald (1733) and Hanmer (1743-44).  Warburton had criticized Pope's edition, but having become an ally of Pope's by the time of this edition, does not mention it unfavorably.  His former ally, now enemy, Theobald, however, comes in for notable criticism.

 

For more on Steevens see his entry in Shakespeare's Editors.

  • 1767-1768: The Capell edition

Mr William Shakespeare his Comedies, Histories, and Tragedies, set out by himself in quarto, or by his Players, his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo ; with an Introduction: Whereunto will be added, in some other Volumes, Notes, critical and explanatory, and a Body of Various Readings entire. London, Printed by Dryden Leach, for J. and R. Tonson in the Strand.

The links given below are from the versions scanned for the Internet Archive.  Unfortunately it is not possible to link to individual sections within each work.  Even less fortunately, the set at the Internet Archive is not complete, lacking volume II.  Please contact me if you find a link to this volume.

  • Volume I - Poems upon the author. Table of his editions. The tempest. The two gentlemen of Verona. The merry wives of Windsor. [Vol. I in searchable Snippet view from GBS]
  • Volume II - Measure for measure. The comedy of errors. Much ado about nothing. Love's labour's lost. [Vol. II in searchable Snippet view from GBS]
  • Volume III - A midsummer night's dream. The merchant of Venice. As you like it. The taming of the shrew. [Vol. III in searchable Snippet view from GBS]
  • Volume IV - All's well that ends well. Twelfth night; or, What you will. The winter's tale. Macbeth. [Vol. IV in searchable Snippet view from GBS]
  • Volume V - King John. Richard II. Henry IV. [Vol. V in searchable Snippet view from GBS]
  • Volume VI - Henry V. Henry VI. [Vol. VI in searchable Snippet view from GBS]
  • Volume VII - Richard III. Henry VIII. Coriolanus. [Vol. VII in searchable Snippet view from GBS]
  • Volume VIII - Julius Cćsar. Antony and Cleopatra. Timon of Athens. Titus Andronicus. [Vol. VIII in searchable Snippet view from GBS]
  • Volume IX - Troilus and Cressida. Cymbeline. King Lear.
  • Volume X - Romeo and Juliet. Hamlet. Othello. [Vol. X in searchable Snippet view from GBS]

For more on Capell, see his entry in the Shakespeare's Editors section.

  • 1773 - Johnson-Steevens 1, or the of the Works in the Johnson-Steevens-Reed series

In the same year Steevens' Twenty of the plays... appeared (1766) he published a prospectus for a new edition of Shakespeare.  Johnson's edition was only a few months old at the time (it was published October, 1765).  Steevens' had gained Johnson's favor and Johnson was impressed with Twenty of the plays....  The resulting edition of the works did not appear until 1773, and even though Johnson had very little to do with it, it is known as Johnson-Steevens 1.  I have been able to locate links to all ten volumes from various libraries scanned through Google Book Search, available in full view and PDF.  Here are the links.  The important new materials the many notes supplied by Steevens, the list of old editions of Shakespeare's plays, and the notes contained in the Appendix.

For more on Steevens and links to his other editions, see his entry in Shakespeare's Editors.

  • Malone's Supplements to Steevens' edition of 1778

Edmond Malone (1741 - 1812), whose An Attempt to Ascertain the Order in which the Plays Attributed to Shakspeare Were Written appeared in Steevens' 1778 edition of The plays published a two-volume Supplement to that edition in 1780 which contains valuable notes and observations from many sources, but particularly from Malone himself who was certainly the greatest Elizabethan scholar of the 18th Century.  I give links to Volumes I and II below to save space, and then a detailed set of links to the subsections within each volume on my Steevens page and Malone page.  Volume I contains general supplemental comments, comments to each of the plays in particular, and Shakespeare's Poetry with annotations.  Volume II contains the seven supplemental plays added to the second impression of the Third Folio (1664) and appendices to each of the volumes.

For more on Steevens, and the Johnson-Steevens-Reed editions of 1773, 1778, 1793, 1803 and 1813, see Steevens' entry in Shakespeare's Editors.

  • 1791-1802 - The Boydell Shakespeare.  Alderman John Boydell exhausted his considerable fortune patronizing the largest Shakespeare illustration and publishing project undertaken in the eighteenth century.  It has three interdependent phases:  the commisioning of thirty-three of the best English artists to paint scenes based on Shakespeare, which were displayed in the Boydell Shakespeare Gallery at 52 Pall Mall, London; engravings made from the paintings which were sold separately at the Gallery, used to illustrated the Dramatic Works; and finally sold as a stand-alone 2-volume set without the Shakespearean text.  The Dramatic Works appears in 18 Numbers beginning in 1791, and were gathered into a great 9-volume edition in 1802.  They were edited by George Steevens, but appeared without notes and Steevens did little more than select pre-existing texts for the Work.  This painting, engraving, and publishing effort maintained the highest standards of the time.  Unfortunately the cost, in concert with the French revolution which dried up Boydell's export business to the continent, nearly bankrupt Boydell.  He applied to Parliament to hold a lottery to dispose of the gallery and his other related assets in order to retire his debts.  The lottery was successful, but Boydell died before the final drawing.  For the full details, see my entry on Boydell on the Shakespeare's Editors page.
     
  • The Chalmers Edition of 1805

Chalmers' edition of Shakespeare first appeared in 1805, issued in ten volumes (Murphy's edition number 413, see Shakespeare in Print, p. 342), and re-issued without many of the Fuseli plates, in nine volumes in the same year (Murphy number 414).  The edition was reissued in 1811 in nine volumes, also with only of few of the Fuseli plates included (see Murphy, number 439).  It is notable for its illustrations, based on the designs of the great romantic painter Fuseli.

The Plays of William Shakespeare: Accurately Printed from the text of the corrected copy left by the late George Steevens, Esq. with a series of engravings, from original designs of Henry Fuseli, Esq. R. A. Professor of Painting: And a selection of explanatory and historical notes, from the most eminent commentators; a history of the stage, a life of Shakspeare, &c. By Alexander Chalmers, A. M., F. C. and R. Rivngton, etc., London, 1805.

For more on Chalmers, and links to the 1811 reprint, see his entry in the Shakespeare's Editors section.

The Plays and Poems of Shakspeare, with a Life, Glossarial Notes, and One Hundred and Seventy Illustrations from the Plates in Boydell's Edition, Edited by A. J. Valpy, M. A. Late Fellow of Pemb. Coll., Oxford , in Fifteen Volumes.

  • 1843 - Barry Cornwall (Bryan Waller Procter, 1787 - 1874), The Works of Shakspere Revised from the Best Authorities: With a Memoir and Essay on His Genius, 1843, from Google Book Search, full-view and PDF, in three volumes:
    • Vol. I - Memoir and Essay, Prefatory Material, and the Comedies
    • Vol. II - The Tragedies
    • Vol. III - The Histories, with an appendix containing Titus Andronicus, Pericles, and the non-dramatic poetry.

    The Cornwall edition contains nearly 1,000 illustrations by Kenny Meadows, capitalizing on a ready market for illustrated editions of Shakespeare.
     

  • Links to Verplank's 1847 Edition of Shakespeare's Plays
Shakespeare's Plays, with his Life: Illustrated with many hundred Wood-cuts, executed by H. W. Hewet, after Designs by Kenny, Meadows, Harvey, and others. Edited by Gulian C. Verplank, LL.D. with Critical Introductions, Notes etc., Original and Selected.  In Three Volumes. New York : Harper & Brothers.

Verplanck's American edition is really nothing more than a compilation from the Cornwall and Knight editions that precede it, but is the first American edition that shows any amount of independent thought, and is notable for its illustrations, which were lifted wholesale from Knight and Cornwall.

Vol. I Histories

Vol. II Comedies [IA] Vol. III Tragedies [IA]

For more on Verplanck see his entry in my Shakespeare's Editors site.

First Edition

Shakespeare, William, and Alexander Dyce. The Works of William Shakespeare. London: E. Moxon, 1857, Vol. I.  (Murphy §501, "Alexander Dyce 1")

Second Edition

Shakespeare, William, and Alexander Dyce.  The works of William Shakespeare, Edition: 2, Published by Chapman and Hall, 1864-67.

[(Murphy §594, "Dyce 2")  The second edition was first published in 8 volumes, and then republished in 9 volumes, the ninth comprised of Dyce's Glossary to Shakespeare.  Unfortunately a complete set from either publication is not available at GBS, so I have had to mix the two here, but the only differences seem to be the title pages and the addition of the ninth volume.  A more serious problem is the absence of volume VII.  Please contact me if you discover this volume at GBS.  The second edition seems also to have been published in Leipzig by Bernhard Tauchnitz in 1868 complete in seven volumes, but without the glossary.]

Excerpt from the Preface to the Second Edition

"The present work is so far from being a reprint of the edition which appeared in 1857, that it exhibits a text altered and amended from beginning to end. Throughout the former edition, influenced, perhaps unconsciously, by the example of Malone and of some later editors (whom the over-boldness of Pope, Theobald, Hanmer, &c. had rendered over-cautious), I was content to allow readings of a much more than doubtful character to retain their places in the text, provided I made mention in the notes how a considerable portion of them had been corrected by critical conjecture. Of the impropriety of such a plan—as tending only to perpetuate error—I am now fully convinced; nor assuredly has my conviction on that head been at all shaken by the recently-published volumes of the Cambridge Shakespeare, in which (whatever its merits in other respects) the editors adhere passim to the corruptions of the old copies with a pertinacity akin to that of Mr. Knight, before his superstitious devotion to the first folio had lost something of its fervour. In short, I now believe that an exact reprint of the old text with its multifarious errors forms a more valuable contribution to literature than a semi-corrected text, which, purged here and there of the grossest blunders, continues still, almost in every page, to offend against sense and metre" (p. ix).

Vol. I, Vol. II, Vol. III, Vol. IV, Vol. V, Vol. VI, Vol. VII, Vol. VIII, Vol. IX

Third Edition

Shakespeare, William, and Alexander Dyce. The Works of William Shakespeare, Edition: 3, Published by Chapman & Hall, 1875. 

[Here again I have had to mix printings, and unfortunately Vol. I cannot be found.  Please contact me if you discover this volume at GBS.]

Vol. I, Vol. II (snippet view), Vol. III, Vol. IV, Vol. V, Vol. VI, Vol. VII, Vol. VIII, Vol. IX

See the entry for Dyce in my Shakespeare's Editors pages.

  • 1858 - 1860 The Staunton Edition

"Between November 1857 and May 1860 he issued, with Messrs. Routledge, a new edition of Shakespeare in monthly parts, with 824 illustrations by Sir John Gilbert.  The parts were bound up in three volumes" (DNB, 1909, p. 1004).  (Actually, the volumes were issued from 1858 to 1860, coincidentally with completion of the monthly parts).  The volume were reissued in 1864 without illustrations.  Also in 1864 Staunton issued a photo-lithographic facsimile of the 1600 first quarto of Much Ado About Nothing.  And then in 1866 a photo-lithographic reproduction of the First Folio.

"Staunton's text was based on a collation of the folio editions with the early quartos and with the texts of modern editors from Rowe [1709] to Dyce [1857].  The conjectural emendations, which were usually sensible, were kept within narrow limits, and showed much familiarity with Elizabethan literature and modes of speech.  The general notes combined common-sense with exhaustive research" (DNB, 1004).

The Plays of Shakespeare. Edited by Howard Staunton. The Illustrations by John Gilbert. Engraved by the Brothers Dalziel. London: George Routledge & Co., vol. I, 1858; vol. II 1859; vol. III 1860; from Google Book Search in Full View and PDF formats.

For more on Staunton, see his entry in the Shakespeare's Editors section.

  • 1863 - 1866 - The Cambridge Shakespeare

Between 1863 and 1866 William George Clark (1821 - 1878) and (at first) John Glover  (and soon thereafter) William Aldis Wright (1831 - 1914) brought out the "Cambridge Shakespeare" in 9 volumes.  All nine volumes can be found at the Internet Archive in various formats, including downloadable PDF.

  • Vol. I (Clark & Glover, 1863) - The Tempest; The Two Gentlemen of Verona; The Merry Wives of Windsor; A Pleasant Conceited Comedy of Syr John Falstaffe; Measure for Measure; The Comedy of Errors.
  • Vol. II - (Clark & Wright, 1863.  All subsequent versions are Clark & Wright) - Much Ado About Nothing; Love's Labour's Lost; A Midsummer-Night's Dream; The Merchant of Venice; As You Like It.
  • Vol. III - (1863) - The Taming of the Shrew; All's Well That Ends Well; Twelfth Night; The Winter's Tale.
  • Vol. IV - (1864) - King John; Richard II; Henry IV, Part 1; Henry IV, Part 2; Henry V.
  • Vol. V - (1864) - Henry VI, Part 1; Henry VI, Part 2; Henry VI, Part 3; The First Part of the Contention, &c.; The True Tragedie of Richard Duke of Yorke And The Good King Henry the Sixt; Richard III.
  • Vol. VI - (1865) - Henry VIII; Troilus and Cressida; Coriolanus; Titus Andronicus.
  • Vol. VII - (1865) - Romeo and Juliet; An Excellent Conceited Tragedie of Romeo and Juliet; Timon of Athens; Julius Caesar; Macbeth.
  • Vol. VIII - (1866) - Hamlet; The Tragicall Historie of Hamlet Prince of Denmarke; King Lear; Othello.
  • Vol. IX - (1866) - Antony and Cleopatra; Cymbeline; Pericles; Venus and Adonis; The Rape of Lucrece; Sonnets; A Lover's Complaint; The Passionate Pilgrim; The Phoenix and the Turtle.

Glover soon left the project after the publication of Volume I, and the editors of the remaining volumes were Clark and Wright.  This pair of editors also soon edited the Globe Edition (1864) and thereafter Wright came out with his own edition (see below).

  • 1864 - The "Globe Edition"

    The Globe Edition was a "readers's" 'spin-off' edition without the critical apparatus of the much weightier Cambridge Edition.  The first Globe edition was published in 1864.  It strove to give a single, simple text without notes or other scholarly trappings, and to be popular, generating sales for Cambridge and Macmillan.  The following is a link to the 1864 first edition:  The Globe Edition.  The Works of William Shakespeare.  Edited by William George Clark and William Aldis Wright.  Cambridge and London.  Macmillan and Co., 1864.  I have also provided here an 1867 reprinting of the Globe Edition of the Works of William Shakespeare.  Reprints of the Clark and Wright  edition were numerous, this 1879 "Avon" edition, for example.  The Globe edition remains a staple of printers and booksellers down to the present day.

An explanation of the differences between the "Cambridge Shakespeare" and the Globe Edition, taken from the Preface to the Globe Edition of 1867:

As however the two editions differ in plan, the one recording in foot-notes all the various readings and conjectural emendations, the other giving only the text, we have in some particulars modified our rules. For instance, in cases where the text of the earliest editions is manifestly faulty, but where it is impossible to decide with confidence which, if any, of several suggested emendations is right, we have in the ' Cambridge Shakespeare ' left the original reading in our text, mentioning in our notes all the proposed alterations : in this edition, we have substituted in the text the emendation which seemed most probable, or in cases of absolute equality, the earliest suggested. But the whole number of such variations between the texts of the two editions is very small.

--Clark & Wright

  • 1881 - Henry N. Hudson's "Harvard Edition" of the Works

Henry N. Hudson was an American original, experienced as a farmer, coach-maker, school teacher, a Boston churchman and literati, popular lecturer and friend of Emerson—though no transcendentalist—and editor of Shakespeare.  His first edition of Shakespeare appeared in 11 volumes from 1851-1856, preceded by that of Verplanck.  His School Shakespeare appeared in 1870, in 1872 Shakespeare His Life, Art and Characters, finally in 1881 his Harvard Shakespeare appeared in 20 volumes.

The Complete Works of William Shakespeare. With A Life of the Poet, Explanatory Foot-Notes, Critical Notes, and a Glossarial Index.  Harvard Edition.  By the Rev. Hanry N. Hudson, LL.D. In Twenty Volumes.  Boston : Ginn, Heath, & Co. 1881.

For more on Hudson see his entry in my Shakespeare's Editors section.

  • 1882 - The Complete Works of William Shakespeare, Comprising His Plays and Poems, With Dr. Johnson's Preface, with a glossary, an account of each play, and a memoir of the author by the Rev. William Harness, M. A., H. A. Sumner and Co., 1882; from Google Book Search, full view and PDF, 926 pages.
     
  • 1891 - 1893 - The Works of William Shakespeare, ed. William Aldis Wright, 1891-1893, in Nine Volumes, from Google Book Search, full view and PDF.
    • Vol. I - The Tempest; The Two Gentlemen of Verona; The Merry Wives of Windsor; Measure for Measure; The Comedy of Errors;
    • Vol. II - Much Ado About Nothing; Love's Labour's Lost; A Midsummer-Night's Dream; The Merchant of Venice; As You Like It;
    • Vol. III - The Taming of the Shrew; All's Well That Ends Well; Twelfth Night; The Winter's Tale;
    • Vol. IV - King John, Richard II; Henry IV Part 1; Henry IV Part 2; Henry V;
    • Vol. V - Henry VI Part 1; Henry VI Part 2; Henry VI Part 3; Richard III; Henry VIII;
    • Vol. VI - Troilus and Cressida; Coriolanus; Titus Andronicus; Romeo and Juliet;
    • Vol. VII - Timon of Athens; Julius Caesar; Macbeth; Hamlet;
    • Vol. VIII - King Lear; Othello; Antony and Cleopatra; Cymbeline;
    • Vol. IX - Pericles; The Non-dramatic Poetry and Reprints.

     

  • 1903 - 1907 (second series) - Rolfe's Editions of Shakespeare - The "Friendly" Shakespeare

I have located a full set of William J. Rolfe's 40-volume Shakespeare editions through Google Book Search. Some, but not a complete set, exist also at the Internet Archive.  Links to titles of works below, therefore, are to the GB scanned, facsimile editions.  Where IA editions exist, they are linked in square brackets afterwards, labeled "IA," with their own date of publication if it differs.  I have made the main title links to the Google Book Search second series editions (published originally from 1903-1907) except in cases where I could not find a second series scan at GB.  In those cases I made it to the first series edition (published originally between 1870-1883, but reprinted many times).  I have followed the default second series link with a link to first series editions where I could find them.  Internet Archive links in square brackets follow Google Book links.  The dates given after the first series links are to the actual publication date on the volume, which in many cases is a reprint date.  Copyright renewals after 1910 belong to John C. Rolfe, son of the editor.

Comedies

Histories

Tragedies

Romances

Attributions

Poetry

For more on Rolfe, see his entry in "Shakespeare's Editors."

  • A single-volume Complete Works edited by William Allan Nelson, Houghton Mifflin, 1906.
  • A custom search constructed by Google on the works included in Google Book Search I have called The Google Shakespeare.  The links are categorized into Comedies, Histories, Romances and Tragedies, and each category links out to all editions present in Book Search.  A wide variety of source texts are presented by the editors of the various works linked at this site.  See my review of the Google Shakespeare.

Promptbooks.

Three pre-restoration promptbooks found in a copy of the First Folio at the University of Padua and therefore known as the "Padua" promptbooks:

Macbeth
Measure for Measure
Winter's Tale

Two from c. 1672 connected with the Hatton Garden Nursery and therefore known as the "Nursery" promptbooks:

Comedy of Errors
Midsummer Night's Dream

The following plays from a copy of the Third Folio belonging to the Smock Alley Theatre of Dublin (c. 1676-85) and therefore known as the "Smock Alley" promptbooks:

Hamlet
Macbeth
Othello
Midsummer Night's Dream
King Lear
Henry VIII
The Merry Wives of Windsor
Twelfth Night
The Comedy of Errors
The Winter's Tale


Multimedia editions

  •   Speak the Speech.  "We are a small audio theatre company dedicated to providing freely available Shakespearean audio performances online,for the benefit of educators, students, theatre people, the disabled, those in rural areas or overseas, or to put it simply: Everyone!"  Full plays available include As You Like It, Henry IV Pt. 1, Twelfth Night, and The Tempest.  Clips are available from Macbeth, The Merchant of Venice, and Richard III.
  •   HarperAudio's Internet Multicasting Service. Audio rendering of the Sonnets, parts of Much Ado About Nothing, and Julius Caesar by great English actors accompanied by period music (au, gsm, and ra formats are available). If you have the new media player from Microsoft, the au format plays with very high quality.

Productions

[Signet
Lineation]
  • A unique set of texts have been rendered by Dr. Michael Best as part of the Shakespeare By Individual Studies program. HTML texts for A Midsummer Nights Dream, Henry IV Pt. 1, As You Like It, Hamlet, King Lear, Macbeth, and The Tempest are included at this site. They are unique because the line numbers have been keyed to the Shakespeare Signet Classic editions. 
  • The Shakespeare Stack Project -- an archive of MacIntosh binhexed files of Mac HyperCard Stacks editions of the plays.

Individual
Editions

Plays marked
with an asterisk
(*) appeared in
print for the first
time in the First
Folio of 1623.

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All's Well That Ends Well*

HTML Editions

  • An original spelling transcription of All's Well That Ends Well (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • All's Well, that Ends Well, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • All's Well, that Ends Well, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • All's well that ends well, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • All's well that ends well, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Antony and Cleopatra* (1606-1608)

HTML Editions

  • An original spelling transcription of Antony and Cleopatra (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Anthonie, and Cleopatra in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Anthony, and Cleopatra, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by theState Library of New South Wales.
  • The Tragedy of Anthony and Cleopatra, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Anthony and Cleopatra, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

As You Like It*

HTML Editions

  • An original spelling transcription of As You Like It (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • As you Like it, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • As you like it, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • As you like it, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • As you like it, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimiles of 19th Century editions:


The Comedy of Errors*

HTML Editions

Electronic facsimile editions from the folios.

  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Comedie of Errors, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Comedie of Errors, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Comedie of Errors, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Comedy of Errors, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Coriolanus* (1608)

HTML Editions

  • An original spelling transcription of Coriolanus (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Coriolanus, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Coriolanus, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Coriolanus, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Coriolanus, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimile editions of 17th century revisions of the play:


Cymbeline*

HTML Editions

  • An original spelling transcription of Cymbeline (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios.

  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Cymbeline, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Cymbeline, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Cymbeline, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Cymbeline, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Other Versions


Hamlet

HTML Editions

  • An original spelling transcription of Hamlet (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • The Enfolded Hamlet. Jump to the play or its various enfolded versions from the introduction.
  • HamletWorks.org "offers deep levels of information on Hamlet and related works for scholars, students, theater practitioners, and fans."
  • The 1603 'bad quarto' edition of Hamlet in HTML transcription from the University of Virginia.
  • The 1604 quarto edition, in HTML transcription also from UV.
  • The 1623 First Folio text of Hamlet  in transcription from UV.
  • Athena Ophelia page.
  • Hamletworks.org "offers deep levels of information on Hamlet and related works for scholars, students, theater practitioners, and fans."b
  • Hyperhamlet.  A truly amazing site from the University of Basel.  ""Hyperhamlet" is a new project at the University of Basel, a database that collects and orders references to Hamlet in all areas of culture.  Who quoted Hamlet? Which passages were most popular when? Etc. It is based on the conviction that we need a cultural history of Shakespeare's plays, and that in studying the status and the meaning of a play we should not entirely rely on criticism and performance history."  It took literally just seconds to determine that "Hoist with his own petard" is quoted in Sir Walter Scott's Kenilworth, wit.h the appropriate references.  If you do not think that is breathtaking, you probably should not be using this web site, or perhaps any web site.

Electronic facsimile editions of early (17th century) quartos and folios.

  • The 1603 1st quarto of Hamlet from the British Library, another version of the same from the Rare Book Room (Octavo).
  • A mirror of the 1603 1st quarto from the Internet Shakespeare Editions, using the ISE navigation tools, from the volume held by the British Library.
  • The 1604 2nd quarto of Hamlet from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1605 2nd variant quarto of Hamlet from the British Library, and the same from the Rare Book Room (Octavo), and the same from Internet Shakespeare Editions..
  • The 1611 3rd quarto of Hamlet, originally in the possession of Garrick and another of the same of unknown provenance, both from the British Library.  Here is another version of the 3rd quarto from the Rare Book Room (Octavo), and yet another, and another.
  • The 1611 3rd quarto of Hamlet from the Rare Book Room from a volume held by The Bodleian Library, University of Oxford.
  • The 1611 3rd quarto of Hamlet from the Rare Book Room from a volume held by the University of Edinburgh Library.
  • The 1611 3rd quarto of The tragedy of Hamlet, Prince of Denmarke, from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The 1622 4th quarto of Hamlet, originally in the possession of Garrick, and another of the same originally in the possession of George III, both from the British Library, and yet another version of the same from the Rare Book Room (Octavo).
  • The 1637 5th quarto of Hamlet from the British Library, and another version of the same from the Rare Book Room (Octavo).
  • The 1637 5th quarto of Hamlet from the Rare Book Room from a copy held by the University of Edinburgh Library.
  • The 1637 5th quarto of Hamlet from the Rare Book room from a copy held by The Bodleian Library, University of Oxford, and another from the same source held by the same library.
  • The 1637 5th quarto of Hamlet from the Rare Book Room from a copy held by the National Library of Scotland.
  • The Tragedie of Hamlet, Prince of Denmarke, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Hamlet, Prince of Denmarke in the First Folio of 1623 from the Horace Howard Furness Memorial (Shakespeare) Library, SCETI, University of Pennsylvania.
  • The Tragedie of Hamlet, Prince of Denmarke, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Hamlet, Prince of Denmarke, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Hamlet, Prince of Denmarke, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Hamlet, Prince of Denmark, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Hamlet, Prince of Denmark, in the Third Folio of 1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Hamlet, Prince of Denmark, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimile editions of 17th Century revisions of the play:

Electronic facsimiles of 18th Century editions of the play.

Electronic facsimiles of 19th Century revisions of the play:

  • Poole, John, 1786?-1872. Hamlet travestie : in three acts, 1810, (Poole's Hamlet Travestie), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Hamlet, 1860 (Forrest's Hamlet Promptbook), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Shakespeare's tragedy of Hamlet, 1879, (Edwin Booth's Promptbook of Hamlet), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Hamlet : a tragedy in five acts, by William Shakespeare, as arranged for the stage by Henry Irving, 1879, (Irving's Hamlet), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Hamlet, by William Shakespeare, as arranged for the stage by Forbes Robertson..., 1897, (Forbes Robertson's Hamlet), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.

Performances

  • The Derry Film Initiative video production of Hamlet, from Google Video (1 hr. 33 min.).  "The Derry Film Initiative's HAMLET is a vigorous, dynamic and modern reinvention of one of literature's greatest works. Drawing upon the Northern Ireland conflict and using the conventions of the documentary film to give a first-hand, visceral experience, HAMLET is not only a psychological thriller about one man's quest for revenge, but also a meditation on politics, war and the very nature of life and death."

Henry IV, Part 1

HTML Editions

  • An original spelling transcription of Henry IV, Part One (1623 First Folio Edition) Electronic Text Center, University of Virginia Library.

Electronic Facsimile Editions of early quartos and folios.

Henry IV, Part 1 was entered in the Stationers' Register February 25, 1598 (NS):

Andrew Wise.] A booke entitled the Historye of Henry the Fourth, with his Battaile at Shrewsburye against Henry Hottspurre of the Northe with the conceipted Mirth of Sir John Falstalffe

The first quarto was not actually the first quarto.  There survives an 8-page fragment (quire C) of the play designated Q0, without date, upon which Q1 is based.  Q1 is dated 1598 and appeared with the following title:

The history of Henrie the Fourth; with the battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the north. With the humorous conceits of Sir Iohn Falstalffe [sic].
At London: printed by P. S. [Peter Short] for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell, 1598.

Q1 was reprinted in 1599 and designated "Newly corrected by W. Shake-speare.
", but there are only very small differences between Q1 and Q2.  Other quartos appeared in 1604, 1608, 1613, and 1622, testifying to the popularity of the play.  The text of the First Folio (F1) is set from Q5 (1613) with the oaths removed.

The play was probably written at the end of 1596 or very early 1597.  It is most likely that Henry IV, Part 1 was composed without reference to a part 2, and that part 2 was written to build on the success of part 1.

  • 1598 1st quarto of Henry IV, Pt. 1, from the British Library, and another copy of the same from the Internet Shakespeare editions.
  • The 1599 2nd quarto of The History of Henrie the fourth, with the battle at Shrewsburie... from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • 1599 2nd quarto of Henry IV, Pt. 1, from the British Library originally possessed by Garrick, and another originally possessed by George III.
  • Another copy of the 1599 quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.
  • The 1604 3rd quarto of Henry IV, Part 1, from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • 1608 4th quarto of Henry IV, Pt. 1, from the British Library.
  • Another copy of the 1608 quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.
  • The 1608 4th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • Two examples of the 1613 5th quarto of Henry IV, Pt. 1, from the British Library, both originally possessed by Halliwell-Phillipps: 1  2.  Other copies of these quartos from the Rare Book Room (Octavo): 1   2
  • The 1613 5th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1622 6th quarto of Henry IV, Pt. 1, from the British Library.  Another copy of this quarto from the Rare Book Room (Octavo).
  • The 1622 6th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1622 6th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.
  • The 1632 7th quarto of Henry IV, Pt. 1, from the British Library.  Another copy of this quarto from the Rare Book Room (Octavo).
  • The 1632 7th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.
  • The 1632 7th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.
  • The 1639 8th quarto of Henry IV, Pt. 1, from the British Library.  Another copy of this quarto from the Rare Book Room (Octavo).
  • The 1639 8th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by National Library of Scotland.
  • The 1639 8th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1639 8th quarto of Henry IV, Part 1 from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.
  • The 1639 8th quarto of The historie of Henry the Fourth : vvith the battell at Shrewsbury, betweene the King, and Lord Henry Percy, surnamed Henry Hotspur of the North. With the humorous conceits of Sir Iohn Falstaffe, from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-Spurre, in  the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-Spurre, in  the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-Spurre, in  the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-Spurre, in  the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-spurre, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-spurre, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of Henry IV, with the Life and Death of Henry, Sirnamed Hot-Spur, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimiles of modern (usually nineteenth century or later) printed editions, now in the public domain.


Henry IV, Part 2

HTML Editions

  • An original spelling transcription of Henry IV, Part Two (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic Facsimile Editions of early quartos and folios.

Henry IV, Part 2 was entered in the Stationers' Register, along with Much Ado About Nothing, on August 23, 1600:

Aug. 23, 1600.
And. Wise, and Wm. Aspley.] Muche Adoe about Nothinge...
Second Part of the History of King Henry the Fourth, with the Humors of Sir John Fallstaff, written by Mr. SHAKESPERE

It was printed in the same year (quarto a) with the following title page:

The second part of Henrie the fourth, continuing to his death, and coronation of Henrie the fift. With the humours of Sir Iohn Falstaffe, and swaggering Pistoll. As it hath been sundrie times publikely acted by the Right Honourable, the Lord Chamberlaine his seruants. Written by William Shakespeare.
London: printed by V. S. [Valentine Simmes] for Andrew Wise, and William Aspley, 1600.

It was reprinted in the same year (quarto b) with act III scene i added, which had been omitted from the first printing.  It was not printed again until the First Folio, which must have been type set from an original manuscript since the Folio version contains passages not contained in either early quarto.  It is speculated that the passages removed from the early printings were politically sensitive, in view of the strained relationships between the court and the Essex factions in 1600, and that they were removed at the behest of the censor.  Indeed, the Essex revolt occurred early the next year, in which Shakespeare's company played their small, though thankfully forgivable, part.  The Folio text also was edited to cut the oaths, in observance of the act of parliament of 1606 forbidding the use of the names of the deity, an act which also required heavy cutting of Henry IV, Part 1.  Between the quarto and folio texts a full text is available which must reflect Shakespeare's manuscript, or at least the company's prompt version.  Henry IV, Part 2 obviously feeds on the popularity of Part 1, but it is not known whether it was written before or after The Merry Wives of Windsor.  If before, it was probably written in late 1596; if after, in mid- to late 1597.

The illustration above is from the Chalmers edition, 1805, an engraving by James Neagle on a design by Henry Fuseli.

Electronic facsimiles of modern (usually nineteenth century or later) printed editions, now in the public domain.


Henry V (1599)

HTML Editions

  • An original spelling transcription of Henry V (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions of early quartos and folios.

Henry V is one of the few plays by Shakespeare that can be reliably dated.  The prologue to act V (ll30-34) reads:

Were now the general of our gracious empress,
As in good time he may, from Ireland coming,
Bringing rebellion broached on his sword,
How many would the peaceful city quit,
To welcome him!

The general is, of course Essex, who left London on March 27, 1599 on his Irish campaign.  After his disastrous management of the campaign, he returned to England precipitously, and ill advisedly, on September 28, 1599.  The play must have been finished during this period.  It is also worth noting that the play is not mentioned in Francis Meres' list of Shakespeare's plays in Palladis Tamia, published autumn 1598.  It is often thought that "this wooden O" in the opening prologue refers to the newly erected Globe on the Bankside.  If one accepts Sohmer's arguments for opening day of the Globe being 12 June, 1599, it may well be that Henry V was one of the first plays presented there.  Early Spring-Summer, 1599, then, is a fairly certain date for this plays composition.

The play was first entered in the Stationers' Register by the printer James Roberts along with Much Ado About Nothing, As You Like It, and Every Man In His Humour on August 4, 1600, with a notation that it is "to be staid."  It is believed that this was a measure taken to attempt to block the printing of the plays without permission.  Nevertheless, the play was printed in an unauthorized quarto in 1600.

The cronicle history of Henry the fift, with his battell fought at Agin Court in France. Togither with Auntient Pistoll. As it hath bene sundry times playd by the Right Honorable the Lord Chamberlaine his seruants.
London: printed by Thomas Creede, for Tho. Millington, and Iohn Busby. And are to be sold at his house in Carter Lane, next the Powle head, 1600.

The first quarto is a corrupt version of the text of the First Folio, and it is believed it is a memorial reconstruction of a shortened acting version of the play.  This text was reissued in 1602 as the second quarto, and again in 1619 by Pavier and Jaggard, falsely dated 1608, as the third quarto.  The First Folio text, therefore, which must be based on Shakespeare's manuscript, is the authoritative text for the play.

  • The 1600 1st quarto of Henry V from the British Library. Another copy of the 1600 1st quarto from the Rare Book Room of the copy held by the British Library.
  • The 1600 1st quarto of Henry V from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • An electronic facsimile edition of the 1619 (dated 1608) 3rd Quarto edition of Henry V from the Furness Shakespeare Library.
  • The 1619 3rd quarto (dated 1608) of Henry V from the British Library originally possessed by Garrick, and another originally possessed by George III.  Copies of these quartos are also available from the Rare Book Room (Octavo): Garrick   George III.
  • The 1619 3rd quarto (dated 1608) of The Chronicle History of Henry the Fift, with his battell fought at Agin Court in France.  Together with Ancient Pistoll, from the Rare Book Room (Octavo) from a volume held by National Library of Scotland.  Owned initially by the great Shakespeare editor George Stevens (1736–1800); then Richard Forster; then John Stuart, first Marquiss of Bute.  The Bute collection was eventually (1956) purchased by the National Library of Scotland.
  • The 1619 3rd quarto (dated 1608) of Henry V from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  The volume had been owned by Edward Capell, then by J. O. Halliwell-Phillipps, who gave it to the University Library.
  • The 1619 3rd quarto (dated 1608) of Henry V from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1619 3rd quarto (dated 1608) of The chronicle history of Henry the fift : with his battell fought at Agin Court in France : together with ancient pistoll : as it hath bene sundry times played by ... the Lord Chamberlaine his seruants from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Life of Henry the Fift, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life of Henry the Fift, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life of King Henry the Fifth, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life of King Henry V, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Henry VI, Part 1*

HTML Editions

  • An original spelling transcription of Henry VI, Part One (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions of early folios.

  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The first Part of Henry the Sixt, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of Henry the Sixt, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The first Part of King Henry the Sixth, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The First Part of King Henry VI, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Henry VI, Part 2

HTML Editions

  • An original spelling transcription of Henry VI, Part Two (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic Facsimile Editions of early quartos and folios.


Henry VI, Part 3

HTML Editions

Henry VIII* (Shakespeare and Fletcher)

HTML Editions

  • An original spelling transcription of Henry VIII (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • HTML version of Henry VIII from MIT.

Electronic Facsimile Editions of early folios.


Julius Caesar* (1599)

Julius Caesar was printed for the first time in the First Folio of 1623.  Later folio editions introduce minor variations but do not change the text in any significant way.  There are no quarto editions.  I have presented HTML editions; scanned facsimile editions from the Folios; scanned editions from modern books (but not too modern, since I only present complete or "full view" editions containing text of the entire play, often with editorial introductions, notes, glosses, and so forth; plain text editions; and "other" editions, distinguished by some odd or interesting feature.  Many HTML editions are based on the "Complete Moby Shakespeare," from Moby Lexical Services.  I have only included representative copies of this version since it is so common.  I have also not included version oh advertising.  In fact, a bare minimum of tasteful advertising, if any, is a strong qualifier on what is included among the selections.

HTML editions

  • Original spelling transcription of the First Folio version with scene navigation, from Internet Shakespeare Editions.
  • Original spelling transcription of the First Folio version with act navigation from the etext center at the University of Virginia.
  • HTML Julius Caesar from Renascence Editions, a copy of the University of Adelaide mirror of the ERIS Project plain text edition.
  • HTML Globe edition of Julius Caesar from the Perseus Project, Tufts University.  The Globe Shakespeare is "the one-volume version of the great Cambridge Shakespeare (1891-3) edited by W. G. Clark, J. Glover, and W. A. Wright. The Cambridge Shakespeare was the reference edition well into the twentieth century, and many important works of scholarship are keyed to it" (from the Perseus Project web site).
  • Julius Caesar from the 1914 Oxford Shakespeare, W. J. Craig, ed., at bartleby.com.
  • Julius Caesar from the collected works at MIT (known as the Moby Shakespeare).
  • Julius Caesar from the etext center at the University of Virginia HTML edition based on the Moby Lexical project, in turn based on the Globe edition.
  • The HTML version from Matty Farrow's collected works at the University of Sydney.
  • Julius Caesar from the Open Source Shakespeare.
  • Julius Caesar from PlayShakespeare.com.
  • Another version based on the Moby Shakespeare from the Pasadena Shakespeare Company.
  • Julius Caesar, an HTML version of plain text from the eServer Drama Collection.
  • HTML editions of the plain text version from Project Gutenberg. 

Electronic facsimile editions from the Folios:

Electronic facsimile editions from modern books:

Plain text editions

  • Plain text, Plain text zipped, and Plucker format downloadable files containing the text of Julius Caesar from Project Gutenberg.
  • The plain text "Hudson Edition" from Project Gutenberg.
  • The plain text "World Library Edition" from Project Gutenberg.
  • The plain text "First Folio" transcription from Project Gutenberg.

"Other" editions:

Productions


King John*

HTML Editions

  • An original spelling transcription of King John (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from the folios:

  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The life and death of King John, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The life and death of King John, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life and Death of King John, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Life and Death of King John, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimile editions from modern books:


King Lear

HTML Editions

  • An original spelling transcription of King Lear (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.
  • King Lear (incorporating Q1 and F1) with linked glossary, is presented by Dr. Larry A. Brown.  Dr. Brown has included two very interesting introductory articles, "Aristotle on Greek Tragedy," and "Tragedy After Aristotle." 

Electronic facsimile editions from early quartos and folios.

Illustration of Lear, Kent, the Fool and Poor Tom on the heath from the Staunton edition, vol. III, 1860, p. 87.

King Lear was entered in the Stationers' Register November 26, 1607:

Nov. 26, 1607.
Nath. Butter and John Busby.] Mr. Willm.
Shakespeare, his Hystorye of Kinge Lear, as yt was played before the King's Majestic at Whitehall, upon St. Stephen's night at Christmas last, by his Majesties servants playing usually at the Globe on the Bank-side

The first quarto, known as the "Pide Bull" quarto, was printed in 1608 with the following title page:

M. William Shak-speare: his true chronicle historie of the life and death of King Lear and his three daughters. With the vnfortunate life of Edgar, sonne and heire to the Earle of Gloster, and his sullen and assumed humor of Tom of Bedlam: as it was played before the Kings Maiestie at Whitehall vpon S. Stephans night in Christmas hollidayes. By his Maiesties seruants playing vsually at the Gloabe on the Bancke-side.
London: printed [by Nicholas Okes] for Nathaniel Butter, and are to be sold at his shop in Pauls Church-yard at the signe of the Pide Bull neere St. Austins Gate, 1608.

The text of Q1 is corrupt in places, and it is often argued that it is a "bad" quarto, based on memorial reconstruction, though apparently it was an authorized printing.

The second quarto was an unauthorized re-print of Q1 by Isaac Jaggard in 1619 and fraudulently dated 1608.  It has the following title page:

M. William Shake-speare, his true chronicle history of the life and death of King Lear, and his three daughters. With the vnfortunate life of Edgar, sonne and heire to the Earle of Glocester, and his sullen and assumed humour of Tom of Bedlam. As it was plaied before the Kings Maiesty at White-hall, vppon S. Stephens night, in Christmas hollidaies. By his Maiesties seruants, playing vsually at the Globe on the Banck-side.
[London]: Printed [by William Jaggard] for Nathaniel Butter, 1608

The Folio text differs from the Q1 text, and it is speculated that it was printed from the text of Q1 corrected from the prompt-copy of the King's Men.  The text offers very complex textual problems, akin to the textual problems of Pericles.  The Folio has 100 lines not present in Q1, and Q1 has some 300 lines not present in the Folio.  Neither is regarded as authoritative.

King Lear was probably written in late 1605 or early 1606.  Gloucester's reference to "These late eclipses of the sun and moon" (1.2.112) is by some authorities taken to refer to the eclipses of September and October 1605.

  • Two examples of the 1608 1st quarto of King Lear from the British Library, both originally possessed by Halliwell-Phillipps: 1  2.  Both are examples of the "Pide Bull" edition, named for the imprint on the title page "Printed for Nathaniel Butter, and are to be sold at his shop in Pauls Church-yard at the signe of the Pide Bull neare St. Austins Gate. 1608."
  • Another 1608 1st quarto of King Lear from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford, this one being an example of the "Pied Bull" printing.
  • The 1608 1st quarto of King Lear from a copy held by the British Library with an appendix by Charles Praetorius, 1885, from Google Book Search.
  • Three examples of the 1619 (dated 1608) 2nd quarto of King Lear from the British Library, the first originally possessed by Garrick, the second by George III and the third of unknown provenance: 1  2  3.  Q2 is Pavier's reprint, in 1619, of Q1, fraudulently dated 1608.
  • The 1619 2nd quarto (dated 1608) of King Lear from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford, and another copy from a volume held by the National Library of Scotland.
  • The 1619 2nd quarto (dated 1608) of  M. VVilliam [Shake]-speare : his true chronicle history of the life and death of King Lear and his three daughters, with the unfortunate life of Edgar, sonne and heire to the Earle of Glocester, and his sullen and assumed humour of Tom of Bedlam, in Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of King Lear, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedie of King Lear, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of King Lear, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of King Lear, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimile editions from modern books:

  • The life and death of King Lear. From The works of Shakespear : in six volumes / collated and corrected by the former editions, by Mr. Pope. London: Printed for Jacob Tonson, in the Strand, 1723-1725.  (Though dated 1723, the Pope's edition was printed 1725).

Electronic facsimile editions of 17th century revisions of the play:

  • Tate, Nahum, 1652-1715. The history of King Lear : Acted at the Duke's theatre. London: Printed for E. Flesher, and are to be sold by R. Bentley, and M. Magnes in Russel-Street near Covent-Garden, 1681; from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.

Love's Labour's Lost

HTML Editions

  • An original spelling transcription of Love's Labour Lost (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early quartos and folios.

LLLQ1TitlePagex326 The first appearance of Shakespeare's name on the title page of a printed play was the quarto publication of Love's Labour's LostThe first quarto, and only authoritative text, of Love's Labour's Lost appeared in 1598 with the following title page:

A pleasant conceited comedie called, Loues labors lost. As it was presented before her Highnes this last Christmas. Newly corrected and augmented by W. Shakespere.
Imprinted at London: by W. W. [William White] for Cutbert Burby, 1598.

The W. W. is thought to be William White (d. 1615).  Cuthbert Burby (d. 1607) owned the copyright to this play and to Romeo and Juliet, transferred on his death to Nicholas Ling.

Q1 served as the text for the Folio printing, but it has been revised inconsistently, giving rise to a theory of a lost Q0, but there is no other evidence for a lost quarto (except for the "Newly corrected and augmented" tag printer on the Title page of Q1.  It is often noted that the stage directions in Q1 are unusually full and descriptive, indicating perhaps an absence from the playhouse and/or a production for non-professionals.  Once again, this is only a theory.

Because it is full of inside jokes and parodies, a case has been made for Love's Labour's Lost having been written for a private party, probably involving Southampton and his circle, and later adapted for the stage.  It does seem to have strong associations with the Southampton circle, though this theory is by no means universally accepted.  Those who advance it usually place the play in about 1593-94, in the period of Venus and Adonis and The Rape of Lucrece, with which it has obvious affinities.  A popular theory of Shakespeare's life has him serving as Southampton's secretary or literary assistant during this period of closure of the public playhouses.

Peter Ackroyd in his Shakespeare: The Biography says  that LLL is "so highly allusive and ironic that it hardly seems designed for the public playhouses...there has even been speculation that it was first performed in Southampton House or at Titchfield.  In a ground plan for Titchfield House there is an upstairs chamber designated as the 'Playhouse Room,' just to the left of the main entrance...it has been variously interpreted as a playful satire upon Southampton and his circle, upon Lord Strange and his supporters, upon Thomas Nashe, upon John Florio, upon Sir Walter Raleigh and the notorious 'school of night.'  There are references to a thundering rival poet, George Chapman, and to other Elizabethan notables who are now less well known...and it may indeed refer to all of them." 

If indeed the play was acted for the Southampton circle, it must later have been translated to the Theatre repertory.  It is known to have been acted before Queen Elizabeth in 1597 (see the text on the title page), and Southampton had it performed for the family of King James at Southampton House in 1605.

What is definitely known is that it appears in the list of Shakespeare's plays in Francis Meres' Palladis Tamia in 1598.  It is also (in all likeliehood) referenced in Robert Tofte's Alba, or The Month's Mind of a Melancholy Lover, also published in 1598: "I once did see a play ycleped so," (see Halliwell-Phillipps, Outlines, p. 305.  The play was most likely written, therefore, between 1593 and 1597, though may be a revision of a much earlier work.

  • The 1598 1st quarto of Love's Labour's Lost from the British Library.  Another copy of this work is available for inspection from the Rare Book Room (Octoavo). 
  • The 1598 1st quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  "This quarto was donated to the University of Edinburgh in 1627 by James Drummond of Hawthornden (1585–1649), a former student at the university, as well as a poet and man of letters" (Octavo statement of provenance).
  • The 1598 1st quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • Shakspere's Loves labors lost : the first quarto, 1598 : a facsimile in photo-lithography (1880) with an introduction by Frederick Furnivall, from Internet Archive, in various formats.
  • Two examples of the 1631 2nd quarto of Love's Labour's Lost from the British Library, the first originally possessed by Garrick, the second by George III:  1  2.  These volumes are also available for inspection from the Rare Book Room (Octavo):  Garrick   George III.
  • The 1631 2nd quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  This volume had been the property of J. O. Halliwell-Phillipps, who gave it to the library.
  • The 1631 2nd quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by the Bodleian Library, University of Oxford; and another copy held by the same library.
  • The 1631 2nd quarto of Love's Labour's Lost from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  "This second quarto of Love’s Labours Lost was owned by Dr. Richard Farmer (1735–1797), Shakespeare scholar and collector, and Canon of St. Paul’s, London. It was sold at 1798 Farmer sale to the English book collector Richard Forster and then acquired 1806 by John Stuart, the first Marquis of Bute (1744–1814). Stuart added it to the Bute Collection of early English plays...The Bute Collection is now in the National Library of Scotland, which purchased it from Major Michael Crichton Stuart on 3 April 1956" (Octavo statement of provenance.)
  • The 1631 2nd quarto of Loues Labours lost : a vvittie and pleasant comedie : as it was acted by his Maiesties seruants at the Blacke-Friers and the Globe, in Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Loves Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • Love's Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Love's Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • Love's Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • Love's Labour's lost, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Loves Labour's lost, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Facsimile edition of Love's Labour's Lost from the 1632 Second Folio via the Holloway Pages.
  • Love's Labour's lost, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Love's Labours lost, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Facsimile Editions of Modern Editions

  • The 1904 Variorum edition of Love's Labour's Lost edited by H. H. Furness, from Google Book Search, full view and PDF.

Macbeth* (1606)

HTML editions.

  • An original spelling transcription of Macbeth (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

  • The Roanoke Macbeth Page.

Electronic facsimile editions from early folios.

  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Tragedie of Macbeth, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedie of Macbeth, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Macbeth, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Tragedy of Macbeth, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Measure for Measure*

HTML Editions

  • An original spelling transcription of Measure For Measure (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

  • The Interactive Shakespeare Project study guide to Measure for Measure.

Electronic facsimile editions from early folios.

  • Measure, for Measure, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • Measure for Measure, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • Measure for Measure, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • Measure for Measure, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • Measure for Measure, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Measure for Measure, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Measure for Measure, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • Measure for Measure, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

The Merchant of Venice

HTML Editions

  • An original spelling transcription of The Merchant of Venice (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early quartos and folios.

Detail of illustration showing Shylock: "How like a fawning publican he looks.  I hate him for he is a Christian."
From Samuel Weller Singer's
The Dramatic Works of William Shakespeare, vol. III 1826.

The Merchant of Venice was first printed in quarto in 1600 with the following title page:

The most excellent historie of the merchant of Venice. With the extreame crueltie of Shylocke the Iewe towards the sayd merchant, in cutting a iust pound of his flesh: and the obtayning of Portia by the choyse of three chests. As it hath beene diuers times acted by the Lord Chamberlaine his seruants. Written by William Shakespeare.
At London: printed by I. R. [James Roberts] for Thomas Heyes, and are to be sold in Paules Church-yard, at the signe of the Greene Dragon, 1600.

Consequently it is often called the "Heyes Quarto."

The second quarto was practically printed in 1619 by Thomas Pavier and William Jaggard, and fraudulently dated 1600 in order to circumvent, it is thought, an order by the Lord Chamberlain of May, 1619, that plays belonging to the King's Men could not be printed without consent.  Pavier printed nine other plays at that time.

The First Folio text is based on the text of the first quarto, which itself may have been printed from Shakespeare's "foul papers."

The play was entered in the Stationers' Register July 22, 1598: 

"James Robertes.] A booke of the Marchaunt of Venyce, or otherwise called the Jewe of Venyse. Provided that y t bee not prynted by the said James Roberts or anye other whatsoever, without lycence first had of the right honourable the Lord Chamberlen"
(see "Entries on the Stationers' Books" in Malone).

It appears in the list of Shakespeare's plays in Francis Meres' Palladis Tamia in 1598.  The play was most likely written between 1596 and 1598.

  • Three examples of the 1600 1st quarto of The Merchant of Venice from the British Library, the first originally possessed by Garrick, the second two by George III:  1  | 2  |  3.
  • The same three copies of the 1600 1st quarto of The Merchant of Venice from the Rare Book Room (Octavo):  Garrick | George III | George III from volumes held by the British Library.
  • The 1600 1st quarto of The Excellent History of the Merchant of Venice with the Extreme Cruelty of Shylocke the Jew toward the saide Merchant in cutting a just pound of his flesh.  And the obtaining of Portia, by the choyse of three Caskets, from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford.
  • The 1600 1st quarto of The Merchant of Venice, from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  Apparently a copy that at one time belonged to Lewis Theobald, containing his annotations.
  • Two examples of the 1619 (dated 1600) 2nd quarto of The Merchant of Venice from the British Library, the first originally possessed by Garrick, the second by George III:  1  2.
  • The same two copies of the 1619 (dated 1600) 2nd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from volumes held by the British Library: Garrick  |  George III.
  • The 1619 2nd quarto (dated 1600) of The Merchant of Venice from the Rare Book Room (Octavo) from volumes held by the University of Edinburgh Library.  Given to the library by J. O. Halliwell-Phillipps.
  • The 1619 2nd quarto (dated 1600) of The excellent history of the merchant of Venice : with the extreme cruelty of Shylocke the Iew towards the saide merchant, in cutting a iust pound of his flesh : and the obtaining of Portia, by the choyse of three caskets, from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The 1637 3rd quarto of The Merchant of Venice from the British Library.
  • The same copy of the 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by the British Library.
  • The 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by the National Library of Scotland.  Part of the Bute collection purchased by the National Library of Scotland from Major Michael Crichton Stuart on 3 April 1956.
  • The 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by the University of Edinburgh Library.  Given to the library in 1872 by J. O. Halliwell-Phillipps.
  • The 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • The 1637 3rd quarto of The Merchant of Venice from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from The Rare Book Room (Octavo) from a volume held by the Folger Shakespeare Library.
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from a volume held by the Horace Howard Furness Memorial (Shakespeare) Library from the Schoenberg Center for Electronic Text & Image (SCETI), University of Pennsylvania.
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from the Perseus Garner, part of the Perseus Digital Library, Tufts University, from a volume held by Brandeis University Library.
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by Brandeis University Library.
  • The Merchant of Venice, in the First Folio of 1623 (Jaggard and Blount), from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Merchant of Venice, in the Second Folio of 1632 (Cotes and Allot) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Merchant of Venice, in the Third Folio of 1663-1664 (Chetwinde) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.
  • The Merchant of Venice, in the Fourth Folio of 1685 (Herringman) from Internet Shakespeare Editions (University of Victoria) from a volume held by the State Library of New South Wales.

Electronic facsimiles of 18th Century revisions of the play.


The Merry Wives of Windsor

HTML Editions

  • An original spelling transcription of The Merry Wives of Windsor (1623 First Folio Edition) from the Electronic Text Center, University of Virginia Library.

Electronic facsimile editions from early quartos and folios.

Falstaff holding court
Illustration from the 1843 three-volume edition of the works by Barry Cornwall (Bryan Waller Procter).  The illustration is by Kenny Meadows.

The Merry Wives of Windsor was first entered in the Stationers' Register on January 18, 1602 (NS):

John Busby. An excellent and pleasant conceited commedie of Sir John Faulstof and the Merry Wyves of Windesor...

Arth. Johnson. The preceding entered as assigned to him from John Busby...

It was printed later that year with the following title page:

A most pleasaunt and excellent conceited comedie, of Syr Iohn Falstaffe, and the merrie wiues of Windsor. Entermixed with sundrie variable and pleasing humors, of Syr Hugh the Welch knight, Iustice Shallow, and his wise cousin M. Slender. With the swaggering vaine of Auncient Pistoll, and Corporall Nym. By William Shakespeare. As it hath bene diuers times acted by the Right Honorable my Lord Chamberlaines seruants. Both before her Maiestie, and else-where.
London: printed by T. C. [Thomas Creede] for Arthur Iohnson, and are to be sold at his shop in Powles Church-yard, at the signe of the Flower de Leuse and the Crowne, 1602.

The 1602 1st quarto is commonly referred to as a "bad" quarto.  Compared to the text of the First Folio its text is corrupt.  It is thought to be a memorial reconstruction by the actor who played the part of the Host.  This quarto was reprinted in 1619, as the 2nd quarto, by William Jaggard.

The text of the First Folio is therefore not based on the first quarto, but rather thought to be based on the prompt book of the King's Men.

The play is thought to have been written quickly in early 1597, hard upon the completion of Henry IV Part 2, and first performed to celebrate the initiation of the newly elected Knights of the Garter on April 23, St. George's Day, that year at Windsor Castle.  George Carey, Lord Hunsdon, patron of Shakespeare's company was then elected.  The play makes frequent mention of Windsor Castle. 

Rowe, in his Some Account of the Life &c. of Mr. William Shakespear prefaced to his 1709 edition of the works says of the play;

"She [Queen Elizabeth] was so well pleas'd with that admirable Character of Falstaff, in the two Parts of Henry the Fourth, that she commanded him to continue it for one Play more, and to shew him in Love. This is said to be the Occasion of his Writing The Merry Wives of Windsor. How well she was obey'd, the Play it self is an admirable Proof. Upon this Occasion it may not be improper to observe, that this Part of Falstaff is said to have been written originally under the Name of Oldcastle; some of that Family being then remaining, the Queen was pleas'd to command him to alter it; upon which he made use of Falstaff. The present Offence was indeed avoided; but I don't know whether the Author may not have been somewhat to blame in his second Choice, since it is certain that Sir John Falstaff, who was a Knight of the Garter, and a Lieutenant-General, was a Name of distinguish'd Merit in the Wars in France in Henry the fifth's and Henry the Sixth's Times. What Grace soever the Queen confer'd upon him, it was not to her only he ow'd the Fortune which the Reputation of his Wit made."

Rowe may have picked this up and extended it from John Dennis' dedication to his adaptation The Comical Gallant, published in 1702.  Dennis says:

"This comedy was written at her [i.e., Queen Elizabeth's] command, and by her direction, and she was so eager to see it Acted, that she commanded it to be finished in fourteen days and was afterward, as Tradition tells us, very well pleas'd At the Representation."

  • The 1602 1st quarto of The Merry Wives of Windsor from the British Library.
  • The 1602 1st quarto of of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by the British Library.
  • The 1602 1st quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • Two examples of the 1619 2nd quarto of The Merry Wives of Windsor from the British Library, the first originally possessed by Garrick, the second by George III:  1  2.
  • The same two copies of the 1619 2nd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from volumes held by the British Library:  Garrick  |  George III.
  • The 1619 2nd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by The Bodleian Library, University of Oxford. 
  • The 1619 2nd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by The National Library of Scotland.  Part of the Brute collection, purchased from Major Michael Crichton Stuart on 3 April 1956.
  • The 1630 3rd quarto of The Merry Wives of Windsor from the British Library.
  • The 1630 3rd quarto of The Merry Wives of Windsor from the Rare Book Room (Octavo) from a volume held by the British Library.